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Beneventanum Troporum Corpus. Alejandro Planchart and John Boe, eds. Vols. 16-26. Madison, WI: A-R Editions, 1989. Biblia Sacra Vulgata, 5th edition. Roger Gryson, ed. Stuttgart: Deutsche Bibelgesellschaft, 2007. Binford-Walsh, Hilde Marga. “The melodic grammar of Aquitanian tropes.” Ph.D. diss., Stanford University, 1992. Bjork, David Albert. “The Kyrie Repertory in Aquitanian Manuscripts of the Tenth and Eleventh Centuries.” in 2 Vols. Ph.D. diss., University of California, Berkeley, 1976. ________. The Aquitaine Kyrie Repertory of the Tenth and Eleventh Centuries. Richard Crocker, ed. Aldershot, UK: Ashgate Publishing Limited, 2003. Bloch, Marc. Feudal Society Reprinted with New Introduction by T. S. Brown. in 2 Vols. trans. L. A. Manyon. London: Routledge, 1989. Blume, Clemens and Guido Dreves, eds. Analecta Hynmnica Medii Aevi Tropi Graduales Tropen des Missale. Vol. 49 Leipzig : O. R. Reisland, 1906. Blume, Clemens. Historiae Rhythmicae liturgische Reimofficien. Vol. 5, First Part. In Analecta Hymnica. Guido Maria Dreves, ed. Leipzig: Fues‟s Verlag (R. Reisland), 1889. Boehm, Barbara Drake. “ Medieval Head Reliquaries of the Massif Central.” in 2 vols. Ph.D. diss., New York University, 1990. Bonaventure de Saint-Amable, P. Histoire de saint Martial apôtre de Gaules. 3 vols. in folio. Limoges: François Charbounier-Pachi, 1676-1683 Bosvieux, Auguste. “Origines du Monasteres de Saint-Yrieix.“ in Bulletin de la société archéologique et historique du Limousin 40 (1892) : 610-21. Brockett, C.W. “Unpublished Antiphons and Antiphon Series Found in the Gradual of St. Yrieix.” Musica Disciplina 26 (1972) : 5-35. Brooke, Rosalind and Christopher Brooke. Popular Religion in the Middle Ages. London : Thames and Hudson Ltd., 1984. Brown, Elizabeth A. R. “The Tyranny of a Construct: Feudalism and the Historians of Medieval Europe.” American Historical Review 79 (1974) : 1063-1088. Bryden, John R. and David Hughes, An Index of Gregorian Chant: Vol. 1 Alphabetical Index. Vol. 2 Thematic Index. Harvard University Press, 1969. Burt, Amanda Schmidt. “The Alleluias in the Manuscript Paris, Bibliotheque Nationale, f. lat. 903.” Ph.D. diss., The Catholic University of America, 1969. Cantus-Planus – Regensburg Website. International Musicological Society Study Group „Cantus-Planus‟.URL 254
http://www.uniRegensburg.de/Fakultaeten/phil_Fak_I/Musikwissenschaft/cantus/ selected for “antiphon texts.” Accessed 4/4/2010. Cardine, Dom Eugene in collaboration with G. Joppich and R. Fischer. Gregorian Semiology. trans., Robert M. Sowells. Solesmes: Abbaye Saiint-Pierre de Solesmes, 1982. Chailley Jacques. L'école musicale de Saint-Martial de Limoges. Paris: Les Livres essentials, 1960. ________. “Les anciens tropaires et séquentiaires de l‟école de saint-Martial de Limoges (X˚- XI˚ s.).” Études gregoriennes II (1957) : 163-188. Chevalier, Ulysse. Repertorium Humnologicum des chants, hymnes, proses, sequences, tropes en usage dans l’eglise latine. In 6 volumes. (Brussels, Société des Bollandistes, 1920) 6:9. Chronique de Geoffroy Prieur de Vigeois. trans., Francois Baunélye. Tulle: Imprimerie de Mme Veuve Detournelle, 1854. Colette, Marie Noel. “Origine del manuscrito.” in Il Codice Paris Bibliothèque Nationale de France lat. 776, sec XI, graduale di Gaillac. eds. Nino Albarosa, Heinrich Rumphorst, Alberto Turco, xiv-xviii. Padova: La Linea Editrice, 2001. Collamore, Lila Diane. “Aquitanian Collections of Office Chants: A Comparative Survey.” Ph.D. diss., The Catholic University of America, 2000. Crocker, Richard L. “The Repertoire of Prosas at St. Martial de Limoges (Tenth and Eleventh Centuries) in 2 Vols,” Ph.D. diss., Yale University, 1957. Cullin, Olivier and Michel Huglo. “Die Gallicanischer Gesang.” in Die Musik in Geschichte und Gegenwart, Zweite neubearbeitete Ausgabe. in 3 vols. Basel and London: Bärenreiter Kassel, 1995. 3: col. 998-1027. Cupero, Giulielmo. “ de S. Aredio Abbate Atanensi apud Lemovices in Gallia.” in Acta Sanctorum Augusti in 5 vols. Jerome Carnandet, ed. Paris: Victorem Palmé, 1868. 5: 171-194 Dickinson, J. C. The Origins of the Augustinian Canons and Their Introduction into England. London: S.P.C.K., 1950. Doyle, Alicia Mee. “The Repertory of Tropes in Paris, Bibliotheque Nationale fonds latin 1118: A Comparative Study of Tenth-century Aquitanian Concordances and Transmission.” Ph.D. diss., University of California, Santa Barbara, 2000. Dunbabin, Jean. France in the Making 843-1180. 2d ed. Oxford: Oxford University Press, 2005. Emerson, John A. “Graduale Narbonensis, a study of Paris BNF lat 780.” Masters Thesis, University of California, Berkeley, 1960. 255
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Copyright by William Manning Sherri
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The Gradual of St. Yrieix in Eleven
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Acknowledgements I express deep gra
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Yrieix favored its senior patron St
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C. Elements of Usage in Pa903 and R
