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anti-feminist attitudes and, 233 authority/sovereignty in, 230, 237–238 Ellesmere story positioning, 233, 237 fi ve marriages of wife, 231 General Prologue and, 232, 236 knight in, 230–231, 235–236, 238 Man of Law’s Epilogue and, 233–234 message (pistel) in, 236–237 prologue to, 231, 233 romance/marriage in, 233, 236, 237–238 speaker of tale, 232 tricks/trickster in, 234–235 “war of the sexes” in, 230 Williams, William Carlos, 10 Index 253 Winters, Jonathan, 9, 18 Winter’s Tale, Th e (Shakespeare), 188, 198 Witherspoon, Gary, 93 Wolfe, Tom, 140, 141, 143, 144 Woolf, Virginia, 151–158 writings of, 153, 156 World of William Golding, Th e (Oldsey and Weintraub), 71 Wright, James, 14 Y Yeats, William Butler, 64 Z Zahan, Dominique, 182
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Bloom's Literary Th emes f Alienati
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Bloom’s Literary Th emes THE TRIC
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, Contents . Series Introduction by
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Contents Th e Tempest (William Shak
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xii Series Introduction by Harold B
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, Volume Introduction by Harold Blo
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THE ADVENTURES OF HUCKLEBERRY FINN
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Th e Adventures of Huckleberry Finn
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the Works of sherman alexie ,. “F
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Th e Works of Sherman Alexie 11 Sup
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Th e Works of Sherman Alexie 13 reg
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Th e Works of Sherman Alexie 15 tea
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Th e Works of Sherman Alexie 17 A k
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The ConfidenCe-Man: his Masquerade
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Th e Confi dence-Man: His Masquerad
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DECAMERON (GIOVANNI BOCCACCIO) ,.
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Decameron 39 commonplace, eludes al
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Decameron 41 mercenary soldier, fal
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Decameron 43 pretends to confi de t
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Decameron 45 general laughter. Cala
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Decameron 47 For the storytellers j
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Decameron 49 alcuni, più gentili c
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Decameron 51 death and is, in this
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Decameron 53 city of Naples is iron
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Decameron 55 Th e Decameron constan
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Decameron 57 9. “Avvegna che, chi
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Decameron 59 20. It may be of inter
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Decameron 61 33. Lynn Th orndike, A
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THE NOVELS OF WILLIAM GOLDING Intro
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Th e Novels of William Golding 65 h
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Th e Novels of William Golding 67 u
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Th e Novels of William Golding 69 B
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Th e Novels of William Golding 71 t
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Th e Novels of William Golding 73 t
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Th e Novels of William Golding 75 I
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haMleT (William shakespeare) ,. “
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Hamlet 79 I picture the old fellow
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Hamlet 81 natural dignity of his tr
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Hamlet 83 the gruesome relics that
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Hamlet 85 Th e dialogue is terminat
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Hamlet 87 It appeared that our prop
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90 N. Scott Momaday Th e in-between
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92 N. Scott Momaday (Momaday, HMD,
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94 N. Scott Momaday with grace and
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96 N. Scott Momaday House made of d
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98 N. Scott Momaday fearsome experi
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100 N. Scott Momaday Jones, Peter N
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102 Franz Kafka notes in his deft a
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104 Franz Kafka hunger artist and t
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106 Franz Kafka evoked by the narra
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108 Franz Kafka Kafka, Franz. Th e
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110 William Shakespeare Contours, C
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112 William Shakespeare likeness of
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114 William Shakespeare Th roughout
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116 William Shakespeare the comic c
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118 William Shakespeare he had, iro
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ODYSSEY (HOMER) ,. “A General Vie
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Odyssey 123 without offending again
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Odyssey 125 their own miscarriages.
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Odyssey 127 SECT. V Th e action 7 o
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Odyssey 129 he should have ended il
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Odyssey 131 a passion that begins a
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Odyssey 133 which we only read or h
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Odyssey 135 the rest of the work, w
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ON THE ROAD (JACK KEROUAC) ,. “Fa
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On Th e Road 139 person with extrao
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On Th e Road 141 for limitless spac
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On Th e Road 143 motion.” Whether
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On Th e Road 145 Buddha . . . sator
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On Th e Road 147 the middle of the
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On Th e Road 149 faith when Dean le
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ORLANDO (VIRGINIA WOOLF ) ,. “Wit
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Orlando 153 a rather masculine view
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Orlando 155 the biographer, the len
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Orlando 157 often it is only the cl
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ROSENCRANTZ AND GUILDENSTERN ARE DE
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Rosencrantz and Guildenstern are De
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Tar BaBy (toni morrison) Praisesong
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Tar Baby and Praisesong for the Wid
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THE TEMPEST (WILLIAM SHAKESPEARE) ,
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Th e Tempest 189 imitations of comm
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Th e Tempest 191 affi nity to the f
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Th e Tempest 193 under-current of h
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Th e Tempest 195 the latter allow a
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Th e Tempest 197 the fools for murd
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Th e Tempest 199 saved, but some, a
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Th e Tempest 201 rest, and we look
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Page 220 and 221: Th e Tempest 205 meets the brutal.
Page 222 and 223: Th e Tempest 207 long known to the
Page 224 and 225: A THOUSAND AND ONE NIGHTS ,. “Sev
Page 226 and 227: A Th ousand and One Nights 211 ways
Page 228 and 229: A Th ousand and One Nights 213 top
Page 230 and 231: A Th ousand and One Nights 215 Just
Page 232 and 233: A Th ousand and One Nights 217 him
Page 234 and 235: UNCLE REMUS (JOEL CHANDLER HARRIS)
Page 236 and 237: Uncle Remus 221 Mixon’s view foun
Page 238 and 239: Uncle Remus 223 Harris calls “the
Page 240 and 241: Uncle Remus 225 the plantations at
Page 242 and 243: Uncle Remus 227 accused of a crime,
Page 244 and 245: “THE WIFE OF BATH’S TALE” (GE
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Page 257 and 258: 242 Acknowledgments Warde, Frederic
Page 259 and 260: 244 “Battle of the Maldon, Th e,
Page 261 and 262: 246 Free Fall (Golding), 65 Freud,
Page 263 and 264: 248 Lewis, R.W.B., 20, 30, 33, 34 l
Page 265 and 266: 250 narrative, 183, 184 Tatem, Sout
Page 267: 252 Th ousand and One Nights, A, 20
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