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San Francisco Film Society Oral History Project Interview with ...

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CLAUDE JARMAN: Yes. We found a lot of these films and people also went to Cannes. Albert knew a<br />

lot of these films. You just kept your eyes open as much as you could. Anyway, the Festival ended, and I<br />

think it was successful. The Chamber of Commerce was pretty happy <strong>with</strong> it. They were always nervous<br />

about whether it would lose money or not. Their budget was pretty low and I thought it went off very<br />

well for the first time.<br />

MARGARITA LANDAZURI: Opening night was memorable, wasn’t it, <strong>with</strong> Shirley Temple as the<br />

host? Could you talk a little about that night?<br />

CLAUDE JARMAN: Well, I don’t remember that much about it. We probably blocked off 1000 seats<br />

and did not use the upstairs and the side seats. So, that was alright. The Opening Night film was OK,<br />

but, to me, the main thrust of the Festival was the tributes and the other films that we had. Opening<br />

Night was always kind of a throwaway. That’s why we turned it into more of a party night, more than<br />

anything.<br />

MARGARITA LANDAZURI: Well, talk about that, because in those early years, the party element was<br />

a big part.<br />

CLAUDE JARMAN: Yes it was, because we wanted to make it more of an exciting, black-tie event—<br />

Let’s turn out and do something different. You have to realize that in the fall, you’re competing <strong>with</strong> the<br />

opera and the symphony. It was hard to push your way into that venue.<br />

MARGARITA LANDAZURI: But it really became part of that circuit, didn’t it?<br />

CLAUDE JARMAN: Yes, it did. It took a while to do that, but we achieved it.<br />

MARGARITA LANDAZURI: Let’s talk about the organization. You said it was in the Chamber. It was<br />

mostly volunteer run? How many people were actually on staff and paid?<br />

5

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