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3. Chants Transmitted only by Pa903
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Table 5-6 Pa903 Neo-Gregorian Conco
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List of Figures Figure 1-1 Map of A
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I. Introduction A. AREDIUS AND THE
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As a further part of the renewal pr
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(particularly from PM13) has also b
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the region. 17 The usage of St. Yri
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dependency of the Collegiate Church
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In contrast to the Aredius hagiogra
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funeral Aredius saved two women suf
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Table 2-1 List of St. Aredius Beque
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anachronism in these vitae, authors
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hagiography of Aredius, from Mabill
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Figure 2-2 Summary of Events in the
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According to Carolingian law, the l
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Seguin as the last abbot of St. Yri
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eferences in the diploma to the fai
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officially promulgated canonization
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(d.) The Later Centuries After the
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Figure 2-3 Chapter Church of St. Yr
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Figure 2-5 Saint Yrieix Bible, Thir
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Table 2-2 St. Aredius and St. Yriei
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their reforming initiatives. This i
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eflect the growing security and imp
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Table 3-1 Contents Pa903 Based on C
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Figure 3-1 Example Initials and Cap
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The ornamental pen-work in the desi
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includes the early eleventh-century
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the patron saint and other senior p
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patterns of association between 263
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Pa903. Finally, there are sixteen A
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Table 3-2 Neo-Gregorian Regional an
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century Collegiate Church of St. Ma
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that is also found in Harley4951, P
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Appendix A3-4 compares the sanctora
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5. Summary Liturgical usage as refl
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were also chosen for St. Yrieix whi
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through the intercession of Aredius
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The principal goal of this Section
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Table 4-1 Pa903 Regional Antiphons
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Contiued Pa903 Antiphon Incipit PM1
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Table 4-2a St. Yrieix Antiphon Repe
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These eleventh-century antiphons, c
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Table 4-3 Troped Masses in Pa903 Ma
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Table 4-4 Pa903 Tropes for Chants N
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Table 4-6(a) Pa903 Kyrie Tropes Inc
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Table 4-7 Pa903 Gloria, Sanctus, Ag
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melisma. Appendix A4-3 lists both g
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(b.) Alleluia Prosas in Pa903 Pa776
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Table 4-9 Offertory Prosulas of Pa9
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E. PROMINENT EMBELLISHED MASSES The
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sacramentaries that were not includ
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A. OVERVIEW V. Neo-Gregorian Chants
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and (2) local neo-Gregorian chants
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Table 5-2a Temporal and Ritual Mass
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The sanctoral clearly contains the
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(a.) Chants of the Temporal and Rit
