Objects in Flux - RMIT Research Repository - RMIT University
Objects in Flux - RMIT Research Repository - RMIT University
Objects in Flux - RMIT Research Repository - RMIT University
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someth<strong>in</strong>g. S<strong>in</strong>ce I can’t hear who or what is keep<strong>in</strong>g those<br />
poor animals awake all day … I would like to start f<strong>in</strong>d<strong>in</strong>g<br />
out if someone is emitt<strong>in</strong>g some sounds the human ear can not<br />
hear, but Fly<strong>in</strong>g Foxes can hear. (It is worth not<strong>in</strong>g that I have<br />
NO idea how well Fly<strong>in</strong>g Foxes hear, but I’m told that they do<br />
NOT use sonar, but have “better than human” hear<strong>in</strong>g. )<br />
Its heartbreak<strong>in</strong>g to see the poor Fly<strong>in</strong>g Foxes be<strong>in</strong>g harrassed<br />
by who knows what on an ongo<strong>in</strong>g basis (this has<br />
been happen<strong>in</strong>g s<strong>in</strong>ce late January and it is NOT typical bat<br />
behaviour) … so if anyone help this electonically and gadget<br />
challenged 59yo … it would be most appreciated.<br />
Cheers Eva<br />
Scott Says:<br />
5 August, 2005 at 11:25 a.m.<br />
Hi Eva,<br />
Your comment that Fly<strong>in</strong>g Foxes do NOT use sonar took<br />
me by surprise. I’ve been try<strong>in</strong>g to listen to them with my<br />
bat detector and (either through wishful th<strong>in</strong>k<strong>in</strong>g or nearby<br />
runn<strong>in</strong>g water) I though I was hav<strong>in</strong>g some success. So I did<br />
some research and of course you’re right, only Microbats<br />
use echolocation and the Fly<strong>in</strong>g Fox is a Megabat (apparently<br />
there is one Megabat that does use echolocation but<br />
it’s not found on the Australian ma<strong>in</strong>land). I need to f<strong>in</strong>d<br />
myself a colony of Microbats.<br />
As for your disturbed Fly<strong>in</strong>g Foxes it seems that a bat detector<br />
would be of little use. I found this site (run by the Ipswich<br />
local council) which states the Fly<strong>in</strong>g Fox’s “hear<strong>in</strong>g range<br />
is similar to that of humans, mak<strong>in</strong>g high-frequency sound<br />
<strong>in</strong>audible to them”. Over at the Sydney Botanical Gardens<br />
site is an account of the actions taken to disturb the Fly<strong>in</strong>g<br />
Fox colony; these <strong>in</strong>clude sound, light and odour. It might<br />
be helpful to compare your bats’ behaviour to these descriptions.<br />
The only actions that seemed to produce a prolonged<br />
disturbance were deep percussive sounds (and even these<br />
have had little effect s<strong>in</strong>ce 1998), so ultrasonics do not appear<br />
to be your answer. In this case a simple tape recorder may be<br />
useful. This will not extend your hear<strong>in</strong>g range but it could be<br />
used to emphasise any low frequency sounds and help locate<br />
their source.<br />
The best of luck, Scott.<br />
Eva Newman Says:<br />
11 August, 2005 at 11:40 a.m.<br />
Hello Scott,<br />
Thank you so much for bother<strong>in</strong>g to reply. Much appreciated.<br />
I’m aware of the two web pages you po<strong>in</strong>ted out, and<br />
they are pretty useless and really, not enough research has<br />
Tell<strong>in</strong>g Stories<br />
and deploy<strong>in</strong>g defensive devices to protect his<br />
home from attack.<br />
‘The zombie detector, or ‘ambivolometer’ gave<br />
first warn<strong>in</strong>g of the impend<strong>in</strong>g attack with the<br />
gauge show<strong>in</strong>g a slight <strong>in</strong>crease <strong>in</strong> the level of<br />
general dis<strong>in</strong>terest <strong>in</strong> life <strong>in</strong> the general area. A<br />
Quick peek through the observer gave us our<br />
first <strong>in</strong>dication of the lay of the land... Our fears<br />
were confirmed – zombies on the perimeter!<br />
It was ‘all hands to the pacifier guns’ stationed<br />
around the lab. These pressurised vessels con-<br />
ta<strong>in</strong> enough atomised bourbon and coke mix to<br />
send the zombies pack<strong>in</strong>g.’ xxi<br />
Here W<strong>in</strong>s makes a game of a situation that is<br />
largely beyond his control, figur<strong>in</strong>g an alterna-<br />
tive world where he claims an active role and<br />
rega<strong>in</strong>s a degree of agency. It is clear from<br />
W<strong>in</strong>s’s writ<strong>in</strong>g that modd<strong>in</strong>g practices extend<br />
well beyond the manipulation of objects. This<br />
is <strong>in</strong> keep<strong>in</strong>g with Schatzki’s description of<br />
practice as ‘a temporally unfold<strong>in</strong>g and spatially<br />
dispersed nexus of do<strong>in</strong>gs and say<strong>in</strong>gs’ (1996,<br />
p. 89). W<strong>in</strong>s’s practice is scattered across his<br />
everyday life; it appears <strong>in</strong> his blog writ<strong>in</strong>g, his<br />
visits to second-hand stores, his holidays, his<br />
New Years Eve costume and his appreciation<br />
of art and culture. It threads itself through his<br />
world, b<strong>in</strong>d<strong>in</strong>g it together as a coherent whole.<br />
5.4 Disembodied knowledge<br />
Practices of object modification tend to encour-<br />
age a ‘learn<strong>in</strong>g-on-demand’ approach were<br />
problems are addressed as they arise. This<br />
xxi. http://austeampunk.blogspot.<br />
com/2008/07/zombie-assault.html accessed 6<br />
January 2011.<br />
93