- Page 2 and 3: Bloom's Literary Th emes f Alienati
- Page 4 and 5: Bloom’s Literary Th emes THE TRIC
- Page 6 and 7: , Contents . Series Introduction by
- Page 8: Contents Th e Tempest (William Shak
- Page 11: xii Series Introduction by Harold B
- Page 15 and 16: xvi Volume Introduction by Harold B
- Page 17 and 18: 2 Mark Twain continues to push the
- Page 19 and 20: 4 Mark Twain profound and serious,
- Page 21 and 22: 6 Mark Twain Chapter 15, he matures
- Page 23 and 24: 8 Mark Twain failed to express any
- Page 25 and 26: 10 Sherman Alexie a healer, a virtu
- Page 27 and 28: 12 Sherman Alexie as “mouthy, opi
- Page 29 and 30: 14 Sherman Alexie you going, brothe
- Page 31 and 32: 16 Sherman Alexie not written for t
- Page 33 and 34: 18 Sherman Alexie a tradition in it
- Page 35 and 36: 20 Herman Melville “ . . . (but,
- Page 37 and 38: 22 Herman Melville feelings and opi
- Page 39 and 40: 24 Herman Melville we feel to be so
- Page 41 and 42: 26 Herman Melville of human nature
- Page 43 and 44: 28 Herman Melville and underneath,
- Page 45 and 46: 30 Herman Melville unrefi ned,”
- Page 47 and 48: 32 Herman Melville stupid Mexican,
- Page 49 and 50: 34 Herman Melville When the protean
- Page 51 and 52: 36 Herman Melville On the other han
- Page 53 and 54: 38 Giovanni Boccaccio Th e fi fth n
- Page 55 and 56: 40 Giovanni Boccaccio the symbolic
- Page 57 and 58: 42 Giovanni Boccaccio to some exten
- Page 59 and 60: 44 Giovanni Boccaccio emblem of the
- Page 61 and 62: 46 Giovanni Boccaccio access to the
- Page 63 and 64:
48 Giovanni Boccaccio and by magic
- Page 65 and 66:
50 Giovanni Boccaccio detail that d
- Page 67 and 68:
52 Giovanni Boccaccio invitation on
- Page 69 and 70:
54 Giovanni Boccaccio Both Andreucc
- Page 71 and 72:
56 Giovanni Boccaccio sedeva, paren
- Page 73 and 74:
58 Giovanni Boccaccio apostle Peter
- Page 75 and 76:
60 Giovanni Boccaccio 26. “Quell
- Page 77 and 78:
62 Giovanni Boccaccio (1976), pp. 3
- Page 79 and 80:
64 William Golding only the fi rst,
- Page 81 and 82:
66 William Golding Th e myth of Pro
- Page 83 and 84:
68 William Golding unscrupulous ego
- Page 85 and 86:
70 William Golding heroic Prometheu
- Page 87 and 88:
72 William Golding like steam engin
- Page 89 and 90:
74 William Golding He also suff ers
- Page 91 and 92:
76 William Golding Green, Peter.
- Page 93 and 94:
78 William Shakespeare It would sca
- Page 95 and 96:
80 William Shakespeare It requires
- Page 97 and 98:
82 William Shakespeare it well? It
- Page 99 and 100:
84 William Shakespeare To facilitat
- Page 101 and 102:
86 William Shakespeare used little
- Page 104 and 105:
HOUSE MADE OF DAWN (N. SCOTT MOMADA
- Page 106 and 107:
House Made of Dawn 91 producing a s
- Page 108 and 109:
House Made of Dawn 93 Even the perf
- Page 110 and 111:
House Made of Dawn 95 through his e
- Page 112 and 113:
House Made of Dawn 97 while drunk a
- Page 114 and 115:
House Made of Dawn 99 94). What we
- Page 116 and 117:
“a hunger artist” (franz kafka)
- Page 118 and 119:
“A Hunger Artist” 103 create) w
- Page 120 and 121:
“A Hunger Artist” 105 implies,
- Page 122 and 123:
“A Hunger Artist” 107 By allowi
- Page 124 and 125:
A MIDSUMMER NIGHT’S DREAM (WILLIA
- Page 126 and 127:
A Midsummer’s Night Dream 111 fi
- Page 128 and 129:
A Midsummer’s Night Dream 113 nev
- Page 130 and 131:
A Midsummer’s Night Dream 115 “
- Page 132 and 133:
A Midsummer’s Night Dream 117 And
- Page 134:
A Midsummer’s Night Dream 119 , e
- Page 137 and 138:
122 Homer seCt. iii The Odyssey 1 w
- Page 139 and 140:
124 Homer no small disorders at hom
- Page 141 and 142:
126 Homer 3. ‘When your strength
- Page 143 and 144:
128 Homer calm to a passionate temp
- Page 145 and 146:
130 Homer Th e fi rst part of the I
- Page 147 and 148:
132 Homer If the plot 13 or intrigu
- Page 149 and 150:
134 Homer them by his vices; that h
- Page 151 and 152:
136 Homer 15. Th e passions of the
- Page 153 and 154:
138 Jack Kerouac as a good old red,
- Page 155 and 156:
140 Jack Kerouac post-war America b
- Page 157 and 158:
142 Jack Kerouac it consisted of ex
- Page 159 and 160:
144 Jack Kerouac perfectly function
- Page 161 and 162:
146 Jack Kerouac would otherwise pa
- Page 163 and 164:
148 Jack Kerouac in jail, a “chan
- Page 165 and 166:
150 Jack Kerouac on Larimer Street
- Page 167 and 168:
152 Virginia Woolf the Biographer
- Page 169 and 170:
154 Virginia Woolf Such ambiguities
- Page 171 and 172:
156 Virginia Woolf artifi ce of gen
- Page 173 and 174:
