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Bloom's Literary Th emes f Alienation Th e American Dream Civil Disobedience Dark Humor Death and Dying Enslavement and Emancipation Exploration and Colonization Th e Grotesque Th e Hero’s Journey Human Sexuality Th e Labyrinth Rebirth and Renewal Sin and Redemption Th e Sublime Th e Taboo Th e Trickster
Bloom’s Literary Th emes THE TRICKSTER
Page 4 and 5: Bloom’s Literary Th emes THE TRIC
Page 6 and 7: , Contents . Series Introduction by
Page 8: Contents Th e Tempest (William Shak
Page 11 and 12: xii Series Introduction by Harold B
Page 14 and 15: , Volume Introduction by Harold Blo
Page 16 and 17: THE ADVENTURES OF HUCKLEBERRY FINN
Page 18 and 19: Th e Adventures of Huckleberry Finn
Page 24 and 25: the Works of sherman alexie ,. “F
Page 26 and 27: Th e Works of Sherman Alexie 11 Sup
Page 28 and 29: Th e Works of Sherman Alexie 13 reg
Page 30 and 31: Th e Works of Sherman Alexie 15 tea
Page 32 and 33: Th e Works of Sherman Alexie 17 A k
Page 34 and 35: The ConfidenCe-Man: his Masquerade
Page 36 and 37: Th e Confi dence-Man: His Masquerad
Page 52 and 53:
DECAMERON (GIOVANNI BOCCACCIO) ,.
Page 54 and 55:
Decameron 39 commonplace, eludes al
Page 56 and 57:
Decameron 41 mercenary soldier, fal
Page 58 and 59:
Decameron 43 pretends to confi de t
Page 60 and 61:
Decameron 45 general laughter. Cala
Page 62 and 63:
Decameron 47 For the storytellers j
Page 64 and 65:
Decameron 49 alcuni, più gentili c
Page 66 and 67:
Decameron 51 death and is, in this
Page 68 and 69:
Decameron 53 city of Naples is iron
Page 70 and 71:
Decameron 55 Th e Decameron constan
Page 72 and 73:
Decameron 57 9. “Avvegna che, chi
Page 74 and 75:
Decameron 59 20. It may be of inter
Page 76 and 77:
Decameron 61 33. Lynn Th orndike, A
Page 78 and 79:
THE NOVELS OF WILLIAM GOLDING Intro
Page 80 and 81:
Th e Novels of William Golding 65 h
Page 82 and 83:
Th e Novels of William Golding 67 u
Page 84 and 85:
Th e Novels of William Golding 69 B
Page 86 and 87:
Th e Novels of William Golding 71 t
Page 88 and 89:
Th e Novels of William Golding 73 t
Page 90 and 91:
Th e Novels of William Golding 75 I
Page 92 and 93:
haMleT (William shakespeare) ,. “
Page 94 and 95:
Hamlet 79 I picture the old fellow
Page 96 and 97:
Hamlet 81 natural dignity of his tr
Page 98 and 99:
Hamlet 83 the gruesome relics that
Page 100 and 101:
Hamlet 85 Th e dialogue is terminat
Page 102:
Hamlet 87 It appeared that our prop
Page 105 and 106:
90 N. Scott Momaday Th e in-between
Page 107 and 108:
92 N. Scott Momaday (Momaday, HMD,
Page 109 and 110:
94 N. Scott Momaday with grace and
Page 111 and 112:
96 N. Scott Momaday House made of d
Page 113 and 114:
98 N. Scott Momaday fearsome experi
Page 115 and 116:
100 N. Scott Momaday Jones, Peter N
Page 117 and 118:
102 Franz Kafka notes in his deft a
Page 119 and 120:
104 Franz Kafka hunger artist and t
Page 121 and 122:
106 Franz Kafka evoked by the narra
Page 123 and 124:
108 Franz Kafka Kafka, Franz. Th e
Page 125 and 126:
110 William Shakespeare Contours, C
Page 127 and 128:
112 William Shakespeare likeness of
Page 129 and 130:
114 William Shakespeare Th roughout
Page 131 and 132:
116 William Shakespeare the comic c
Page 133 and 134:
118 William Shakespeare he had, iro
Page 136 and 137:
ODYSSEY (HOMER) ,. “A General Vie
Page 138 and 139:
Odyssey 123 without offending again
Page 140 and 141:
Odyssey 125 their own miscarriages.
