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8.1. <strong>Film</strong> and <strong>UK</strong> culture<br />

<strong>Economic</strong> Contribution <strong>of</strong> <strong>the</strong> <strong>UK</strong> <strong>Film</strong> <strong>Industry</strong><br />

July 2007<br />

<strong>Film</strong> can affect a country’s culture in many ways. <strong>The</strong> best films can articulate new ideas, forcing <strong>the</strong><br />

audience to reassess <strong>the</strong>ir existing views, assumptions and prejudices. As a mass media, with fewer<br />

constraints about impartiality than some television channels, film can also articulate existing ideas and<br />

view points. <strong>The</strong>se may reflect society or be a criticism <strong>of</strong> it. <strong>The</strong> communication <strong>of</strong> new and existing<br />

ideas can lead audience members to change <strong>the</strong> way <strong>the</strong>y view <strong>the</strong> world and <strong>the</strong>ir place within it.<br />

As Tessa Jowell, <strong>the</strong> former Minister <strong>of</strong> Culture, said recently: “Our culture is critical to <strong>the</strong> type <strong>of</strong> country<br />

we are.” 30 <strong>The</strong> ability <strong>of</strong> films to influence culture means that <strong>the</strong>y can influence national identity. A film<br />

from any country can potentially shape <strong>the</strong> <strong>UK</strong>’s culture, but it is more likely that an indigenous film will<br />

have such an impact. <strong>UK</strong> films are much more likely to involve places, people or issues that <strong>British</strong> people<br />

instinctively recognize and value. <strong>UK</strong> film affects how <strong>the</strong> <strong>British</strong> see <strong>the</strong>mselves and how <strong>the</strong>y are<br />

viewed by o<strong>the</strong>rs.<br />

<strong>The</strong> core <strong>UK</strong> film industry’s ability to influence national identity is <strong>the</strong> main reason <strong>the</strong> government seeks<br />

to promote <strong>the</strong> production <strong>of</strong> culturally <strong>British</strong> films by providing tax relief. In describing <strong>the</strong> 2005 change<br />

to <strong>the</strong> cultural test for <strong>British</strong> films, HM Treasury commented “Cinematic film provides a universal and<br />

readily accessible medium for <strong>the</strong> expression and representation <strong>of</strong> <strong>British</strong> culture and national identity.<br />

<strong>Film</strong>s can help reflect, explore and challenge our diverse history, cultural beliefs and shared values. In<br />

doing so, <strong>the</strong> best <strong>British</strong> films not only help us to reach a better shared understanding <strong>of</strong> Britain and its<br />

place in <strong>the</strong> world, but are also instrumental in spreading awareness and appreciation <strong>of</strong> <strong>British</strong> culture<br />

around <strong>the</strong> world. As such, <strong>British</strong> films are an important part <strong>of</strong> our cultural heritage and a significant<br />

channel for <strong>the</strong> continuing expression and dissemination <strong>of</strong> <strong>British</strong> culture.” 31<br />

Examples <strong>of</strong> recent <strong>UK</strong> films that have addressed social issues that are important challenges in <strong>the</strong> 21 st<br />

century include:<br />

• Trainspotting, which contributes to awareness <strong>of</strong> <strong>the</strong> issue <strong>of</strong> drug addiction and its social costs.<br />

• Billy Elliot, which deals with <strong>the</strong> issues <strong>of</strong> prejudice.<br />

• Bend it Like Beckham, which addresses issues <strong>of</strong> race relations.<br />

• Yasmin, portraying <strong>the</strong> experience <strong>of</strong> Muslim communities in <strong>the</strong> <strong>UK</strong>.<br />

• In This World, which tells <strong>the</strong> story <strong>of</strong> migration from Afghanistan to <strong>UK</strong>.<br />

<strong>UK</strong> films’ ability to advertise <strong>the</strong> <strong>British</strong> brand around <strong>the</strong> world also has a monetary pay-<strong>of</strong>f. It supports<br />

<strong>the</strong> competitiveness <strong>of</strong> <strong>UK</strong> exports (see Chapter 10). It also has an important role to play in attracting<br />

people to <strong>the</strong> <strong>UK</strong> and supporting inward tourism (as discussed in Chapter 7). It also attracts business,<br />

influencing levels <strong>of</strong> inward foreign direct investment.<br />

<strong>The</strong>re are also public benefits from <strong>the</strong> educational component <strong>of</strong> films. For example, since 1985 <strong>Film</strong><br />

30 From Tessa Jowell’s (Secretary <strong>of</strong> State for Culture, Media and Sport) speech entitled “Valuing Culture” made on 17 June 2003.<br />

31 HM Treasury (2005), ‘Reform <strong>of</strong> film tax incentives: Promoting <strong>the</strong> sustainable production <strong>of</strong> culturally <strong>British</strong> films’, July.<br />

48

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