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Review of the Research Institute for History and - Universiteit Utrecht

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Uricchio, W.C., ‘Filmvorführer in New York, 1906-1913’. In: Kintop, 9 (2001) nr. 1, pp. 91-108.<br />

Uricchio, W.C., ‘Medien des übergangs und ihre Historisierung’. In: Archiv für Mediengeschichte- Mediale<br />

Historiographien, 1 (2001) nr. 1, pp. 57-72.<br />

Uricchio, W.C., ‘Boekbespreking’. [Recensie van:] Brooker, W. Batman Unmasked: Analysing a Cultural Icon. ,<br />

2001. In: Intensities : <strong>the</strong> journal <strong>of</strong> cult media, 2. (2001) nr. 2<br />

Uricchio, W.C., ‘Coming to Terms With New York City’s Moving Picture Operators, 1906-1913’.<br />

In: The moving image : <strong>the</strong> journal <strong>of</strong> <strong>the</strong> Association <strong>of</strong> Moving Image Archivists, 2 (2002) nr. 2, pp. 73-93.<br />

Uricchio, W.C., ‘TeleVisionen. Historiografi en des Fernsehens’. In: Österreichische Zeitschrift für Geschichtswissenschaften,<br />

12 (2002) nr. 4, pp. 42-59.<br />

Uricchio, W.C., ‘Beyond <strong>the</strong> Great Divide: collaborative networks <strong>and</strong> <strong>the</strong> challenge to dominant conceptions<br />

<strong>of</strong> creative industries’. In: The International Journal <strong>of</strong> Cultural Studies, 7 (2003) nr. 1, pp. 79-90.<br />

Velden, A.W.T. van der, ‘Een Rotterdams dagbladpaleis. De grootstedelijke illusies van het Rotterdamsch<br />

Nieuwsblad, 1927-1940’. In: Tijdschrift voor mediageschiedenis, 4 (2002) nr. 2, pp. 90-109.<br />

Velden, A.W.T. van der, ‘“Amerikaanse” cinema en <strong>and</strong>er amusement in een zogenaamde wereldstad’. In:<br />

Groniek, 37 (2004) nr. 162, pp. 75-88.<br />

Velden, A.W.T. van der, ‘Vijftien jaar van het leven van Abraham Tuschinski. Tekst en context van een zogenaamde<br />

autobiografi e’. In: Tijdschrift voor Economische en Sociale Geschiedenis, 1 (2004) nr. 3, pp. 82-102.<br />

Verhoeff, N., ‘Het Kaleidoskopische Westen’. In: Tijdschrift voor mediageschiedenis, 4 (2001) nr. 7, pp. 129-148.<br />

Verhoeff, N. & Warth, E.M.M., ‘Rhetoric <strong>of</strong> Space: Cityscape/L<strong>and</strong>scape’. In: Historical journal <strong>of</strong> fi lm, radio <strong>and</strong><br />

television, 22 (2002) nr. 3, pp. 245-251.<br />

Verhoeff, N., ‘Archival Poetics.’. In: Screening <strong>the</strong> past : an international electronic journal <strong>of</strong> visual media, 14 (2002)<br />

http://www.latrobe.edu.au/screening<strong>the</strong>past/fi rstrelease/fr0902/nvfr14d.htm.<br />

1b. Academic publications: book chapters<br />

Canjels, R., ‘Adapting fi lm serials: Multiple cultural models <strong>for</strong> <strong>the</strong> cliffhanger in <strong>the</strong> 1910’s <strong>and</strong> 1920’s’.<br />

In: Antonini, A. (red.) Film <strong>and</strong> its multiples. Udine, Forum, 2003. pp. 269-282.<br />

Canjels, R., ‘“Featuring on Stage: American Prologues from <strong>the</strong> 1920s.”’. In: Innocenti, V. & Re, V. (red.) Film’s<br />

thresholds: X International fi lm studies Conference. Udine, Forum, 2004. pp. 309-320.<br />

Copier, M., ‘The o<strong>the</strong>r game researcher. Participating in <strong>and</strong> watching <strong>the</strong> construction <strong>of</strong> boundaries in<br />

game studies.’. In: Raessens, J.R.R. (red.) Level Up Digital Games <strong>Research</strong> Conference. <strong>Utrecht</strong>,<br />

<strong>Universiteit</strong> <strong>Utrecht</strong>, 2003. pp. 404-419.<br />

Daniel, M.F., Splitter, L., Slade, C.M., La<strong>for</strong>tune, L., Pallascio, R. & Mongeau, P., ‘Dialogical Critical Thinking:<br />

Elements <strong>of</strong> defi nitions emerging in <strong>the</strong> analysis <strong>of</strong> transcripts from pupils aged 10 to 12 years’.<br />

In: (red.) Australian Journal <strong>of</strong> Education no. 48. , Melbourne, 2004. pp. 295-313.<br />

Fickers, A., ‘De la “Sibérie de la Prusse” aux “Cantons rédimés”. L’ombre diffuse de la Gr<strong>and</strong>e Guerre dans la<br />

mémoire collective des belges germanophones’. In: Jaumain, S. (red.) Une guerre totale? La Belgique dans<br />

la Première Guerre mondiale. Nouvelles tendances de la recherche historique. Bruxelles, 2004. pp. 504-520.<br />

Fuhrmann, W., ‘Hieroglyphische non-fi ction’. In: Berg, J., Hügel, H.O. & Kurzenberger, H. (red.) Au<strong>the</strong>ntizität<br />

als Darstellungs<strong>for</strong>m. Hildesheim, Muth, 1997. pp. 175-184.<br />

Fuhrmann, W., ‘Lichtbilder und kinemaographische Aufnahmen aus den deutschen Kolonien’. In: (red.)<br />

KINtop, Jahrbuch zur Er<strong>for</strong>schung des frühen Films. , 1999. pp. 101-116.<br />

Fuhrmann, W., ‘Der Kinema in Afrika’. In: Filmmuseum Düsseldorf, (red.) Grüsse aus Viktoria. KINtop Schriften<br />

7. Basel, Frankfurt am Main, Stroemfeld Verlag, 2002. pp. 117-138.<br />

Fuhrmann, W., ‘Deutsche Kolonialkinematographie in Afrika: Eine Untersuchung zur Er<strong>for</strong>schung des<br />

frühen nichtfi ktionalen Films’. In: Denzel, M.A., Gründer, H. & Hiery, H.J. (red.) Jahrbuch für<br />

Europäische Überseegeschichte 2. Wiesbaden, Harrassowitz, 2002. pp. 177-184.<br />

Fuhrmann, W., ‘Die Kinematographenkampagne der Deutschen Kolonialgesellschaft’. In: (red.) Jahrbuch für<br />

Europäische Überseegeschichte, 3. Wiesbaden, Harrassowitz Verlag, 2003. pp. 115-136.<br />

Graaf, A.A.C.G. van der & Nieborg, D.B., ‘Toge<strong>the</strong>r We Br<strong>and</strong>: America’s Army’. In: Copier, M & Raessens,<br />

J (red.) Level Up: Digital Games <strong>Research</strong> Conference 2003. <strong>Utrecht</strong>, Faculty <strong>of</strong> Arts, <strong>Utrecht</strong> University,<br />

NL, 2003. pp. 324-337.<br />

107 The Cultural Construction <strong>of</strong> Media OGC<br />

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