Objects in Flux - RMIT Research Repository - RMIT University
Objects in Flux - RMIT Research Repository - RMIT University
Objects in Flux - RMIT Research Repository - RMIT University
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2.<br />
2.1 Introduction<br />
Reth<strong>in</strong>k<strong>in</strong>g <strong>Objects</strong><br />
Much of the time, <strong>in</strong> our day-to-day lives, we treat objects as fixed,<br />
unchang<strong>in</strong>g th<strong>in</strong>gs; they exist for us <strong>in</strong> a ‘discourse of objectivity that<br />
allows us to use them as facts’ (Brown, 2001, p. 4). But objects are<br />
never simple, material facts – they are complex events. A range of<br />
social forces are at play with<strong>in</strong> an object’s design and production, and<br />
further, with<strong>in</strong> the sphere of consumption, where an object’s identity<br />
is formed and re-formed through various acts of engagement. The<br />
specific nature of these contexts, shaped by personal and social histories<br />
and the needs and desires of the constitut<strong>in</strong>g actors, produces a<br />
series of modulated object identities. With<strong>in</strong> this dynamic social field,<br />
objects exist <strong>in</strong> a state of flux.<br />
Com<strong>in</strong>g to an understand<strong>in</strong>g of objects that both acknowledges their<br />
perpetual social production while giv<strong>in</strong>g adequate account of their<br />
material presence is essential for the development of this research,<br />
for if we are to <strong>in</strong>terrogate what it means to re-make an object then<br />
we need to be clear about what, exactly, is be<strong>in</strong>g remade. With this<br />
<strong>in</strong> m<strong>in</strong>d, the follow<strong>in</strong>g text seeks to establish a general framework<br />
through which the project’s material and social adventures may be<br />
exam<strong>in</strong>ed. Draw<strong>in</strong>g heavily from science and technology studies, this<br />
chapter beg<strong>in</strong>s with an account of objects as ‘social constructs’. From<br />
here the role of materiality is brought <strong>in</strong>to question and the <strong>in</strong>tertw<strong>in</strong>ed<br />
natures of matter and mean<strong>in</strong>g are explored. Further to this, an object’s<br />
[Figure 2-1 – fac<strong>in</strong>g page]<br />
Kitchen cupboard handle attached<br />
to the boot of a Ford Falcon sedan,<br />
Melbourne, Australia, 2004.<br />
Image is author’s own.<br />
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