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San Francisco Film Society Oral History Project Interview with ...

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MARGARITA LANDAZURI: What, to rinse her hair?<br />

CLAUDE JARMAN: I guess. I still don’t know what a rinsing tray is, but the guy went out in the<br />

Mission somewhere. It was like it became a big cause célèbre for two days. Finally I said, “Go get it.”<br />

But I cannot recall ever having a problem. Everyone, to me, was very honored to be a part of this and to<br />

see himself or herself on the screen, and to have an audience that obviously loved them. I thought the<br />

two people who were not appreciated, who I always regretted, were Clint Eastwood—who I thought got<br />

a bum rap—and Peckinpah. It was because of the times, when people were really against anything to do<br />

<strong>with</strong> violence. Lorena ended up doing the interview <strong>with</strong> Sam Peckinpah, because no one wanted to do<br />

it. He represented a certain part of the film industry that was a pretty vibrant part of the industry, and he<br />

had a lot to say. He was a very talented guy. But I don’t think he was ever appreciated as much as<br />

perhaps he should have been.<br />

MARGARITA LANDAZURI: What were the biggest challenges you faced in your years at the<br />

Festival?<br />

CLAUDE JARMAN: The biggest challenge we faced was the transition from the Chamber of<br />

Commerce to the group that Mayor Alioto had put together, because there we had a totally different<br />

financial base. We didn’t have the Chamber underwriting it, and it was uncertain as to how this was<br />

going to come about. I didn’t know Ray Syufy. I had met him, but I didn’t know him that well. I grew to<br />

really love the guy. We became very close friends. I was one of the pallbearers at his funeral about<br />

fifteen years ago. But at the outset, who am I dealing <strong>with</strong>? He didn’t know me and I didn’t know him.<br />

So, I think that was a challenge. I think that if it wasn’t for George Gund, I don’t know if the <strong>Film</strong><br />

Festival would have survived. It was his support, his financial support, his believing in the Festival and<br />

putting his own money into it, it was extremely critical. And I don’t know what’s going on today, but I<br />

have a feeling George is in there somewhere.<br />

96

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