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Tikal Burial 196 Tomb of the Jade Jaguar - Maya Archaeology

Tikal Burial 196 Tomb of the Jade Jaguar - Maya Archaeology

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161<br />

is speared by <strong>the</strong> beak. This is a unique position for this<br />

glyph, but encircling dots occur on bird beaks in <strong>the</strong> <strong>Maya</strong>n<br />

Tro-Cortesianus Codex (Madrid). Frigate birds, ocellated turkeys,<br />

and pelicans are shown <strong>the</strong>re with <strong>the</strong> dot motif. The<br />

only place in Classic art where a similar motif may be expressed<br />

is on a relief panel in <strong>the</strong> Dumbarton Oaks Collection<br />

(Coe and Benson, <strong>196</strong>6, Fig. 1). The panel is too wea<strong>the</strong>red<br />

and <strong>the</strong> photograph too small to tell for sure, but <strong>the</strong> bird<br />

may be <strong>the</strong> same. Here <strong>the</strong> bird is a headdress element and not<br />

a face mask as on <strong>the</strong> Bu. <strong>196</strong> pot.<br />

The various elements which go toge<strong>the</strong>r to make up <strong>the</strong><br />

headdress are difficult to separate and identify. The mass <strong>of</strong><br />

spherical objects appears also in <strong>the</strong> basket <strong>of</strong> <strong>of</strong>ferings in<br />

<strong>the</strong> right hand throne scene. Fortunately, both headdresses<br />

are almost identical--differing only in <strong>the</strong> arrangement <strong>of</strong><br />

<strong>the</strong> conical headdress cloth. The uppermost element <strong>of</strong> <strong>the</strong><br />

headdress is <strong>the</strong> long-nosed god protruding from a water lily.<br />

(A long-nosed god also appears on <strong>the</strong> headdress <strong>of</strong> <strong>the</strong> right<br />

hand throne figure and a water lily appears in <strong>the</strong> headdress<br />

<strong>of</strong> <strong>the</strong> left throne figure), (Fig. 75).<br />

The projecting headdress piece is found on <strong>the</strong> o<strong>the</strong>r<br />

two figure-painted pots from Bu. <strong>196</strong>, on many o<strong>the</strong>r Late Classic<br />

pottery figures, i.e., from Temple I, Bu. 116 (Coe, <strong>196</strong>6,<br />

p. 42), and on <strong>the</strong> Bonampak murals. This ornamental apparel<br />

appears to be cloth, perhaps wrapped around some streng<strong>the</strong>ning<br />

member.

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