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San Francisco Film Society Oral History Project Interview with ...

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CLAUDE JARMAN: (LAUGHS) This was the first feature film that was made entirely in Esperanto.<br />

There were English subtitles. And somebody said, “God, it was the best film ever made in Esperanto.”<br />

Only at a film festival could you show that.<br />

MARGARITA LANDAZURI: Years before Mel Gibson.<br />

CLAUDE JARMAN: Yes.<br />

MARGARITA LANDAZURI: What else?<br />

CLAUDE JARMAN: What were the great films that year? We had films from George Cukor, Jack<br />

Warner. The Shop on Main Street was one. Mark Robeson—<br />

MARGARITA LANDAZURI: Talk about that, because you had worked <strong>with</strong> him, right?<br />

CLAUDE JARMAN: I was actually in his first—I guess he made one other film before. He wasn’t<br />

George Cukor. He wasn’t somebody who had that history, although at that time he was still a very able<br />

director. He was doing some interesting things. Roman Polanski, Arthur Freed, Fred Astaire—Who<br />

actually got up and did a dance <strong>with</strong> Albert. I mean, it was one of the great tributes of all time. It was<br />

fabulous. We also had—who was I going to tell you? Oh, I think Walt Disney came up that year,<br />

because we showed—was it Snow White?<br />

MARGARITA LANDAZURI: I’m not sure. I don’t have that in my notes.<br />

CLAUDE JARMAN: I think we showed Snow White. Barney Conrad went down to pick him up, and I<br />

guess the film hadn’t shown up. And Barney went down and said, “Mr. Disney,” and he got in the car<br />

and he said, “Where’s the goddamn film?” He was like, “Oh my God, we found the film,” but it was<br />

like—<br />

MARGARITA LANDAZURI: Don’t piss off Walt Disney. (LAUGHS)<br />

17

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