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, Acknowledgments . Billingslea-Brown, Alma Jean. “Th e Journey as Crossing.” Crossing Borders through Folklore: African American Women’s Fiction and Art. University of Missouri Press, 1999. 67–83. © 1999 by Th e Curators of the University of Missouri. Reprinted by permission. Brodtkorb, Paul, Jr. “Th e Confi dence-Man: Th e Con-Man as Hero.” Studies in the Novel 1.4 (Winter 1969): 421–435. Reprinted by permission. Le Bossu, René. “A General View of the Epic Poem, and of the Iliad and Odyssey; Extracted from Bossu.” Th e Odyssey of Homer, A New Edition. Vol. 1. Trans. Alexander Pope. London: printed for F.J. Du Roveray by T. Bensley, Bolt Court, 1806. 5–39. Lincoln, Kenneth. “Futuristic Hip Indian: Alexie.” Sing With the Heart of a Bear: Fusions of Native and American Poetry, 1890–1999. Berkeley, Calif: University of California Press, 2000. 267–276. © 2000 by the Regents of the University of California. Reprinted by permission. Lindberg, Gary. “Faith on the Run.” Th e Confi dence Man in American Literature. London: Oxford UP, 1982. 259–279. © 1982 by Oxford University Press, Inc. Reprinted by permission. Manzoor, Sohana. “Th e Prometheus Myth in the Novels of William Golding.” BRAC University Journal 4.2 (2007): 105–111. © BRAC University. Reprinted by permission. Mazzotta, Giuseppe. “Games of Laughter.” Th e World at Play in Boccaccio’s Decameron. Princeton, N.J.: Princeton UP, 1986. 186–212. © 1986 by Princeton University Press. Reprinted by permission. Ulrici, Hermann. “Th e Tempest and A Midsummer Night’s Dream.” Shakspeare’s Dramatic Art: History and Character of Shakspeare’s Plays, Vol. II. Trans. L. Dora Schmitz. London: George Bell and Sons, 1908. 38–85. 241
242 Acknowledgments Warde, Frederick. “Th e Grave Diggers in ‘Hamlet.’” Th e Fools of Shakespeare: An Interpretation of their Wit and Wisdom. 1915. Los Angeles, Calif: Times- Mirror Press, 1923. 153–173.
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Bloom's Literary Th emes f Alienati
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Bloom’s Literary Th emes THE TRIC
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, Contents . Series Introduction by
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Contents Th e Tempest (William Shak
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xii Series Introduction by Harold B
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, Volume Introduction by Harold Blo
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THE ADVENTURES OF HUCKLEBERRY FINN
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Th e Adventures of Huckleberry Finn
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the Works of sherman alexie ,. “F
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Th e Works of Sherman Alexie 11 Sup
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Th e Works of Sherman Alexie 13 reg
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Th e Works of Sherman Alexie 15 tea
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Th e Works of Sherman Alexie 17 A k
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The ConfidenCe-Man: his Masquerade
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Th e Confi dence-Man: His Masquerad
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DECAMERON (GIOVANNI BOCCACCIO) ,.
