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242 <strong>American</strong> <strong>Jewish</strong> <strong>Archives</strong><br />
also took part, as per Victor Green's observation about journals' audi-<br />
ences (57). Another observation in this regard is a need to consider the<br />
force exerted by this core of dedicated nationalists on the public,<br />
something which emerges, for example, in the post-World War One<br />
formation of the <strong>American</strong> <strong>Jewish</strong> Congress.<br />
Though begun in Europe, modem Hebrew literature "emigrated"<br />
to the New World, flourishing for decades before its waning in the<br />
second half of the twentieth century. Any serious engagement with<br />
Hebrew literature presents the scholar with a wealth of evidence not<br />
only as to the national aspirations of Jews but also, their ambivalence<br />
in light of the <strong>American</strong> experience with its freedoms and threats<br />
of assimilation. Early in the 19oos, the Hebrew poet B. Silkiner became<br />
one of the first to set the thematic and stylistic tone followed by other<br />
U. S. <strong>American</strong>-educated and newly immigrated writers-Efros, Lisitzky,<br />
Bavli, Halkin, and Silberschlag, to name but a few. Silkiner's work,<br />
bearing significant traces of Haskalah values and style, not only toed<br />
the Zionist agenda but turned an eye to the <strong>American</strong> experience as<br />
well.<br />
Hebrew writers in the United States not only felt obliged to voice<br />
their vision about America, to which many fled from more hostile lo-<br />
cales in the European diaspora, but they also found themselves in the<br />
precarious position of expressing the nationalist sentiments of Amer-<br />
ican Jews. Moreover, many of them were instrumental in contribut-<br />
ing thematically to the Hebrew literary scene by presenting the<br />
potential fate of Jews in the New World against that of other minori-<br />
ties who have been beset by those who brought European culture to<br />
the Western Hemisphere. Perhaps more than literature in any other<br />
language, Hebrew literature <strong>American</strong>izes itseIf in creating a vast<br />
corpus bemoaning the fate of black people and the decimation of<br />
Native <strong>American</strong>s by the hands of European intruders, be they<br />
Spanish or EngIish. So while writing so well of the anti-German<br />
sentiments of Polish writers setting their works in the guise of the fate<br />
of the <strong>American</strong> Indian, such as of Z. Brodowski (122-23), Mickiewicz,<br />
and Sienkiewicz GSg-86), Jacobson misses the hundreds of pages in<br />
Hebrew about the subject. Jews' diseovery of oppressed people other<br />
than themselves, Na€ive <strong>American</strong>s and African <strong>American</strong>s, drew<br />
Hebrew writers to inelude the lot of these people into the <strong>American</strong>-<br />
ized corpusof Hebrew letters as a warning to their readers who were