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Book <strong>Review</strong>s 229<br />
Ben-Joseph, Eli.<br />
Aesthetic Persuasion: Henry James, the Jews, and Race.<br />
Landam, Md.: University Press of America, 1996.252 pages.<br />
Henry James's reputation for anti-Semitism is generally under-<br />
stood in relation to the famous report about the east European im-<br />
migrant Jews of the Lower East Side that appears in his The<br />
<strong>American</strong> Scene (1907). James's undisguised shock and dismay at what<br />
he found seems to vacillate between horror over the poverty and<br />
squalor he encounters and revulsion toward the punishment the<br />
new immigrants appear to inflict on the English language. His<br />
meeting with "terrible little Ellis Island" left him badly shaken,<br />
feeling like a marginal outsider in his own homeland (after years<br />
living abroad in self-imposed exile) as he wanders among the op-<br />
pressive sights and sounds of the new ethnic neighborhoods.<br />
Throughout The <strong>American</strong> Scene he describes a sense of rupture and<br />
displacement but nowhere near as dramatically as in his frequent<br />
references to the "swarming" <strong>Jewish</strong> masses. James's dread, in the im-<br />
mediate aftermath of his visit to Ellis Island, is expressed in stir-<br />
ringly apocalyptic language, a rhetoric that invites the reader to<br />
identify with the author's enlightened sensibilities:<br />
"I think that the simplest account of the action of Ellis Island<br />
on the spirit of any sensitive citizen who may have happened<br />
to 'look in' is that he comes back from his visit not at all the<br />
same person that he went. He has eaten of the tree of knowl-<br />
edge, and the taste will be forever in his mouth,"'<br />
Presumably no reader will wish to be excluded from the status of<br />
"any sensitive citizen" and will inevitably share James's abhorrence<br />
for the damage that Italians, Jews, and other immigrants do to the<br />
cause of an ideal homogeneous culture.<br />
In view of such ingrained antipathy toward the presence of the<br />
Other in culture, it seems surprising that until recently only a few<br />
critics (notably Louis Harap in The Image of the Jew in <strong>American</strong> Litera-<br />
ture) have attempted to sketch the wider dimensions of James's