Modular Infotech Pvt. Ltd. - DSpace
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Modular Infotech Pvt. Ltd. - DSpace
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GIJiTED AMATEURS 261<br />
fessional, but her genius was vocal, not dramatic, though<br />
her temperament was highly strung and passionate in<br />
music. What I mean is that she gave us not superb<br />
reading aloud or acting or emotion in the words, but<br />
uttered rapture or grief or pathos simply by means of the<br />
voice... The words were indistinctly pronounced, but the<br />
whole meaning of the song was given by the expression,<br />
the singer being lost in the melody. On one unforgettable<br />
occasion I took the bass part in some quartette singing<br />
when she was the soprano, an admirable professional whose<br />
name I forget was the alto, and Lionel Benson the tenor.<br />
Mrs. Bob, as she was generally called, had a voice in which<br />
the others felt as if they were imbedded, their best tone<br />
being brought out and enriched as never before. I can<br />
hear now the appealing pathos in the high part of " Ich<br />
fahr dahin," by Brahms, the notes swelling out into a whole<br />
world of pain at the words " vom Heiden muss ich leiden<br />
Pein," and her power of interpreting the lilt of an exquisite<br />
old English piece, " Love me true, dear lassie "-these<br />
glories of part-singing are not to be described, The only<br />
drawback to such a treat has been that all through the<br />
thirty years, from that day to this, I have despaired of ever<br />
being satisfied with any other artist's rendering of those<br />
two melodies. The best we have ever furbished up has<br />
been a poor song-echo of what is now no more.<br />
Of superb and " revealing " amateur performances I<br />
shall never forget Arthur Wade's singing "Barbara Allen"<br />
at Hagley in 1867 (eire.), Lionel Benson's rendering of<br />
"La Charmante Marguerite," a lovely song connected for<br />
all time with Liza Lehmann, and songs by Billy Nicholls<br />
(well known in the Savage Club) at Haileybury about<br />
1898. He bewitched us with his utterly spontaneous<br />
singing and accompaniment, though suffering from a very<br />
bad cold.<br />
There was some capital part-song work done by the<br />
Free Forester Cricket Club, an account of which is to be<br />
found in the Club's volume of A.nnal8. It arose· from<br />
one Tom Ratliff, a born comedian but of no musical