catalogo_MACRS
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• CANCLINI, Néstor García. A sociedade sem relato. Antropologia e estética da<br />
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• CATÁLOGO GERAL. Museu de Arte do Rio Grande do Sul (organização<br />
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• GUIA DO ACERVO MAC USP (organização Ana Magalhães, Edson<br />
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• O TRIUNFO DO CONTEMPORÂNEO. 20 anos do Museu de Arte<br />
Contemporânea do Rio Grande do Sul. Curadoria Gaudêncio Fidelis. Porto<br />
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• RAMOS, Paula. <strong>MACRS</strong>: 21 anos de algumas conquistas, muitas crises<br />
e permanentes indefinições. In: XXXIII Colóquio CBHA 2013 – Arte e suas<br />
instituicões. 2013.<br />
CONTEMPORARY ART RS<br />
EXHIBITION<br />
In contemporary art, all means of artistic expression are equivalent<br />
and articulate in a complex coexistence, making it possible for objects<br />
from different fields to be integrated, through their basic characteristics,<br />
into the artistic circuit. The result is a very diversified panorama, works<br />
requiring classification, works approaching the banal, works which replace<br />
finished results with documentation of the work process and which adopt<br />
hybridism as an aesthetic proposal, thereby establishing new paradigms.<br />
The exhibition launching the <strong>MACRS</strong> Catalogue of Works includes<br />
selections from artists who have made important, innovative contributions<br />
to the contemporary art scene, establishing dialogues in the local, national<br />
and international scenes. Works are organized in four groups, giving<br />
insight into various moments in the constitution of this collection.<br />
The first group, works from the 1970s and 80s, illustrates the slow<br />
and gradual introduction of contemporary art into the art system of Rio<br />
Grande do Sul; the second, with works from the 1990s, demonstrates<br />
the consolidation of this production in the local environment and the<br />
support of new institutions; the third, from 2000 onwards, shows these<br />
practices becoming hegemonic and quantitatively relevant, spreading<br />
and diversifying throughout the artistic-grandiose panorama. The fourth<br />
group is video art productions, a representative practice found throughout<br />
the collection, though predominantly from the 2000s. In this exhibit,<br />
however, works are not arranged chronologically, but rather, according to<br />
dialogues that can be established between them, offering innumerable<br />
paths to enjoyment.<br />
This exhibition highlights the fundamental value of the <strong>MACRS</strong><br />
collection, showcasing works that significantly change perspectives in<br />
artistic production, through their strategies, material, formal or content<br />
resources. Works that break with the long held and prevailing modernist<br />
visuality, causing cracks in a local art system that tends to be demonstrably<br />
conservative. As a whole, this exhibition clearly demonstrates that<br />
contemporary art has a lot to say about our times. We need to be open to<br />
the new experiences it brings us.<br />
Maria Amelia Bulhões<br />
Curator<br />
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