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Objects in Flux - RMIT Research Repository - RMIT University

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outlet on the lighter seemed made to order (the transducer<br />

can be seen here set <strong>in</strong> black foam to isolate it from handl<strong>in</strong>g<br />

noise). Apart form the large momentary button on the side, all<br />

controls were located <strong>in</strong> the base of the lighter.<br />

[Figure 5-11]<br />

Orig<strong>in</strong>al Braun lighter – base, 2005.<br />

There was a small hole here for refill<strong>in</strong>g the lighter. It was<br />

too small for a standard 3.5mm audio plug but could accommodate<br />

a 2.5mm plug (with a few modifications to the plug).<br />

The problem with locat<strong>in</strong>g the headphone socket here was<br />

that I wanted the detector to work while sitt<strong>in</strong>g upright, but<br />

<strong>in</strong> this position the base of the lighter has a clearance of only<br />

2mm from the table surface. I needed a right-angle 2.5mm<br />

headphone connector with a depth of just 2mm – not the sort<br />

of th<strong>in</strong>g Tandy has ly<strong>in</strong>g around.<br />

[Figure 5-12]<br />

2.5mm mono audio plug, 2005.<br />

So I attacked a standard 2.5mm plug with a file,<br />

Tell<strong>in</strong>g Stories<br />

of the amateur nature of hack<strong>in</strong>g, modd<strong>in</strong>g and<br />

DIY – participants may not possess the experi-<br />

ence or knowledge necessary to carry out their<br />

project unassisted – but it is also a result of the<br />

highly experimental and cross-discipl<strong>in</strong>ary na-<br />

ture of these activities. Often, projects are not<br />

conf<strong>in</strong>ed to specific areas of specialization and<br />

may br<strong>in</strong>g together a broad range of <strong>in</strong>fluences<br />

and expertise. This diversity can be seen <strong>in</strong> Tim<br />

Hirzel’s coffee mach<strong>in</strong>e modification, discussed<br />

<strong>in</strong> the previous chapter, which comb<strong>in</strong>es knowl-<br />

edge of <strong>in</strong>dustrial control systems with gestural<br />

control <strong>in</strong>terfaces and aesthetic conventions<br />

from the computer case modd<strong>in</strong>g community<br />

(Hirzel, 2006).<br />

While outbound l<strong>in</strong>ks are an important mecha-<br />

nism through which project authors can position<br />

themselves with<strong>in</strong> a networked community of<br />

practitioners, it is generally the existence of<br />

<strong>in</strong>bound l<strong>in</strong>ks (or ‘back l<strong>in</strong>ks’) from external<br />

sites that gives a project visibility with<strong>in</strong> the<br />

public realm. L<strong>in</strong>ks to project pages from paral-<br />

lel practices, forums, news and aggregator sites<br />

<strong>in</strong>crease a project’s readership and enhance<br />

the likelihood that the project will be copied or<br />

built upon by others. Inbound l<strong>in</strong>ks generate<br />

page traffic <strong>in</strong> two specific ways: directly via<br />

‘click-through’ visitors who follow the l<strong>in</strong>k to the<br />

project page, and <strong>in</strong>directly by <strong>in</strong>creas<strong>in</strong>g the<br />

page’s rank<strong>in</strong>g on Internet search eng<strong>in</strong>es, thus<br />

<strong>in</strong>creas<strong>in</strong>g the likelihood that the project will be<br />

found when project specific content is searched<br />

for by others. Inbound l<strong>in</strong>ks may also lead to<br />

additional outbound l<strong>in</strong>ks through a process of<br />

‘reciprocal l<strong>in</strong>k<strong>in</strong>g’. Reciprocal l<strong>in</strong>ks may be au-<br />

tomatically generated by ‘track-back’ systems,<br />

such as those commonly found <strong>in</strong> blogg<strong>in</strong>g soft-<br />

87

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