23.06.2021 Views

catalogo_MACRS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

• CANCLINI, Néstor García. A sociedade sem relato. Antropologia e estética da<br />

iminência. São Paulo: Edusp, 2012.<br />

• CATÁLOGO GERAL. Museu de Arte do Rio Grande do Sul (organização<br />

Raul Holtz). Porto Alegre: MARGS, 2013.<br />

• CATÁLOGO GERAL. Pinacoteca Barão de Santo Ângelo (organização Paulo<br />

Gomes). Porto Alegre: EDUFRGS, 2015.<br />

• FETTER, Bruna. Das reconfigurações contemporâneas do(s) sistema(s) da<br />

arte. Unicamp, Revista Modos, v. 2, n. 3, 2018.<br />

• GUIA DO ACERVO MAC USP (organização Ana Magalhães, Edson<br />

Leite e Helouise Costa). São Paulo: Museu de Arte Contemporânea da<br />

Universidade de São Paulo, 2019.<br />

• GOMES, Paulo (org.). Artes Plásticas no Rio Grande do Sul. Uma panorâmica.<br />

Porto Alegre: Museu de Arte Contemporânea, IEL, Corag, 2002.<br />

• OLIVEIRA, Emerson Dionisio. Museus de fora: a visibilidade dos acervos de<br />

arte contemporânea no Brasil. Porto Alegre: Zouk, 2010.<br />

• O TRIUNFO DO CONTEMPORÂNEO. 20 anos do Museu de Arte<br />

Contemporânea do Rio Grande do Sul. Curadoria Gaudêncio Fidelis. Porto<br />

Alegre: Santander Cultural, 2012.<br />

• RAMOS, Paula. <strong>MACRS</strong>: 21 anos de algumas conquistas, muitas crises<br />

e permanentes indefinições. In: XXXIII Colóquio CBHA 2013 – Arte e suas<br />

instituicões. 2013.<br />

CONTEMPORARY ART RS<br />

EXHIBITION<br />

In contemporary art, all means of artistic expression are equivalent<br />

and articulate in a complex coexistence, making it possible for objects<br />

from different fields to be integrated, through their basic characteristics,<br />

into the artistic circuit. The result is a very diversified panorama, works<br />

requiring classification, works approaching the banal, works which replace<br />

finished results with documentation of the work process and which adopt<br />

hybridism as an aesthetic proposal, thereby establishing new paradigms.<br />

The exhibition launching the <strong>MACRS</strong> Catalogue of Works includes<br />

selections from artists who have made important, innovative contributions<br />

to the contemporary art scene, establishing dialogues in the local, national<br />

and international scenes. Works are organized in four groups, giving<br />

insight into various moments in the constitution of this collection.<br />

The first group, works from the 1970s and 80s, illustrates the slow<br />

and gradual introduction of contemporary art into the art system of Rio<br />

Grande do Sul; the second, with works from the 1990s, demonstrates<br />

the consolidation of this production in the local environment and the<br />

support of new institutions; the third, from 2000 onwards, shows these<br />

practices becoming hegemonic and quantitatively relevant, spreading<br />

and diversifying throughout the artistic-grandiose panorama. The fourth<br />

group is video art productions, a representative practice found throughout<br />

the collection, though predominantly from the 2000s. In this exhibit,<br />

however, works are not arranged chronologically, but rather, according to<br />

dialogues that can be established between them, offering innumerable<br />

paths to enjoyment.<br />

This exhibition highlights the fundamental value of the <strong>MACRS</strong><br />

collection, showcasing works that significantly change perspectives in<br />

artistic production, through their strategies, material, formal or content<br />

resources. Works that break with the long held and prevailing modernist<br />

visuality, causing cracks in a local art system that tends to be demonstrably<br />

conservative. As a whole, this exhibition clearly demonstrates that<br />

contemporary art has a lot to say about our times. We need to be open to<br />

the new experiences it brings us.<br />

Maria Amelia Bulhões<br />

Curator<br />

290

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!