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Pitman, Grover Allen. “The Lenten Offertories of the Aquitanian Manuscripts.” Ph. D. Diss., The Catholic University of America, 1972. Planchart, Alejandro, “The Geography of Martinmass.” in Western Plainchant in the First Millennium: Studies in the Medieval Liturgy and its Music. Sean Gallagher, et. al., eds. Aldershot, UK: Ashgate Publishing Company, 2003. ________, ed. Embellishing the Liturgy Tropes and Polyphony. Burlington, VT: Ashgate Publishing Company, 2009. ________. “The Transmission of Medieval Chant,” in Music in Medieval and Early Modern Europe. Iain Fenlon, ed. Cambridge: Cambridge University Press, 1981. ________, ed. Beneventanum Troporum Corpus I: Tropes of the Proper of the Massfrom Southern Italy AD 1000-1250. Recent Researches in the Music of the Middle Ages and Early Renaissance Vol. 16. Madison, WI: A-R Editions, Inc., 1994. Privat, Eduard, ed. Liturgie et musique (IX˚-XIV˚ s.). Cahiers de Fanjeaux, vol. 17. Toulouse: Centre d‟etudes historiques de Fanjeaux , 1982. Ratcliff, E. C., ed. Expositio Antiquae Liturgiae Gallicanae. Henry Bradshaw Society Vol. 98. London: Henry Bradshaw Society, 1971. Reier, Ellen Jane. “The Introit Trope Repertory at Nevers: Mss Paris B.N. lat. 9449 and Paris B.N. n.a. Lat. 1235.” 3 Vols. Ph.D. diss., University of California, Berkeley, 1981. Remensnyder, Amy G. Remembering Kings Past: Monastic Foundation Legends in Medieval Southern France. Ithaca, NY: Cornell University Press, 1995. Roblin, Vincent. Recueil des actes des vicomtes de Limoges (X-XIV siècle). Haute études médiévales et modernes vol. 95. Geneva: Librairie Droz S. A., 2009. Roederer, Charlotte D. “Can We Identify an Aquitanian Chant Style?” Journal of the American Musicological Society 27 No. 1 (Spring, 1974) : 75-99. ________. “Eleventh-Century Aquitanian Chant: Studies Relating to a Local Repertory of Processional Antiphons.” Ph.D. diss., Yale University, 1971. Rose, Els. Missale Gothicum e codice Vaticano Reginensi latino 317 editum. In Corpus Christianorum Series Latina vol. 159 D. Turnhout, Belgium: Brepols Publishers, 2005. Rosenwein, Barbara H. Rhinoceros Bound: Cluny in the Tenth Century. Philadelphia: University of Pennsylavania Press, 1982. Ruinart, Thiery. “Testament of Aredius: Manuscript of St. Martin of Tours.” in Manuscript of Saint Gall AD 572. Patrilogia Latina 71 : cols. 1143-1150. Schlager, Karl-Heinz. Thematischer Katalog der ältesten Alleluia-Melodien aus Hanscriften des 10. und 11. Jahrhunderts, ausgenommen das ambrosianische, alt 262
ömische und alt-spanische repertoire. München: Verlegt bei Walter Ricke, 1965. Settipani, Christian. La Noblesse du midi carolingien: Etudes sur quelques grandes familles d’Aquitaine et du Languedoc du IX au XI siécles. Prosopographica et Genealogica, Vol. 5. for the Unit for Prosopographical Rresearch, Linacre College Oxford. Hockley, UK: 4edge, Ltd., 2004. Sherrill, William M. “The St. Aredius Mass Proper.” Masters Report. The University of Texas at Austin, 2007. Sohn, Andreas. Der Abbatiat Ademars von Saint-Martial de limoges (1063-1114) Ein Beitrag zur Geschichte des cluniacensischen Klosterverbandes. Műnster Westfallen : Aschendorfesche Verlagsbuchhandlung, 1989. Stäblein, Bruno. “Gallikanische liturgie.” Die Musik in Geschichte und Gegenwart: Allgemeine enzyclopädie der musik. 4 : col. 1299-1325. Kassel: Bärenreiter Verlag, 1955. Steiner, Ruth. “Holocausta medullata: An Offertory for St. Saturninus.” Chapter 14 in Studies in Gregorian Chant. Aldershot, UK: Ashgate Variorum, 1999. Steltin, Leo F. Dictionary of Ecclesiastical Latin. Peabody, MA: Hendrickson Publishers, Inc., 1995. Stuart, Nicolas. “Melodic Corrections in an 11th century Gradual Pa. 903.” Journal of the Plainsong and Medieval Music Society 2 (1979 ): 2-10. Suñol, Dom Gregoire M. Introduction a la paléographie musicale gregorienne. Translated from the 6th French edition by G. M. Durnford. No. 708 Société de Saint Jean L‟Evangelist. Paris : Desclée et Cie, 1935. Szanto, David. “Cluny's Campaign on the Way of St. James: The Polyphony of the Aquitanian Sources and the Codex Calixtinus in Historical Context.” D.M.A. diss., New England Conservatory of Music, 2003. Tenant de La Tour, Geffroi. L’homme et la terre de Charlemagne a Saint Louis: Essai sur les origines et des caractères d’une feodalité. Paris: Desclée de Brouwer, et Cie, 1942. _________. “Saint-Yrieix, ville d‟Église,” Bulletin de la société archéologique et historique du limousin vol.74, 1933. _________. Ibid., Part II. vol. 75, 1934. Testamentum Sancti Aredii Abbatis Attanensis, taken from the archive of St. Martin of Tours, in Patrologia Latina, Vol. 71, col. 1143-1150. Paris: Migne, 1844-1891. Patrologia Latina Database. Alexandria, VA: Chadwick-Healy, Inc., 1996. Thalamas, A. La Société seigneuriale française 1050-1270. Paris: Librairie Marcel Rivière et Cie., 1951. 263
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Copyright by William Manning Sherri
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The Gradual of St. Yrieix in Eleven
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Acknowledgements I express deep gra
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Yrieix favored its senior patron St