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Table 5-5 Pa903 Prominent Neo-Grego
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Table 5-6 Pa903 Neo-Gregorian Conco
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century missal from Veroli. 19 The
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line (the custos, marked 5) indicat
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This gradual follows Gregorian conv
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There are two prosas for the Arediu
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Figure 5-2d The Aredius Prosa Allel
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OFFERTORY p.220 Immaculatas hostiar
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(b.) Communion The Communion (Figur
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Figure 5-5 The Aredius Prosa Astra
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Table 5-9 Introit Trope Sets for St
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Table 5-10 Neo-Gregorian Masses for
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week of Lent suggests a new regiona
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2. Mass for the Dead The neo-Gregor
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E. NEO-GREGORIAN MASS CHANTS AND GA
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the Saturninus offertory : …victi
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Table 5-12 Traditional Gallican Cha
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(with the Gregorian chants removed)
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Gregorian feast included in the tra
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expressed visions of the sanctity a
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through the Middle Ages. 1 Historic
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fact by the Bishop and Viscounts of
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the chant texts of the Cassinese ne
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Aquitanian gradual (Pa776), while t
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E. THE AQUITANIAN GRADUALS 1. Simil
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the neo-Gregorian chants for neo-Gr
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to fill in the issues in geographic
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Appendices APPENDIX A3-1 FRONT GUAR
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APPENDIX A3-2 TABLE OF ST. YRIEIX S
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Table Continued Pa903 Item AMS GALL
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APPENDIX A3-3 PA903 AMS GALL TOURS
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171
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APPENDIX A4-1 PA903 ANTIPHONS Compl
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Pa903 Antiphon Incipit PM13p/f AMS
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Pa903 Antiphon Incipit PM13 p./f. A
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Pa903 Antiphon Incipit PM13/f. AMS
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Table A4-1.2 Gregorian Antiphons in
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APPENDIX A4-2 PA903 TROPES Table A4
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Pa903 Tropes Incipit PM13ff. Commen
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Pa903 Tropes Incipit ff. Comment In
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199
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201
Page 219 and 220: Table A5-1.1 Complete List of Neo-G
Page 221 and 222: Neo-Greg chants continued Incipit P
Page 229 and 230: Table A5-1.4 Sanctoral Feasts in Pa
Page 231 and 232: Table A5-1.5 Neo-Gregorian Chants o
Page 233 and 234: Chants of the Temporal cont’d Inc
Page 235 and 236: Table A5-1.7 Neo-Gregorian Chants o
Page 237 and 238: Neo-Greg in Greg Sanctoral cont’d
Page 239 and 240: Neo-Greg Chants in Neo-Greg Sanctor
Page 241 and 242: APPENDIX A5-2 FINDING OF THE CROSS:
Page 243 and 244: Table A5-2.2b Finding of the Cross
Page 245 and 246: APPENDIX A5-3 AQUITANIAN NOTATION O
Page 247 and 248: APPENDIX A5-4 NEO-GREGORIAN MASS CH
Page 249 and 250: Appendix 5-4, Table A5-4.1 cont‟d
Page 251 and 252: Table A5-4.1 (Continued) 4/4 235
Page 253 and 254: Table A5-4.2 Continued Incipit Pa90
Page 255 and 256: APPENDIX A5-5 TRANSCRIPTIONS OF THE
Page 257 and 258: GR Beatam Aredii animam ad caelos C
Page 259 and 260: PM13:220 OF: Immaculatas hostiarum
Page 261 and 262: PM13:220 Aredius OF Verse 1 O incli
Page 263 and 264: Figure A5-5.6 Finding of the Cross
Page 265 and 266: PM13:207 Figure A5-5.8 Pa903 Benedi
Page 267 and 268: PM13:194 Figure A5-5.10 Barnabas Al
Page 269: Bibliography Aigrain, René, “Are
Page 273 and 274: Gregory of Tours. The History of th
Page 275 and 276: Justmann, Dean Richard. “Mode-one
Page 277 and 278: Montalembert, Charles Forbes, comte
Page 279 and 280: ömische und alt-spanische repertoi
Page 281: Vita William M. Sherrill is a nativ
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