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synod of the region, in which the regional bishops, dukes, counts, viscounts, other nobility, and regional saints all participated. These elevations, with their attendant miracles, demonstrated the continued favor of St. Aredius and the principes of society toward St. Yrieix and assured recognition of the legitimacy of the chapter of canons. In the tradition of St. Yrieix to this day, the relics of Aredius rest in the church of St. Yrieix, along with those of Pelagia. 79 In short, thanks to the solid stewardship of its chapter of canons in negotiating their position between Tours and Limoges, the eleventh-century religious house of St. Yrieix was firmly established and moving into the mainstream of diocesan activities of the Limousin. The manuscript of the Gradual of St. Yrieix was conceived and produced in the beginning decades of this period of expansion and growth. The usage of the Gradual would reflect the position of St. Yrieix, recognizing the dominance of St. Martin of Tours, but now under the growing influence of the central figures of power in Limoges. The Gradual is not as elaborately prepared as the great thirteenth-century Bible of St. Yrieix, created for ceremonial display during the liturgical service. The Gradual was carefully wrought as a repository of the liturgical chant for practical use by the musicians of the monastery and the chapter. While some of the contemporary Aquitanian graduals are more richly decorated, 80 the Gradual of St. Yrieix is nevertheless representative of the best contemporary standards of paleography and Aquitanian diastematic notation of the period. The selection of the regional feasts in the usage of the chapter, the selection of chants for the feasts, and the inclusion of traditional Gallican feasts and antiphons would 79 The record of the translations is inconsistent; claims of Aredius’s interment are made both at St. Hilary of Limoges and at St. Yrieix. Jean Becquet resolved the historical argument in favor of St. Yrieix (see note 62 above). Any competing claims from Limoges were rendered moot by the destruction of the church of St. Hilary in past centuries. 80 Pa776 (Gaillac) contains more elaborate initials and decorative penwork than Pa903; Harl.4951 contains a tonary section with a colorful drawing of an eleventh-century musician characterizing the mode of each modal list of chants. 40
eflect the growing security and importance of St. Yrieix. 81 These subjects will be the focus of the remaining chapters of this work. 81 The patron Saint Aredius and the prominent saints of Aquitaine and the Limousin are present in the gradual, but the Cluniac saints, Odo and Odilo, the founding abbots of Cluny, are missing in spite of the presence of Cluny at St. Martial of Limoges in this period. 41
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Copyright by William Manning Sherri
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The Gradual of St. Yrieix in Eleven
Page 5 and 6: Acknowledgements I express deep gra
Page 7 and 8: Yrieix favored its senior patron St
Page 9 and 10: C. Elements of Usage in Pa903 and R
Page 11 and 12: 3. Chants Transmitted only by Pa903
Page 13 and 14: Table 5-6 Pa903 Neo-Gregorian Conco
Page 15 and 16: List of Figures Figure 1-1 Map of A
Page 17 and 18: I. Introduction A. AREDIUS AND THE
Page 19 and 20: As a further part of the renewal pr
Page 21 and 22: (particularly from PM13) has also b
Page 23 and 24: the region. 17 The usage of St. Yri
Page 25 and 26: dependency of the Collegiate Church
Page 27 and 28: In contrast to the Aredius hagiogra
Page 29 and 30: funeral Aredius saved two women suf
Page 31 and 32: Table 2-1 List of St. Aredius Beque
Page 33 and 34: anachronism in these vitae, authors
Page 35 and 36: hagiography of Aredius, from Mabill
Page 37 and 38: Figure 2-2 Summary of Events in the
Page 39 and 40: According to Carolingian law, the l
Page 41 and 42: Seguin as the last abbot of St. Yri
Page 43 and 44: eferences in the diploma to the fai
Page 45 and 46: officially promulgated canonization
Page 47 and 48: (d.) The Later Centuries After the
Page 49 and 50: Figure 2-3 Chapter Church of St. Yr
Page 51 and 52: Figure 2-5 Saint Yrieix Bible, Thir
Page 53 and 54: Table 2-2 St. Aredius and St. Yriei
Page 55: their reforming initiatives. This i
Page 59 and 60: Table 3-1 Contents Pa903 Based on C
Page 61 and 62: Figure 3-1 Example Initials and Cap
Page 63 and 64: The ornamental pen-work in the desi
Page 65 and 66: includes the early eleventh-century
Page 67 and 68: the patron saint and other senior p
Page 69 and 70: patterns of association between 263
Page 71 and 72: Pa903. Finally, there are sixteen A
Page 73 and 74: Table 3-2 Neo-Gregorian Regional an
Page 75 and 76: century Collegiate Church of St. Ma
Page 77 and 78: that is also found in Harley4951, P
Page 79 and 80: Appendix A3-4 compares the sanctora
Page 81 and 82: 5. Summary Liturgical usage as refl
Page 83 and 84: were also chosen for St. Yrieix whi
Page 85 and 86: through the intercession of Aredius
Page 87 and 88: The principal goal of this Section
Page 89 and 90: Table 4-1 Pa903 Regional Antiphons
Page 91 and 92: Contiued Pa903 Antiphon Incipit PM1
Page 93 and 94: Table 4-2a St. Yrieix Antiphon Repe
Page 95 and 96: These eleventh-century antiphons, c
Page 97 and 98: Table 4-3 Troped Masses in Pa903 Ma
Page 99 and 100: Table 4-4 Pa903 Tropes for Chants N
Page 101 and 102: Table 4-6(a) Pa903 Kyrie Tropes Inc
Page 103 and 104: Table 4-7 Pa903 Gloria, Sanctus, Ag
Page 105 and 106: melisma. Appendix A4-3 lists both g
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(b.) Alleluia Prosas in Pa903 Pa776
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Table 4-9 Offertory Prosulas of Pa9
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E. PROMINENT EMBELLISHED MASSES The
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sacramentaries that were not includ
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A. OVERVIEW V. Neo-Gregorian Chants
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and (2) local neo-Gregorian chants
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Table 5-2a Temporal and Ritual Mass
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The sanctoral clearly contains the
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(a.) Chants of the Temporal and Rit