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C. Elements of Usage in Pa903 and R
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3. Chants Transmitted only by Pa903
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Table 5-6 Pa903 Neo-Gregorian Conco
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List of Figures Figure 1-1 Map of A
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I. Introduction A. AREDIUS AND THE
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As a further part of the renewal pr
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(particularly from PM13) has also b
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the region. 17 The usage of St. Yri
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dependency of the Collegiate Church
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In contrast to the Aredius hagiogra
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funeral Aredius saved two women suf
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Table 2-1 List of St. Aredius Beque
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anachronism in these vitae, authors
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hagiography of Aredius, from Mabill
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Figure 2-2 Summary of Events in the
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According to Carolingian law, the l
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Seguin as the last abbot of St. Yri
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eferences in the diploma to the fai
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officially promulgated canonization
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(d.) The Later Centuries After the
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Figure 2-3 Chapter Church of St. Yr
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Figure 2-5 Saint Yrieix Bible, Thir
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Table 2-2 St. Aredius and St. Yriei
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their reforming initiatives. This i
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eflect the growing security and imp
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Table 3-1 Contents Pa903 Based on C
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Figure 3-1 Example Initials and Cap
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The ornamental pen-work in the desi
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includes the early eleventh-century
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the patron saint and other senior p
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patterns of association between 263
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Pa903. Finally, there are sixteen A
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Table 3-2 Neo-Gregorian Regional an
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century Collegiate Church of St. Ma
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that is also found in Harley4951, P
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Appendix A3-4 compares the sanctora
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5. Summary Liturgical usage as refl
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were also chosen for St. Yrieix whi
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through the intercession of Aredius
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The principal goal of this Section
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Table 4-1 Pa903 Regional Antiphons
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Contiued Pa903 Antiphon Incipit PM1
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Table 4-2a St. Yrieix Antiphon Repe
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These eleventh-century antiphons, c
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Table 4-3 Troped Masses in Pa903 Ma
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Table 4-4 Pa903 Tropes for Chants N
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Table 4-6(a) Pa903 Kyrie Tropes Inc
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Table 4-7 Pa903 Gloria, Sanctus, Ag
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melisma. Appendix A4-3 lists both g
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(b.) Alleluia Prosas in Pa903 Pa776
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Table 4-9 Offertory Prosulas of Pa9
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E. PROMINENT EMBELLISHED MASSES The
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sacramentaries that were not includ
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A. OVERVIEW V. Neo-Gregorian Chants
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and (2) local neo-Gregorian chants
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Table 5-2a Temporal and Ritual Mass
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The sanctoral clearly contains the
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(a.) Chants of the Temporal and Rit
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Table 5-5 Pa903 Prominent Neo-Grego
