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Blooms Literary Themes - THE TRICKSTER.pdf - ymerleksi - home

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, Acknowledgments .<br />

Billingslea-Brown, Alma Jean. “Th e Journey as Crossing.” Crossing Borders<br />

through Folklore: African American Women’s Fiction and Art. University of<br />

Missouri Press, 1999. 67–83. © 1999 by Th e Curators of the University<br />

of Missouri. Reprinted by permission.<br />

Brodtkorb, Paul, Jr. “Th e Confi dence-Man: Th e Con-Man as Hero.” Studies in<br />

the Novel 1.4 (Winter 1969): 421–435. Reprinted by permission.<br />

Le Bossu, René. “A General View of the Epic Poem, and of the Iliad and<br />

Odyssey; Extracted from Bossu.” Th e Odyssey of Homer, A New Edition.<br />

Vol. 1. Trans. Alexander Pope. London: printed for F.J. Du Roveray by T.<br />

Bensley, Bolt Court, 1806. 5–39.<br />

Lincoln, Kenneth. “Futuristic Hip Indian: Alexie.” Sing With the Heart of a<br />

Bear: Fusions of Native and American Poetry, 1890–1999. Berkeley, Calif:<br />

University of California Press, 2000. 267–276. © 2000 by the Regents of<br />

the University of California. Reprinted by permission.<br />

Lindberg, Gary. “Faith on the Run.” Th e Confi dence Man in American Literature.<br />

London: Oxford UP, 1982. 259–279. © 1982 by Oxford University<br />

Press, Inc. Reprinted by permission.<br />

Manzoor, Sohana. “Th e Prometheus Myth in the Novels of William Golding.”<br />

BRAC University Journal 4.2 (2007): 105–111. © BRAC University.<br />

Reprinted by permission.<br />

Mazzotta, Giuseppe. “Games of Laughter.” Th e World at Play in Boccaccio’s<br />

Decameron. Princeton, N.J.: Princeton UP, 1986. 186–212. © 1986 by<br />

Princeton University Press. Reprinted by permission.<br />

Ulrici, Hermann. “Th e Tempest and A Midsummer Night’s Dream.” Shakspeare’s<br />

Dramatic Art: History and Character of Shakspeare’s Plays, Vol. II. Trans. L.<br />

Dora Schmitz. London: George Bell and Sons, 1908. 38–85.<br />

241

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