29.03.2013 Views

Modular Infotech Pvt. Ltd. - DSpace

Modular Infotech Pvt. Ltd. - DSpace

Modular Infotech Pvt. Ltd. - DSpace

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

264 MUSIC [CHAP, XVIII<br />

man, who has done much for the grand musical uprising<br />

connected with Queen's Hall in London, a native of the<br />

great German musical centre Frankfort, has asserted<br />

more than once that no audiences in Germany could<br />

compare with the old Monday Pop. audiences in St. James's<br />

Hall in intelligent musical appreciation. (This reminds<br />

me of the statement in Leach's English Schools at the<br />

Riformation-a. very interesting book-that according to<br />

Erasmus, writing about 1499 (?),England was the musical,<br />

Germany the drunken country.)<br />

The other was from no less an artist than Joachim<br />

himself, whom I heard say at luncheon in Stanford's rooms<br />

in Trinity, Cambridge, about 1876, that in avoiding Ehe<br />

ugly scraping noise when the wood of the bow presses on<br />

the strings of the violin in moments of excitement, he<br />

had to be far more careful in England than at home.<br />

" In Berlin they do not mind ; but your ears in England<br />

are more sensitive." This explains some of the phenomena<br />

of German solo singing. I have heard a leading soloist at<br />

Bayreuth take breath in the middle of a word I Yet we<br />

have, I believe, caught the detestable habit of tremolo<br />

from the Wagnerian singers in Germany. Onght that to<br />

contin}le after the War?<br />

The mention of Stanford's luncheon recalls a singular'<br />

incident. Charlie Brookfield (always called Brooks, as his<br />

father was, according to Tennyson, later a well-known<br />

comedian) was asked by Stanford to take a few professionals<br />

of the orchestra to luncheon, before the University<br />

concert in the afternoon. Brooks, as host, found conversation<br />

with these gentlemen tended to drag, so he<br />

invented a tale of a musical practical joke played upon a<br />

performer on the violin not of the very front rank, who<br />

had an awkward high note to hit in a short solo whieh it<br />

fell to him to play from the body of the orchestra on the<br />

platform. To provide against accident he made a chalk<br />

mark exactly where his finger was to press. But as he<br />

was rash enough to reveal the fact, a waggish friend got<br />

at the instrument and surreptitiously altered the mark.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!