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Table 5-6 Pa903 Neo-Gregorian Conco
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century missal from Veroli. 19 The
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line (the custos, marked 5) indicat
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This gradual follows Gregorian conv
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There are two prosas for the Arediu
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Figure 5-2d The Aredius Prosa Allel
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OFFERTORY p.220 Immaculatas hostiar
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(b.) Communion The Communion (Figur
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Figure 5-5 The Aredius Prosa Astra
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Table 5-9 Introit Trope Sets for St
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Table 5-10 Neo-Gregorian Masses for
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week of Lent suggests a new regiona
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2. Mass for the Dead The neo-Gregor
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E. NEO-GREGORIAN MASS CHANTS AND GA
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the Saturninus offertory : …victi
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Table 5-12 Traditional Gallican Cha
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(with the Gregorian chants removed)
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Gregorian feast included in the tra
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expressed visions of the sanctity a
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through the Middle Ages. 1 Historic
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fact by the Bishop and Viscounts of
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the chant texts of the Cassinese ne
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Aquitanian gradual (Pa776), while t
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E. THE AQUITANIAN GRADUALS 1. Simil
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the neo-Gregorian chants for neo-Gr
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to fill in the issues in geographic
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Appendices APPENDIX A3-1 FRONT GUAR
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APPENDIX A3-2 TABLE OF ST. YRIEIX S
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Table Continued Pa903 Item AMS GALL
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APPENDIX A3-3 PA903 AMS GALL TOURS
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171
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APPENDIX A4-1 PA903 ANTIPHONS Compl
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Pa903 Antiphon Incipit PM13p/f AMS
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Pa903 Antiphon Incipit PM13 p./f. A
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Pa903 Antiphon Incipit PM13/f. AMS
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Table A4-1.2 Gregorian Antiphons in
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APPENDIX A4-2 PA903 TROPES Table A4
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Pa903 Tropes Incipit PM13ff. Commen
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Pa903 Tropes Incipit ff. Comment In
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199
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201
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Table A5-1.1 Complete List of Neo-G
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Neo-Greg chants continued Incipit P
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Page 227 and 228: Neo-Greg chants continued Incipit P
Page 229 and 230: Table A5-1.4 Sanctoral Feasts in Pa
Page 231 and 232: Table A5-1.5 Neo-Gregorian Chants o
Page 233 and 234: Chants of the Temporal cont’d Inc
Page 235 and 236: Table A5-1.7 Neo-Gregorian Chants o
Page 237 and 238: Neo-Greg in Greg Sanctoral cont’d
Page 239 and 240: Neo-Greg Chants in Neo-Greg Sanctor
Page 241 and 242: APPENDIX A5-2 FINDING OF THE CROSS:
Page 243 and 244: Table A5-2.2b Finding of the Cross
Page 245 and 246: APPENDIX A5-3 AQUITANIAN NOTATION O
Page 247 and 248: APPENDIX A5-4 NEO-GREGORIAN MASS CH
Page 249 and 250: Appendix 5-4, Table A5-4.1 cont‟d
Page 251 and 252: Table A5-4.1 (Continued) 4/4 235
Page 253 and 254: Table A5-4.2 Continued Incipit Pa90
Page 255 and 256: APPENDIX A5-5 TRANSCRIPTIONS OF THE
Page 257 and 258: GR Beatam Aredii animam ad caelos C
Page 259 and 260: PM13:220 OF: Immaculatas hostiarum
Page 261 and 262: PM13:220 Aredius OF Verse 1 O incli
Page 263 and 264: Figure A5-5.6 Finding of the Cross
Page 265 and 266: PM13:207 Figure A5-5.8 Pa903 Benedi
Page 267 and 268: PM13:194 Figure A5-5.10 Barnabas Al
Page 269 and 270: Bibliography Aigrain, René, “Are
Page 271 and 272: http://www.uniRegensburg.de/Fakulta
Page 273 and 274: Gregory of Tours. The History of th
Page 275 and 276: Justmann, Dean Richard. “Mode-one
Page 277: Montalembert, Charles Forbes, comte
Page 281: Vita William M. Sherrill is a nativ
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