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Objects in Flux - RMIT Research Repository - RMIT University

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<strong>Objects</strong> <strong>in</strong> <strong>Flux</strong><br />

134<br />

<strong>in</strong> material and social form. In produc<strong>in</strong>g parallel narratives of use<br />

consumers open the discursive space of the object to a multiplicity of<br />

voices and a diverse array of social mean<strong>in</strong>gs.<br />

7.5 Reth<strong>in</strong>k<strong>in</strong>g the object as public space<br />

Where the commercial economy has traditionally isolated the <strong>in</strong>dividual<br />

with<strong>in</strong> private acts of consumption, newly emergent networked<br />

practices remake acts of consumption as a communal endeavor. As<br />

John Seely Brown states: ‘T<strong>in</strong>ker<strong>in</strong>g is no longer an isolated activity<br />

you do <strong>in</strong> your garage. You’re t<strong>in</strong>ker<strong>in</strong>g with a community platform,<br />

you’re t<strong>in</strong>ker<strong>in</strong>g with other people’s stuff’ (quoted <strong>in</strong> Lessig, 2004, p.<br />

46). In contemporary society, the privately consumed mass-produced<br />

object becomes a distributed common ground, a sphere of action<br />

where people gather to discuss matters of collective concern. This<br />

site is provisional, <strong>in</strong> that it is given through the meet<strong>in</strong>g of <strong>in</strong>dividuals<br />

and the discursive field that arises from this meet<strong>in</strong>g. What is<br />

important here are not the material outcomes of the discussion but the<br />

process of engagement – the ability for <strong>in</strong>dividuals to jo<strong>in</strong> <strong>in</strong> conversation<br />

and exercise their powers of agency. If we were to conceive of the<br />

mass-produced object as a distributed public realm, a polis or form of<br />

public space, then we may ask: What limits should be placed on this<br />

space, who should be allowed to determ<strong>in</strong>e the conversations that take<br />

place here, and what freedoms are we will<strong>in</strong>g to give up for the sake<br />

of economic returns?<br />

The public is only beg<strong>in</strong>n<strong>in</strong>g to understand how much has been lost to<br />

the <strong>in</strong>creased privatization of the consumer environment. Laws such<br />

as the Digital Millennium Copyright Act, and the anti-circumvention<br />

measures given with<strong>in</strong> this act, br<strong>in</strong>g an unprecedented level of control<br />

to consumer society. If we wish to reta<strong>in</strong> relevance and participation <strong>in</strong><br />

public discourse then we need to ensure public spaces, wherever they<br />

may arise, do not disappear <strong>in</strong>to private ownership.<br />

7.6 Gaps <strong>in</strong> the research and future directions<br />

In adopt<strong>in</strong>g a participatory approach to this research I was able to<br />

conduct a highly detailed study of the field of object modification. My<br />

pre-exist<strong>in</strong>g knowledge of practices of hack<strong>in</strong>g and modd<strong>in</strong>g, <strong>in</strong>clud<strong>in</strong>g<br />

a familiarity with computers and electronics, helped to reduce the<br />

barriers to my participation and allowed for a deep understand<strong>in</strong>g of

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