Prof. Juan G. Noblejas
Prof. Juan G. Noblejas
Prof. Juan G. Noblejas
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39<br />
phase, making sure that the character is consistent<br />
throughout.<br />
Howard Suber<br />
“All conflict is about power”:<br />
-- who’s got it,<br />
-- who wants it,<br />
-- who or what helps them get it, or<br />
-- who or what gets in the way.<br />
If there is no power struggle, there is no conflict.<br />
If there is no conflict, then there is no story, because<br />
everyone has what they want or is unwilling to try to get it.<br />
In essence, a power struggle (Howard Suber dixit) is made<br />
up of three elements:<br />
-- a goal,<br />
-- an obstacle,<br />
-- an unwillingness to compromise (in the struggle to defeat<br />
or overcome that obstacle or opponent): story occurs when<br />
there can be no agreement.<br />
== If the protagonist is willing or able to compromise in any<br />
way and does, the conflict is over and so the story.<br />
== The power struggle at the heart of many movies has<br />
moral connotations: there is good power and evil power.<br />
[But not in a “Manichean way”].<br />
== Love, morality and personal convictions are good, while<br />
selfishness and ruthlessness are evil.<br />
== These polarities imply (sometimes) that at the heart of a<br />
story is a reversal: