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Review of the Research Institute for History and - Universiteit Utrecht

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A 8. Resources, funding <strong>and</strong> facilities<br />

Table 5 Funding at programme level<br />

1997 1998 1999 2000 2001 2002 2003 2004<br />

Direct funding 100% 67% 81% 96% 97% 90% 83% 85%<br />

<strong>Research</strong> funds 30% 15% 8% 16% 14%<br />

Contracts 3% 4% 4% 3% 2% 1% 1%<br />

Total research staff 100 100 100 100 100 100 100 100<br />

A 9. Overview <strong>of</strong> <strong>the</strong> results<br />

Key publications<br />

Hogenkamp, A.P., Film, Television <strong>and</strong> <strong>the</strong> Left In Britain, 1950-1970. London, Lawrence & Wishart, 2000.<br />

178 pp.<br />

Kessler, F.E., ‘Le cinématographe comme dispositif (du) spectaculaire.’ In : Cinémas 14 (2003) 1, pp. 21-34<br />

Kessler, F.E., ‘Regards en creux. Le cinéma des premiers temps et la construction des faits spectatoriels.’<br />

In: Réseaux 18 (2000) 99 (Cinéma et réception), pp. 73-98.<br />

Leeuw, J.S. de, ‘National Identity <strong>and</strong> Dutch Monarchy in Historical Fiction: Revisioning ‘<strong>the</strong> family on<br />

<strong>the</strong> throne’’. In: Brügger, N. & Kolstrup, S. (Eds.) Media <strong>History</strong>. Theories, Methods, Analysis. Aarhus (Dk):<br />

Aarhus University Press, 2002, pp. 175-193.<br />

Müller, E., ‘Unterhaltungsshows transkulturell: Fernseh<strong>for</strong>mate zwischen Akkomodation und Assimilation.’<br />

In: Andreas Hepp & Martin Löffelholz (Eds.), Transkulturelle Kommunikation. Konstanz: UVK, 2002,<br />

pp. 456-473.<br />

Slade, C.M., ‘Perceptions <strong>of</strong> <strong>the</strong> media.’ In: I. Volkmer (Ed.), News in Public Memory. An International Study <strong>of</strong><br />

Media Memories across Generations. New York: Peter Lang, 2004.<br />

Thissen, J., ‘Reconsidering <strong>the</strong> decline <strong>of</strong> New York’s Yiddish <strong>the</strong>ater in <strong>the</strong> early 1900s’, In: Theatre survey 44<br />

(2003) 2, pp. 173-197.<br />

Uricchio, W.C., ‘Television, Film, <strong>and</strong> <strong>the</strong> Struggle <strong>for</strong> Media Identity.’ In: Film <strong>History</strong>, An International<br />

Journal 10 (1998) 2, pp. 118-127.<br />

Verhoeff, N., ‘Die Bedeutung des Nationalen in den amerikanischen Pathé-Western’. In: KINtop. Jahrbuch<br />

zur Er<strong>for</strong>schung des frühen Films 10. Frankfurt am Main/Basel: Stroemfeld Verlag, 2001, pp. 39-59.<br />

Table 6 Programme results: outcome numbers<br />

1997 1998 1999 2000 2001 2002 2003 2004 Total<br />

Academic publications in journals 4 13 6 2 11 9 12 7 64<br />

Academic publications book chapters 11 4 14 5 13 19 16 18 100<br />

Monographs <strong>and</strong> editing 2 4 3 7 6 6 2 30<br />

PhD-<strong>the</strong>ses 1 1 1 1 4<br />

Pr<strong>of</strong>essional publications <strong>and</strong> products 2 2 10 5 9 4 9 13 54<br />

103 The Cultural Construction <strong>of</strong> Media OGC<br />

3

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