158 Virginia Woolf Latham, J. (ed.)
- Page 175 and 176:
160 Tom Stoppard coins, and betting
- Page 177 and 178:
162 Tom Stoppard Th aw and resolve
- Page 179 and 180:
164 Tom Stoppard from the play’s
- Page 181 and 182:
166 Tom Stoppard Th e only textual
- Page 183 and 184:
168 Tom Stoppard NOTE 1. In Jung as
- Page 185 and 186:
170 Toni Morrison and Paule Marshal
- Page 187 and 188:
172 Toni Morrison and Paule Marshal
- Page 189 and 190:
174 Toni Morrison and Paule Marshal
- Page 191 and 192:
176 Toni Morrison and Paule Marshal
- Page 193 and 194:
178 Toni Morrison and Paule Marshal
- Page 195 and 196:
180 Toni Morrison and Paule Marshal
- Page 197 and 198:
182 Toni Morrison and Paule Marshal
- Page 199 and 200:
184 Toni Morrison and Paule Marshal
- Page 201 and 202:
186 Toni Morrison and Paule Marshal
- Page 203 and 204:
188 William Shakespeare introduCtor
- Page 205 and 206:
190 William Shakespeare Plays like
- Page 207 and 208:
192 William Shakespeare always prob
- Page 209 and 210:
194 William Shakespeare [ . . . ] T
- Page 211 and 212:
196 William Shakespeare wish even f
- Page 213 and 214:
198 William Shakespeare by Prospero
- Page 215 and 216:
200 William Shakespeare peace are f
- Page 217 and 218:
202 William Shakespeare drama but a
- Page 219 and 220:
204 William Shakespeare represents
- Page 221 and 222:
206 William Shakespeare perpetually
- Page 223 and 224:
208 William Shakespeare and Spain i
- Page 225 and 226:
210 A Th ousand and One Nights tune
- Page 227 and 228:
212 A Th ousand and One Nights Sind
- Page 229 and 230:
214 A Th ousand and One Nights Sind
- Page 231 and 232:
216 A Th ousand and One Nights all
- Page 233 and 234:
218 A Th ousand and One Nights WORK
- Page 235 and 236:
220 Joel Chandler Harris a simpleto
- Page 237 and 238:
222 Joel Chandler Harris may it eve
- Page 239 and 240:
224 Joel Chandler Harris access to
- Page 241 and 242:
226 Joel Chandler Harris boys may g
- Page 243 and 244:
228 Joel Chandler Harris that black
- Page 245 and 246:
230 Geoff rey Chaucer the end of an
- Page 247 and 248:
232 Geoff rey Chaucer Any considera
- Page 249 and 250:
234 Geoff rey Chaucer “predicacio
- Page 251 and 252:
236 Geoff rey Chaucer spille” [
- Page 253 and 254:
238 Geoff rey Chaucer her, as she r
- Page 256 and 257:
, Acknowledgments . Billingslea-Bro
- Page 258 and 259:
A Achilles anger of, 125, 131, 133,
- Page 260 and 261:
Renaissance Christian culture, 118
- Page 262 and 263:
Kiowa references in, 93, 94, 99 lan
- Page 264 and 265:
Nick Carraway, 139, 144, 146 Nicols
- Page 266 and 267:
as ultimate trickster, 116, 167 The
- Page 268:
anti-feminist attitudes and, 233 au