Objects in Flux - RMIT Research Repository - RMIT University
Objects in Flux - RMIT Research Repository - RMIT University
Objects in Flux - RMIT Research Repository - RMIT University
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<strong>Objects</strong> <strong>in</strong> <strong>Flux</strong><br />
[Figure 6-3]<br />
Circuit diagram attched to the rear of<br />
a 1980s JVC television, photo 2005.<br />
Image is author’s own.<br />
110<br />
with<strong>in</strong> the consumer’s hands. While automobile<br />
use emerged as a contested doma<strong>in</strong>, it was not<br />
a level play<strong>in</strong>g field. Through the deployment<br />
of control mechanisms manufactures positioned<br />
the automobile <strong>in</strong> l<strong>in</strong>e with their commercial<br />
models and established divergent use as deviant<br />
or disruptive to the ‘proper’ function<strong>in</strong>g of the<br />
automobile.<br />
Shift<strong>in</strong>g our focus to the present day it is possible<br />
to discern a sixth control mechanism<br />
operat<strong>in</strong>g with<strong>in</strong> contemporary society, that is, the control of <strong>in</strong>formation.<br />
Through carefully structur<strong>in</strong>g the <strong>in</strong>formation made available to<br />
consumers, manufacturers are able to limit consumer behavior to a set<br />
of documented and authorized paths. With<strong>in</strong> recent years this form of<br />
control has become particularly prom<strong>in</strong>ent.<br />
Until quite recently the television <strong>in</strong> my lounge room was a JVC<br />
model 7865AU built <strong>in</strong> the 1980s. Attached to the back of the television,<br />
housed <strong>in</strong>side a small plastic pouch, was a circuit diagram<br />
document<strong>in</strong>g the television’s <strong>in</strong>ner work<strong>in</strong>gs. This documentation was<br />
<strong>in</strong>tended to provide repair technicians with all the necessary <strong>in</strong>formation<br />
required for diagnosis and repair of the unit. Here the object<br />
and the technical description of the object are given together. The<br />
television, adrift <strong>in</strong> the world, carried with it <strong>in</strong>formation on its own<br />
construction. This <strong>in</strong>formation gave the object an <strong>in</strong>dependence from<br />
its place of production. Such an approach was once common practice:<br />
the underside of the BeoCenter 4500 used <strong>in</strong> the B&O MP3 Mac Mod<br />
was pr<strong>in</strong>ted with detailed diagnosis and repair <strong>in</strong>formation; likewise,<br />
the first personal computers from Apple Computer Inc., the Apple 1<br />
released <strong>in</strong> 1976 and the Apple II released <strong>in</strong> 1978, shipped with technical<br />
descriptions of the systems’ processors and circuit designs. In the<br />
30 years s<strong>in</strong>ce, the practice of provid<strong>in</strong>g detailed technical documentation<br />
has gone from commonplace to virtually non-existent. Instead<br />
of circuit <strong>in</strong>formation attached to the rear of a modern device you are<br />
now far more likely to f<strong>in</strong>d a sticker stat<strong>in</strong>g, ‘no user-serviceable parts<br />
<strong>in</strong>side’. The products of late capitalist society are no longer adrift <strong>in</strong><br />
the world; they are tethered to their manufacturers through a physical<br />
dependency based on <strong>in</strong>formation control.