TSCHERNOBYL FOREVER / ALLEMAND
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Photo: Patrick Chapuis - 2012<br />
THE AUTHOR<br />
Alain-Gilles Bastide<br />
(...) His investigations are focused on the relationship between images<br />
and texts and the animation of still images. Serge Daney, in the «Libération»<br />
daily newspaper, described his work as a new photographic language,<br />
in which the scale and space variations, the relationships between<br />
images, texts and layout, the «absent» image, the rhythm… become<br />
arranged in the form of an original proposal and set out a new relationship<br />
between photography-text-graphism and cinema.<br />
“Photo-poetry” -a wide-ranging activity that fosters the association of supposedly<br />
heterogeneous forms and practices- is the driving force of this<br />
work. With his first feature report (AMOCO-CADIZ -1978), «La marée<br />
était en noir», he signed publications all over the world. His second report<br />
about the explosion of the «IXTOC-ONE» oil rig in the Gulf of Mexico<br />
(1979) was designed like a travelogue, «Le rêve en bleu d’Esteban».<br />
The critics speak of “a book that burns the platforms» (ZOOM) and his<br />
images are taken up and published by Paris-Match and journals in many<br />
countries.<br />
He went to Chernobyl in 2005 to finalize an auteur report on the topic of<br />
«Traces». The Memorial he achieved in Belarus to pay a tribute to the<br />
700 villages that have been buried after the disaster opened the European<br />
exhibition «Once upon a time… Chernobyl» (2006), organized by the<br />
CCCB (Barcelona) on the 20th anniversary of the explosion of the reactor.<br />
(…)<br />
Jean-Pierre Dupuy