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San Francisco Film Society Oral History Project Interview with ...

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money to organizations that need it. So we were punished for doing a good job. Rather than being able<br />

to use the money the next year, they cut $10,000. OK—We had Robert Aldrich, Melvin Van Peebles—<br />

that was an interesting thing—<br />

MARGARITA LANDAZURI: Now, he had a connection to <strong>San</strong> <strong>Francisco</strong>, didn’t he?<br />

CLAUDE JARMAN: Yes, he did. He was an interesting guy. He was just starting out making films at<br />

that point. And then Jacques Demy, which was—<br />

MARGARITA LANDAZURI: You had trouble getting films for the Festival. That reminded me: Why<br />

was that problem coming up again?<br />

CLAUDE JARMAN: I don’t recall. I can’t really say why it was a particularly difficult year. In terms of<br />

the tributes, we had Henry Fonda. He was one of my idols. I think he was a fantastic actor.<br />

MARGARITA LANDAZURI: How was he as a Festival guest?<br />

CLAUDE JARMAN: He was very, very nice. He was here <strong>with</strong> his wife, Shirley. He was a delightful<br />

guy. I heard he was a difficult person though. I used to hear horror stories of him and John Ford working<br />

together, particularly as Ford got older and more cranky. It was bad. We also had William Holden, also<br />

one of my favorite actors. It was a great tribute because he had great roles, between Sunset Boulevard<br />

and Stalag 17, Picnic.<br />

MARGARITA LANDAZURI: Did he have good stories?<br />

CLAUDE JARMAN: Yeah. He was very quiet. I think he’d quit drinking at that point. He was very<br />

subdued. And they had the Judy Garland tribute which was Albert’s tour de force.<br />

MARGARITA LANDAZURI: She wasn’t there.<br />

CLAUDE JARMAN: No, she wasn’t.<br />

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