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Table 5-5 Pa903 Prominent Neo-Grego
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Table 5-6 Pa903 Neo-Gregorian Conco
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century missal from Veroli. 19 The
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line (the custos, marked 5) indicat
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This gradual follows Gregorian conv
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There are two prosas for the Arediu
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Figure 5-2d The Aredius Prosa Allel
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OFFERTORY p.220 Immaculatas hostiar
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(b.) Communion The Communion (Figur
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Figure 5-5 The Aredius Prosa Astra
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Table 5-9 Introit Trope Sets for St
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Table 5-10 Neo-Gregorian Masses for
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week of Lent suggests a new regiona
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2. Mass for the Dead The neo-Gregor
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E. NEO-GREGORIAN MASS CHANTS AND GA
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the Saturninus offertory : …victi
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Table 5-12 Traditional Gallican Cha
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(with the Gregorian chants removed)
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Gregorian feast included in the tra
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expressed visions of the sanctity a
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through the Middle Ages. 1 Historic
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fact by the Bishop and Viscounts of
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the chant texts of the Cassinese ne
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Aquitanian gradual (Pa776), while t
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E. THE AQUITANIAN GRADUALS 1. Simil
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the neo-Gregorian chants for neo-Gr
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to fill in the issues in geographic
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Appendices APPENDIX A3-1 FRONT GUAR
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APPENDIX A3-2 TABLE OF ST. YRIEIX S
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Table Continued Pa903 Item AMS GALL
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APPENDIX A3-3 PA903 AMS GALL TOURS
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171
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173
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175
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179
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181
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APPENDIX A4-1 PA903 ANTIPHONS Compl
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Pa903 Antiphon Incipit PM13p/f AMS
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Pa903 Antiphon Incipit PM13 p./f. A
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Pa903 Antiphon Incipit PM13/f. AMS
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Table A4-1.2 Gregorian Antiphons in
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APPENDIX A4-2 PA903 TROPES Table A4
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Pa903 Tropes Incipit PM13ff. Commen
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Pa903 Tropes Incipit ff. Comment In
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199
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201
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Table A5-1.1 Complete List of Neo-G
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Neo-Greg chants continued Incipit P
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Table A5-1.4 Sanctoral Feasts in Pa
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Table A5-1.5 Neo-Gregorian Chants o
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Chants of the Temporal cont’d Inc
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Table A5-1.7 Neo-Gregorian Chants o
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Neo-Greg in Greg Sanctoral cont’d
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Neo-Greg Chants in Neo-Greg Sanctor
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APPENDIX A5-2 FINDING OF THE CROSS:
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Table A5-2.2b Finding of the Cross
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APPENDIX A5-3 AQUITANIAN NOTATION O
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APPENDIX A5-4 NEO-GREGORIAN MASS CH
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Appendix 5-4, Table A5-4.1 cont‟d
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Table A5-4.1 (Continued) 4/4 235
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Table A5-4.2 Continued Incipit Pa90
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APPENDIX A5-5 TRANSCRIPTIONS OF THE
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GR Beatam Aredii animam ad caelos C
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PM13:220 OF: Immaculatas hostiarum
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PM13:220 Aredius OF Verse 1 O incli
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Figure A5-5.6 Finding of the Cross
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PM13:207 Figure A5-5.8 Pa903 Benedi
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PM13:194 Figure A5-5.10 Barnabas Al
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Bibliography Aigrain, René, “Are
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http://www.uniRegensburg.de/Fakulta
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Gregory of Tours. The History of th
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Justmann, Dean Richard. “Mode-one
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Montalembert, Charles Forbes, comte
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ömische und alt-spanische repertoi
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Vita William M. Sherrill is a nativ
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