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, Contents . Series Introduction by Harold Bloom: <strong>Themes</strong> and Metaphors xi Volume Introduction by Harold Bloom xv The Adventures of Huckleberry Finn (Mark Twain) 1 “The Trickster Tricked: Huck Comes Out of the Fog in Mark Twain’s The Adventures of Huckleberry Finn” by Robert C. Evans The Works of Sherman Alexie 9 “Futuristic Hip Indian: Alexie” by Kenneth Lincoln, in Sing With the Heart of a Bear: Fusions of Native and American Poetry, 1890-1999 (2000) The Confidence-Man: His Masquerade (Herman Melville) 19 “The Confidence-Man: The Con-Man as Hero” by Paul Brodtkorb, Jr., in Studies in the Novel (1969) Decameron (Giovanni Boccaccio) 37 “Games of Laughter” by Giuseppe Mazzotta, in The World at Play in Boccaccio’s Decameron (1986) The Novels of William Golding 63 “The Prometheus Myth in the Novels of William Golding” by Sohana Manzoor, in BRAC University Journal (2007)
viii Contents Hamlet (William Shakespeare) 77 “Th e Grave Diggers in ‘Hamlet’” by Frederick Warde, in Th e Fools of Shakespeare: An Interpretation of their Wit and Wisdom (1915) House Made of Dawn (N. Scott Momaday) 89 “Th e Trickster Discourse of House Made of Dawn” by Susan R. Bowers “A Hunger Artist” (Franz Kafka) 101 “Making the Incomprehensible Incomprehensible: Th e Trickery of Kafka’s ‘A Hunger Artist’” by John Becker A Midsummer Night’s Dream (William Shakespeare) 109 “‘Th is Sport Well Carried Shall Be Chronicled’: Puck as Trickster in Shakespeare’s A Midsummer Night’s Dream” by Robert C. Evans Odyssey (Homer) 121 “A General View of the Epic Poem, and of the Iliad and Odyssey” by René Le Bossu, in Th e Odyssey of Homer, A New Edition (1675) On the Road ( Jack Kerouac) 137 “Faith on the Run” by Gary Lindberg, in Th e Confi dence Man in American Literature (1982) Orlando (Virginia Woolf ) 151 “With Orlando in Wonderland” by Rossitsa Artemis Rosencrantz and Guildenstern are Dead (Tom Stoppard) 159 “Tom Stoppard as Trickster in Rosencrantz and Guildenstern are Dead ” by Daniel K. Jernigan Tar Baby (Toni Morrison) and Praisesong for the Widow (Paule Marshall) 169 “Th e Journey as Crossing” by Alma Jean Billingslea- Brown, in Crossing Borders through Folklore: African American Women’s Fiction and Art (1999)
Page 2 and 3: Bloom's Literary Th emes f Alienati
Page 4 and 5: Bloom’s Literary Th emes THE TRIC
Page 8: Contents Th e Tempest (William Shak
Page 11 and 12: xii Series Introduction by Harold B
Page 14 and 15: , Volume Introduction by Harold Blo
Page 16 and 17: THE ADVENTURES OF HUCKLEBERRY FINN
Page 18 and 19: Th e Adventures of Huckleberry Finn
Page 24 and 25: the Works of sherman alexie ,. “F
Page 26 and 27: Th e Works of Sherman Alexie 11 Sup
Page 28 and 29: Th e Works of Sherman Alexie 13 reg
Page 30 and 31: Th e Works of Sherman Alexie 15 tea
Page 32 and 33: Th e Works of Sherman Alexie 17 A k
Page 34 and 35: The ConfidenCe-Man: his Masquerade
Page 36 and 37: Th e Confi dence-Man: His Masquerad
Page 52 and 53: DECAMERON (GIOVANNI BOCCACCIO) ,.
