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Prof. Juan G. Noblejas

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73<br />

serve per dare forza alle immagini e non il contrario (come<br />

avviene nel teatro).<br />

~~ Il modo di parlare dei personaggi deve essere vero,<br />

normale, quotidiano. In gergo si dice che il dialogo è<br />

“buttato via”.<br />

~~ Quanto più i concetti sono elevati, tanto più le frasi<br />

dovranno essere “gergali” come se fossero inventate in quel<br />

momento e pronunciate a voce sempre bassa.<br />

====================<br />

t-7: Il “pitch”<br />

[Russin & Downs]<br />

~~ “Pitching” means going to producer’s office and telling<br />

them a story idea you hope they’ll buy. It’s selling ideas<br />

rather than scripts.<br />

If the producer likes an idea, she might buy it and hire you<br />

to write it.<br />

Pitching is a common way to get a job in television, but it<br />

only accounts for abour 12% of movie sales.<br />

~~ Two Schools on “Pitching”:<br />

1-- it’s a worthless waste of time and energy that could be<br />

better spent actually writing a script, instead of talking<br />

about what you’d like to write.<br />

2-- is an essential way to try to sell more story ideas than<br />

you’d ever have time to sit down and actually spec.<br />

~~ Pitching is a great way to refine your outline:

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