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Blooms Literary Themes - THE TRICKSTER.pdf - ymerleksi - home

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62<br />

Giovanni Boccaccio<br />

(1976), pp. 323–344: Millicent J. Marcus, An Allegory of Form:<br />

<strong>Literary</strong> Self-Consciousness in the Decameron (Saratoga, Calif:<br />

Anma Libri, 1979), pp. 27–43; Karl-Ludwig Selig, “Boccaccio’s<br />

Decamerone and Th e Subversion of <strong>Literary</strong> Reality (Dec. ii /<br />

5),” Italien und die Romania in Humanismus und Renaissance,<br />

eds. K.W. Hemper and E. Straub (Weisbaden: Steiner, 1983),<br />

pp. 265–269. More generally on the motif of circularity, see<br />

Teodolinda Barolini, “Th e Wheel of the Decameron,” Romance<br />

Philology, 36 (1983), pp. 521–538.<br />

42. Pierre Courcelle, Les Confessions de Saint Augustin dans la<br />

tradition littéraire (Paris: Etudes Augustiniennes, 1963),<br />

especially pp. 278–288 and pp. 623–640, where Courcelle gives<br />

abundant evidence for the occurrence of the topos. See also F.<br />

Chatillon, “Regio dissimilitudinis,” in Mélanges E. Podechard<br />

(Lyon: Facultés Catholiques, 1945), pp. 85–102. Th e notion that<br />

the fallen world governed by Fortune is a regio dissimilitudinis is<br />

implied by Boethius, Consolation of Philosophy, ii, m. 3, 13–18.<br />

43. Th e classical text for these temptations is 1 John 2:16 which<br />

urges man to give up “concupiscentia carnis, concupiscentia<br />

oculi et superbia vitae.” In patristic exegesis the three sins are<br />

variously interpreted as gluttony, sexual pleasures, pursuit of<br />

riches and vainglory. For a literary application of the motif to<br />

the medieval English literature see Donald R. Howard, Th e Th ree<br />

Temptations: Medieval Man in Search of the World (Princeton:<br />

Princeton University Press, 1966).<br />

44. Th is is a standard defi nition of allegory as “alieniloqui. Aliud<br />

enim sonat, et aliud intelligitur” (Isidore, Etym., I, xxxvii, 22).<br />

45. Boethius’ text reads: “Th us doth she play, to make her power<br />

more known, / Showing her slaves a marvel, when man’s state<br />

/ Is in one hour both downcast and fortunate” (Th e Consolation<br />

of Philosophy, trans. H.F. Steward [Cambridge, Mass.: Harvard<br />

University Press, 1968], ii, m. 1, p. 179.)<br />

46. Giuseppe Mazzotta, “Th e Canzoniere and the Language of the<br />

Self,” Studies in Philology, 75 (1978), pp. 271–296.

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