Page 54 and 55: Decameron 39 commonplace, eludes al
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Decameron 41 mercenary soldier, fal
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Decameron 43 pretends to confi de t
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Decameron 45 general laughter. Cala
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Decameron 47 For the storytellers j
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Decameron 49 alcuni, più gentili c
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Decameron 51 death and is, in this
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Decameron 53 city of Naples is iron
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Decameron 55 Th e Decameron constan
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Decameron 57 9. “Avvegna che, chi
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Decameron 59 20. It may be of inter
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Decameron 61 33. Lynn Th orndike, A
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THE NOVELS OF WILLIAM GOLDING Intro
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Th e Novels of William Golding 65 h
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Th e Novels of William Golding 67 u
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Th e Novels of William Golding 69 B
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Th e Novels of William Golding 71 t
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Th e Novels of William Golding 73 t
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Th e Novels of William Golding 75 I
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haMleT (William shakespeare) ,. “
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Hamlet 79 I picture the old fellow
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Hamlet 81 natural dignity of his tr
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Hamlet 83 the gruesome relics that
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Hamlet 85 Th e dialogue is terminat
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Hamlet 87 It appeared that our prop
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90 N. Scott Momaday Th e in-between
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92 N. Scott Momaday (Momaday, HMD,
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94 N. Scott Momaday with grace and
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96 N. Scott Momaday House made of d
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98 N. Scott Momaday fearsome experi
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100 N. Scott Momaday Jones, Peter N
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102 Franz Kafka notes in his deft a
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104 Franz Kafka hunger artist and t
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106 Franz Kafka evoked by the narra
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108 Franz Kafka Kafka, Franz. Th e
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110 William Shakespeare Contours, C
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112 William Shakespeare likeness of
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114 William Shakespeare Th roughout
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116 William Shakespeare the comic c
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118 William Shakespeare he had, iro
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ODYSSEY (HOMER) ,. “A General Vie
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Odyssey 123 without offending again
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Odyssey 125 their own miscarriages.
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Odyssey 127 SECT. V Th e action 7 o
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Odyssey 129 he should have ended il
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Odyssey 131 a passion that begins a
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Odyssey 133 which we only read or h
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Odyssey 135 the rest of the work, w
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ON THE ROAD (JACK KEROUAC) ,. “Fa
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On Th e Road 139 person with extrao
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On Th e Road 141 for limitless spac
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On Th e Road 143 motion.” Whether
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On Th e Road 145 Buddha . . . sator
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On Th e Road 147 the middle of the
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On Th e Road 149 faith when Dean le
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ORLANDO (VIRGINIA WOOLF ) ,. “Wit
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Orlando 153 a rather masculine view
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Orlando 155 the biographer, the len
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Orlando 157 often it is only the cl
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ROSENCRANTZ AND GUILDENSTERN ARE DE
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Rosencrantz and Guildenstern are De
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Tar BaBy (toni morrison) Praisesong
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Tar Baby and Praisesong for the Wid
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THE TEMPEST (WILLIAM SHAKESPEARE) ,
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Th e Tempest 189 imitations of comm
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Th e Tempest 191 affi nity to the f
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Th e Tempest 193 under-current of h
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Th e Tempest 195 the latter allow a
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Th e Tempest 197 the fools for murd
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Th e Tempest 199 saved, but some, a
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Th e Tempest 201 rest, and we look
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Th e Tempest 203 stream of life hur
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Th e Tempest 205 meets the brutal.
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Th e Tempest 207 long known to the
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A THOUSAND AND ONE NIGHTS ,. “Sev
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A Th ousand and One Nights 211 ways
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A Th ousand and One Nights 213 top
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A Th ousand and One Nights 215 Just
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A Th ousand and One Nights 217 him
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UNCLE REMUS (JOEL CHANDLER HARRIS)
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Uncle Remus 221 Mixon’s view foun
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Uncle Remus 223 Harris calls “the
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Uncle Remus 225 the plantations at
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Uncle Remus 227 accused of a crime,
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“THE WIFE OF BATH’S TALE” (GE
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“Th e Wife of Bath’s Tale” 23
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242 Acknowledgments Warde, Frederic
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244 “Battle of the Maldon, Th e,
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246 Free Fall (Golding), 65 Freud,
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248 Lewis, R.W.B., 20, 30, 33, 34 l
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250 narrative, 183, 184 Tatem, Sout
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252 Th ousand and One Nights, A, 20
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