Modular Infotech Pvt. Ltd. - DSpace
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MUSIC AND CHORUS-SINGING 1'1'1<br />
to venture, to act on a reasonable probability, instantly<br />
to verify every experiment (though in this respect only<br />
inferior to carpentering), besides the wonder at the beauty<br />
underlying the chalk scratches, and the joy of co-operative<br />
effort without self-obtrusion. Moreover, the mere fact of<br />
its suitability to large classes ought to be a very strong<br />
argument in its favour, since it seems that in the elementary<br />
schools we are condemned to large classes for<br />
many years to come. If you succeed in stirring a village<br />
to a long-continued joint effort of handicraft or chorussinging,<br />
you raise the whole life of a locality ; and if the<br />
new owners of landed property take this fact to heart and<br />
act upon it by cutting down their London seasons to the<br />
minimum, so as to seize the rich opportunities of prolonged<br />
residence in the country, we might almost be<br />
reconciled to the displacing of the old landlords by the<br />
new rich. But will they Y<br />
At any rate, Dr. Sir Walford Davies-to whom honour is<br />
due-asserted in a lecture that a good tune is a part of<br />
God, and I hold he is right, though, like other truths, it<br />
may ea&jly be perverted. Heflce an explanation of the<br />
emphatic comment of my predecessor at Haileybury, James<br />
Robertson, on hearing some admirable piano playing by<br />
Miss Liddell : " N ourisliing." So in schools, if you teach<br />
chorus-singing and reading at sight you not only train<br />
the faculties of hearing and thinking, and strengthen the<br />
lungs, but you also store in the young minds things of<br />
beauty which do not pass away, but are potent to gild the<br />
thoughts of the heart and quicken nascent hopes " forty<br />
years on" in the din of Cheapside or in the bush of Australia<br />
or in a Sunday Mattins in a fashionable church<br />
at Cannes.<br />
Now, the opportunity of establishing a tradition of fine<br />
chOI'Ull-singing at Eton seemed undeniable. The number<br />
of the boys from whom to select, abOut 1,000, gave promise<br />
of a more massive volume of sound than could be raised<br />
in any other school, and there were memories of delightful<br />
concerts in the days of Barnby and Lloyd. But music at