20:00 - Netzwerk für zeitgenössische Musik in Hamburg
20:00 - Netzwerk für zeitgenössische Musik in Hamburg
20:00 - Netzwerk für zeitgenössische Musik in Hamburg
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„…de la Terre“ (1991) for viol<strong>in</strong> and electronics is the third<br />
section of the composer‘s ballet Maa commisioned by the<br />
ballet of the F<strong>in</strong>nish National Opera and choreographed<br />
by Carolyn Carlsson. The title means „earth“, „land“ or<br />
„country“. The ballet does not have a narrative, but is built<br />
around such thematic archetypes as doors, gates, journeys<br />
and the cross<strong>in</strong>g of waters. The score for Maa has seven<br />
sections, some of which are purely electronic, and some<br />
comb<strong>in</strong><strong>in</strong>g acoustic <strong>in</strong>struments with electronic treatment.<br />
Accord<strong>in</strong>g to the composer .....de la Terre acts as the wellspr<strong>in</strong>g<br />
for the work‘s overall musical material. Its emotive<br />
and <strong>in</strong>tense monologue serves to stress the nucleic role it<br />
plays <strong>in</strong> the work as a whole.<br />
Chang<strong>in</strong>g Light<br />
The piece has been written for Edna Michell‘s Compassion<br />
project. In the composition I follow the idea of a dialogue,<br />
suggested by the text I have chosen. The <strong>in</strong>timate nature<br />
and fragile sound world of the duo mirror the fragility of<br />
our uncerta<strong>in</strong> existence.<br />
Kaija Saariaho