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The Economic Impact of the UK Film Industry - BFI - British Film ...

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7. Tourism<br />

7.1. Introduction<br />

<strong>Economic</strong> Contribution <strong>of</strong> <strong>the</strong> <strong>UK</strong> <strong>Film</strong> <strong>Industry</strong><br />

July 2007<br />

<strong>The</strong> phenomenon <strong>of</strong> films encouraging viewers to visit <strong>the</strong> country or site where <strong>the</strong>y were shot - variously<br />

labeled ‘movie-induced tourism’ (Riley et al. 1998), ‘film-induced tourism’ (Beeton, 2005), and ‘mediarelated<br />

tourism’ (Busby and Klug, 2001) – has been widely discussed in academic literature and is now<br />

well-documented. For example:<br />

“Just as paintings whetted <strong>the</strong> appetite <strong>of</strong> tourists in <strong>the</strong> eighteenth and nineteenth centuries to visit<br />

particular places, so film has become <strong>the</strong> modern-day equivalent for <strong>the</strong> tourist 23 .”<br />

Many tourism authorities across <strong>the</strong> world are also aware <strong>of</strong> <strong>the</strong> role <strong>of</strong> film as a catalyst for tourism and<br />

have strategies that both actively encourage <strong>the</strong> shooting <strong>of</strong> films in <strong>the</strong>ir country or city as well as <strong>the</strong><br />

promotion <strong>of</strong> tourism following <strong>the</strong> release <strong>of</strong> such films. A good example is Illinois, which enticed <strong>the</strong> film<br />

A Thousand Acres to be shot <strong>the</strong>re despite o<strong>the</strong>r locations better meeting <strong>the</strong> film’s requirement for “fields<br />

<strong>of</strong> corn as far as <strong>the</strong> eye could see”. <strong>The</strong> Illinois Tourism Board achieved this by suggesting that hybrid<br />

varieties <strong>of</strong> corn could be planted to simulate an entire growing season in just 6 weeks. Similarly, ‘Movie<br />

Maps’ are being increasingly distributed by tourism authorities to make it easy for tourists to find <strong>the</strong><br />

locations <strong>of</strong> scenes shot in famous films, such as James Bond and Harry Potter. <strong>The</strong> recognition <strong>of</strong> <strong>the</strong><br />

importance <strong>of</strong> film to tourism is fur<strong>the</strong>r underlined by <strong>the</strong> recent US advertising campaign which sought to<br />

encourage <strong>UK</strong> visitors with <strong>the</strong> slogan: “You’ve seen <strong>the</strong> movies, now see <strong>the</strong> set”. And tourist operators<br />

also recognize <strong>the</strong> role <strong>of</strong> film in attracting visitors, with, for example. Both Paris's Le Meurice and<br />

Edinburgh's <strong>The</strong> Balmoral hotels now <strong>of</strong>fering Da Vinci Code packages.<br />

This chapter focuses on <strong>the</strong> ways in which film plays a part in <strong>the</strong> choice <strong>of</strong> places people visit, and<br />

considers <strong>the</strong> likely scale <strong>of</strong> <strong>the</strong> impact in <strong>the</strong> <strong>UK</strong>.<br />

Key Points<br />

• <strong>The</strong> impact <strong>of</strong> film on tourism is well-documented through a number <strong>of</strong> case studies and is<br />

recognised in <strong>the</strong> marketing campaigns <strong>of</strong> tourist boards around <strong>the</strong> world.<br />

• While <strong>the</strong>re is limited robust statistical data quantifying <strong>the</strong> value <strong>of</strong> this impact, <strong>the</strong> available<br />

evidence suggests around 1 in 10 visits to <strong>the</strong> <strong>UK</strong> may be attributed to <strong>the</strong> impact <strong>of</strong> <strong>UK</strong> films.<br />

• On this basis we estimate that around £1.8 billion <strong>of</strong> visitor spend a year might be attributable to<br />

<strong>UK</strong> films.<br />

• In 2006, this additional spending is estimated to be worth £900 million to <strong>UK</strong> GDP and<br />

£200 million to <strong>the</strong> Exchequer.<br />

23 Source: Bolan cited in Bushe, A Projecting a Cinematic Boost for Tourism, <strong>The</strong> Newsletter, 13th June 2005, p.4<br />

40

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