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Decameron 39 commonplace, eludes al
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Decameron 41 mercenary soldier, fal
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Decameron 43 pretends to confi de t
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Decameron 45 general laughter. Cala
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Decameron 47 For the storytellers j
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Decameron 49 alcuni, più gentili c
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Decameron 51 death and is, in this
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Decameron 53 city of Naples is iron
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Decameron 55 Th e Decameron constan
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Decameron 57 9. “Avvegna che, chi
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Decameron 59 20. It may be of inter
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Decameron 61 33. Lynn Th orndike, A
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THE NOVELS OF WILLIAM GOLDING Intro
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Th e Novels of William Golding 65 h
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Th e Novels of William Golding 67 u
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Th e Novels of William Golding 69 B
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Th e Novels of William Golding 71 t
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Th e Novels of William Golding 73 t
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Th e Novels of William Golding 75 I
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haMleT (William shakespeare) ,. “
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Hamlet 79 I picture the old fellow
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Hamlet 81 natural dignity of his tr
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Hamlet 83 the gruesome relics that
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Hamlet 85 Th e dialogue is terminat
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Hamlet 87 It appeared that our prop
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90 N. Scott Momaday Th e in-between
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92 N. Scott Momaday (Momaday, HMD,
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94 N. Scott Momaday with grace and
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96 N. Scott Momaday House made of d
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98 N. Scott Momaday fearsome experi
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100 N. Scott Momaday Jones, Peter N
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102 Franz Kafka notes in his deft a
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104 Franz Kafka hunger artist and t
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106 Franz Kafka evoked by the narra
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108 Franz Kafka Kafka, Franz. Th e
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110 William Shakespeare Contours, C
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112 William Shakespeare likeness of
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114 William Shakespeare Th roughout
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116 William Shakespeare the comic c
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118 William Shakespeare he had, iro
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ODYSSEY (HOMER) ,. “A General Vie
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Odyssey 123 without offending again
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Odyssey 125 their own miscarriages.
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Odyssey 127 SECT. V Th e action 7 o
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Odyssey 129 he should have ended il
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Odyssey 131 a passion that begins a
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Odyssey 133 which we only read or h
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Odyssey 135 the rest of the work, w
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ON THE ROAD (JACK KEROUAC) ,. “Fa
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On Th e Road 139 person with extrao
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On Th e Road 141 for limitless spac
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On Th e Road 143 motion.” Whether
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On Th e Road 145 Buddha . . . sator
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On Th e Road 147 the middle of the
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On Th e Road 149 faith when Dean le
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ORLANDO (VIRGINIA WOOLF ) ,. “Wit
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Orlando 153 a rather masculine view
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Orlando 155 the biographer, the len
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Orlando 157 often it is only the cl
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ROSENCRANTZ AND GUILDENSTERN ARE DE
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Rosencrantz and Guildenstern are De
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Tar BaBy (toni morrison) Praisesong
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Tar Baby and Praisesong for the Wid
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THE TEMPEST (WILLIAM SHAKESPEARE) ,
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Page 208 and 209: Th e Tempest 193 under-current of h
Page 210 and 211: Th e Tempest 195 the latter allow a
Page 212 and 213: Th e Tempest 197 the fools for murd
Page 214 and 215: Th e Tempest 199 saved, but some, a
Page 216 and 217: Th e Tempest 201 rest, and we look
Page 218 and 219: Th e Tempest 203 stream of life hur
Page 220 and 221: Th e Tempest 205 meets the brutal.
Page 222 and 223: Th e Tempest 207 long known to the
Page 224 and 225: A THOUSAND AND ONE NIGHTS ,. “Sev
Page 226 and 227: A Th ousand and One Nights 211 ways
Page 228 and 229: A Th ousand and One Nights 213 top
Page 230 and 231: A Th ousand and One Nights 215 Just
Page 232 and 233: A Th ousand and One Nights 217 him
Page 234 and 235: UNCLE REMUS (JOEL CHANDLER HARRIS)
Page 236 and 237: Uncle Remus 221 Mixon’s view foun
Page 238 and 239: Uncle Remus 223 Harris calls “the
Page 240 and 241: Uncle Remus 225 the plantations at
Page 242 and 243: Uncle Remus 227 accused of a crime,
Page 244 and 245: “THE WIFE OF BATH’S TALE” (GE
Page 246 and 247: “Th e Wife of Bath’s Tale” 23
Page 254: “Th e Wife of Bath’s Tale” 23
Page 259 and 260: 244 “Battle of the Maldon, Th e,
Page 261 and 262: 246 Free Fall (Golding), 65 Freud,
Page 263 and 264: 248 Lewis, R.W.B., 20, 30, 33, 34 l
Page 265 and 266: 250 narrative, 183, 184 Tatem, Sout
Page 267 and 268: 252 Th ousand and One Nights, A, 20
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