Page 142 and 143:
Odyssey 127 SECT. V Th e action 7 o
Page 144 and 145:
Odyssey 129 he should have ended il
Page 146 and 147:
Odyssey 131 a passion that begins a
Page 148 and 149:
Odyssey 133 which we only read or h
Page 150 and 151:
Odyssey 135 the rest of the work, w
Page 152 and 153:
ON THE ROAD (JACK KEROUAC) ,. “Fa
Page 154 and 155:
On Th e Road 139 person with extrao
Page 156 and 157:
On Th e Road 141 for limitless spac
Page 158 and 159:
On Th e Road 143 motion.” Whether
Page 160 and 161:
On Th e Road 145 Buddha . . . sator
Page 162 and 163:
On Th e Road 147 the middle of the
Page 164 and 165:
On Th e Road 149 faith when Dean le
Page 166 and 167:
ORLANDO (VIRGINIA WOOLF ) ,. “Wit
Page 168 and 169:
Orlando 153 a rather masculine view
Page 170 and 171:
Orlando 155 the biographer, the len
Page 172 and 173:
Orlando 157 often it is only the cl
Page 174 and 175:
ROSENCRANTZ AND GUILDENSTERN ARE DE
Page 176 and 177:
Rosencrantz and Guildenstern are De
Page 178 and 179:
Page 180 and 181:
Page 182 and 183:
Page 184 and 185:
Tar BaBy (toni morrison) Praisesong
Page 186 and 187:
Tar Baby and Praisesong for the Wid
Page 188 and 189:
Page 190 and 191:
Page 192 and 193:
Page 194 and 195:
Page 196 and 197:
Page 198 and 199:
Page 200 and 201:
Page 202 and 203:
THE TEMPEST (WILLIAM SHAKESPEARE) ,
Page 204 and 205:
Th e Tempest 189 imitations of comm
Page 206 and 207:
Th e Tempest 191 affi nity to the f
Page 208 and 209:
Th e Tempest 193 under-current of h
Page 210 and 211:
Th e Tempest 195 the latter allow a
Page 212 and 213:
Th e Tempest 197 the fools for murd
Page 214 and 215:
Th e Tempest 199 saved, but some, a
Page 216 and 217:
Th e Tempest 201 rest, and we look
Page 218 and 219:
Th e Tempest 203 stream of life hur
Page 220 and 221:
Th e Tempest 205 meets the brutal.
Page 222 and 223:
Th e Tempest 207 long known to the
Page 224 and 225:
A THOUSAND AND ONE NIGHTS ,. “Sev
Page 226 and 227:
A Th ousand and One Nights 211 ways
Page 228 and 229:
A Th ousand and One Nights 213 top
Page 230 and 231:
A Th ousand and One Nights 215 Just
Page 232 and 233:
A Th ousand and One Nights 217 him
Page 234 and 235:
UNCLE REMUS (JOEL CHANDLER HARRIS)
Page 236 and 237:
Uncle Remus 221 Mixon’s view foun
Page 238 and 239:
Uncle Remus 223 Harris calls “the
Page 240 and 241:
Uncle Remus 225 the plantations at
Page 242 and 243:
Uncle Remus 227 accused of a crime,
Page 244 and 245:
“THE WIFE OF BATH’S TALE” (GE
Page 246 and 247:
“Th e Wife of Bath’s Tale” 23
Page 248 and 249:
Page 250 and 251:
Page 252 and 253:
Page 254:
Page 257 and 258:
242 Acknowledgments Warde, Frederic
Page 259 and 260:
244 “Battle of the Maldon, Th e,
Page 261 and 262:
246 Free Fall (Golding), 65 Freud,
Page 263 and 264:
248 Lewis, R.W.B., 20, 30, 33, 34 l
Page 265 and 266:
250 narrative, 183, 184 Tatem, Sout
Page 267 and 268:
252 Th ousand and One Nights, A, 20
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