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San Francisco Film Society Oral History Project Interview with ...

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CLAUDE JARMAN: But we had the Bo Widerberg film, we had Eric Rohmer’s film, we had good<br />

movies that year. We were really beginning to get well known in Europe. People loved to come to <strong>San</strong><br />

<strong>Francisco</strong>. So it was a good example.<br />

MARGARITA LANDAZURI: You had one of the great tributes <strong>with</strong> Bette Davis.<br />

CLAUDE JARMAN: Yes, memorable. We also had a film called Popcorn, which was sold like it was<br />

going to be the Rolling Stones, and people hated it. It was a midnight showing.<br />

MARGARITA LANDAZURI: Was it a music film?<br />

CLAUDE JARMAN: Yes. And people started, I remember—Who was the guy who died, over in<br />

France? Who was the rock star?<br />

MARGARITA LANDAZURI: Oh, Jim Morrison.<br />

CLAUDE JARMAN: Yes, that’s right. He was there, and he came out. I remember him throwing<br />

something against the wall. “I thought that guy was a big fraud, and I hated that movie.” So there you<br />

go.<br />

MARGARITA LANDAZURI: Wow! I never even heard of it, so it must have been bad. (LAUGHS)<br />

CLAUDE JARMAN: Well it had the Bee Gees, Otis Redding, Jimi Hendrix. And then the John<br />

Schlesinger tribute—that was a good one.<br />

MARGARITA LANDAZURI: What was his film?<br />

CLAUDE JARMAN: No, his was a tribute. We also had tributes for Frank Perry, Mike Nichols and then<br />

Bette Davis. And this was when Albert didn’t know when to cut it. I mean, it was like he’d start these<br />

tributes at ten in the morning, and they wouldn’t come off until five in the afternoon.<br />

36

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