Review of the Research Institute for History and - Universiteit Utrecht

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van het verlangen. Hilversum, Nederlands Instituut voor Beeld en Geluid, 2004. pp. 11-62.
Hogenkamp, A.P., ‘Jan Hin: learning from Joris Ivens and Hans Richter’. In: European Foundation Joris Ivens
Newsmagazine(2004) nr. 10, pp. 21-23http://www.ivens.nl/NL/indexNL.htm.
Hogenkamp, A.P., ‘Léon Moussinac and the Spectators’ Criticism in France (1931-34)’. In: Film International,
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Nederlands Film Festival, 2000. pp. 51-57.
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Countries 8. Arts and Society in Flanders and the Netherlands. Rekkem, Stichting Ons Erfdeel, 2000.
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Los Angeles, London, University of California Press, 1999. In: Kintop, 8. (1999) pp. 199-200.
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Nascita della soggetiva. In: Kintop, 10. (2001) pp. 213-214.
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Turn of the Century. Lausanne/Québec, Payot/Eds Nota Bene, 1999. In: Filmblatt, 11. (1999) pp. 68-69.
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L’Harmattan, 1999. In: Medienwissenschaft, 1. (1999) pp. 90-92.
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Century Chicago. Brunswick, Rutgers University Press, 1998. In: Kintop, 9. (2000) pp. 167-169.
Kessler, F.E., [Recensie van:] Rossell, D. Living Pictures. The Origins of the Movies. Albany, State University of
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Kessler, F.E., ‘-’. [Recensie van:] Albera, F. & Braun, M. Arrêt sur image, fragmentation du temps / Stop Motion.
Fragmentation of Time. In: Kintop, 12. (2003) pp. 171-174.
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frühen deutschen Film. & Oksiloff, A. Picturing the Primitive. Visual Culture, Ethnography, and Early German
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Kessler, F.E., ‘-’. [Recensie van:] Ruchatz, J. Zur Kritik der Archäologie des Kinos. In: Filmblatt, 1997. (1997)
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Kessler, F.E., ‘Arnheim, Rudolf’. In: Pearson, R.E. & Simpson, P. (red.) Critical Dictionary of Film and Television
Theory. London, New York, Routledge, 2001. pp. 16-17.
Kessler, F.E., ‘Intertitre et Film. Histoire, théorie, restauration’. In: Iris(2000) nr. 28, pp. 171-174.
Kessler, F.E., ‘Les études cinématographiques et audiovisuelles aux Pays-Bas’. In: Ecrans et lucarnes, 4 (1999)
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