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Blooms Literary Themes - THE TRICKSTER.pdf - ymerleksi - home

Blooms Literary Themes - THE TRICKSTER.pdf - ymerleksi - home

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Th e Confi dence-Man: His Masquerade 21<br />

about human character as related to the book’s apparently satirical<br />

mode of being.<br />

Much of Th e Confi dence-Man’s irony is directed against ordinary<br />

unconscious humanity because it blandly assumes that it knows itself<br />

when in fact it does not; usually, it is directed against the opposition<br />

between the Christian principles mouthed and the un-Christian principles<br />

acted. Th ose genuinely liberated from this unconsciousness are chiefl y<br />

the various confi dence men, satanic and merely human, who are free to<br />

be hypocrites and “under an aff able air . . . hide a misanthropical heart”<br />

(p. 201); who are chained to nothing, not even misanthropy; who are free<br />

to be consciously inconsistent. But the book’s basic irony is not satirical:<br />

it is directed against neither the con-men, nor ordinary human hypocrisy<br />

which, presumably, could be changed into “sincerity” by a cognitive act of<br />

will. Instead, it seems non-satirically to point out that, given the nature of<br />

selfhood, sincerity and consistency of belief are impossible.<br />

Th e idea of human selfhood advanced by the novel is the one<br />

partially elaborated in chapter 14, which defends the inconsistency<br />

principle in man. 3 “No writer,” writes the narrator, “has produced<br />

such inconsistent characters as nature herself has.” Because character<br />

is so inconsistent,<br />

all those sallies of ingenuity, having for their end the revelation of<br />

human nature on fi xed principles, have, by the best judges, been<br />

excluded with contempt from the ranks of the sciences—palmistry,<br />

physiognomy, phrenology, psychology. Likewise, the fact, that in<br />

all ages such confl icting views have, by the most eminent minds,<br />

been taken of mankind, would . . . seem some presumption of a<br />

pretty general and pretty thorough ignorance of it. (p. 78)<br />

Apart from chapter 14, there are several narrator’s asides which<br />

unironically make the same point: for example, the one at the beginning<br />

of chapter 13, where readers are warned not to be “tempted into<br />

a more or less hasty estimate” of John Ringman, the Black Rapids<br />

Coal Company agent, in order “that they may not . . . be thereupon<br />

betrayed into any surprise incompatible with their own good opinion<br />

of their previous penetration” (p. 70). Part of what the narrator means<br />

in such asides is summed up by Mark Winsome’s disciple, Egbert:<br />

there is no bent of heart or turn of thought which any man<br />

holds by virtue of an unalterable nature or will. Even those

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