Tikal Burial 196 Tomb of the Jade Jaguar - Maya Archaeology
Tikal Burial 196 Tomb of the Jade Jaguar - Maya Archaeology
Tikal Burial 196 Tomb of the Jade Jaguar - Maya Archaeology
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The Fat Man<br />
169<br />
Kneeling in front <strong>of</strong> <strong>the</strong> throne and shown in pr<strong>of</strong>ile is<br />
a person exceptional in his obesity. He wears a simple, un-<br />
decorated white loincloth, a simple earplug without pendants<br />
and an uncluttered headdress. The earplug and <strong>the</strong> fea<strong>the</strong>rs<br />
issuing from <strong>the</strong> back <strong>of</strong> <strong>the</strong> headdress are painted grey as<br />
are those on <strong>the</strong> dancing-man vessel. Evidently, <strong>the</strong> <strong>Maya</strong>n<br />
painter did not have green paint readily available, because<br />
<strong>the</strong>se are clearly meant to be green jade and green fea<strong>the</strong>rs.<br />
The single upturned fea<strong>the</strong>r is similar to <strong>the</strong> method <strong>of</strong> depiction<br />
employed on <strong>the</strong> o<strong>the</strong>r figure-painted pots from this<br />
burial, as is <strong>the</strong> main element <strong>of</strong> <strong>the</strong> headdress. The figure<br />
has white pupil-less eyes. His potentially meaningful gesture<br />
and distinctive facial characteristics are <strong>of</strong> interest.<br />
Something present on this vessel and not on <strong>the</strong> o<strong>the</strong>rs<br />
from this burial is <strong>the</strong> treatment <strong>of</strong> <strong>the</strong> head and shoulders,<br />
painted as <strong>the</strong>y are in red with <strong>the</strong> rest <strong>of</strong> <strong>the</strong> body left <strong>the</strong><br />
color <strong>of</strong> <strong>the</strong> orange background. On one <strong>of</strong> <strong>the</strong> Bu. 116 vessels<br />
this appears to be some sort <strong>of</strong> mantle <strong>of</strong> light cloth (Coe,<br />
<strong>196</strong>5, p. 42); or, it may be body paint.<br />
The Figure on <strong>the</strong> Throne<br />
In pr<strong>of</strong>ile, seated on <strong>the</strong> rear half <strong>of</strong> <strong>the</strong> throne, is a<br />
man with an outstretched hand “receiving” an <strong>of</strong>fering, probably<br />
<strong>of</strong> corn, in front <strong>of</strong> him. He wears a very plain, black<br />
loincloth and a plain bonnet-like headdress with three