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The Economic Impact of the UK Film Industry - BFI - British Film ...

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<strong>Economic</strong> Contribution <strong>of</strong> <strong>the</strong> <strong>UK</strong> <strong>Film</strong> <strong>Industry</strong><br />

July 2007<br />

With <strong>the</strong> overall retail market for DVDs/videos worth £2.16 billion pounds in 2006 (99% <strong>of</strong> it DVDs), sales<br />

<strong>of</strong> film DVDs are likely to have been at least £1.55 billion (more if <strong>the</strong> average price <strong>of</strong> a film exceeded <strong>the</strong><br />

average price <strong>of</strong> o<strong>the</strong>r types <strong>of</strong> DVDs). <strong>UK</strong> films accounted for approximately 19% <strong>of</strong> DVDs film sales, so<br />

<strong>the</strong> value <strong>of</strong> sales <strong>of</strong> DVDs <strong>of</strong> <strong>UK</strong> films was about £295 million in 2006. A significant proportion <strong>of</strong> <strong>the</strong> top<br />

twenty best-selling films in 2006 were <strong>UK</strong> films (Table 9-1).<br />

Table 9-1: 2006 top 20 films (video/DVD retail)<br />

1 Pirates <strong>of</strong> <strong>the</strong> Caribbean: Dead Man’s Chest Non-<strong>UK</strong><br />

2 Harry Potter & <strong>the</strong> Goblet <strong>of</strong> Fire <strong>UK</strong> (with USA)<br />

3 <strong>The</strong> Chronicles <strong>of</strong> Narnia -<strong>The</strong> Lion, <strong>the</strong> Witch and <strong>the</strong><br />

Wardrobe<br />

Non-<strong>UK</strong><br />

4 Wallace and Gromit: Curse <strong>of</strong> <strong>the</strong> Were Rabbit <strong>UK</strong><br />

5 Nanny McPhee <strong>UK</strong> (with USA)<br />

6 King Kong Non-<strong>UK</strong><br />

7 High School Musical Non-<strong>UK</strong><br />

8 <strong>The</strong> Da Vinci Code <strong>UK</strong>/USA<br />

9 Ice Age 2: <strong>The</strong> Meltdown Non-<strong>UK</strong><br />

10 Cars Non-<strong>UK</strong><br />

11 Over <strong>the</strong> Hedge Non-<strong>UK</strong><br />

12 Deal or No Deal : DVD game Non-<strong>UK</strong><br />

13 Pirates <strong>of</strong> <strong>the</strong> Caribbean: <strong>The</strong> Curse <strong>of</strong> <strong>the</strong> Black Pearl Non-<strong>UK</strong><br />

14 Pride & Prejudice <strong>UK</strong> (with USA)<br />

15 X-Men 3: <strong>The</strong> Last stand Non-<strong>UK</strong><br />

16 March <strong>of</strong> <strong>the</strong> Penguins Non-<strong>UK</strong><br />

17 Walk <strong>the</strong> Line Non-<strong>UK</strong><br />

18 <strong>The</strong> Shawshank Redemption Non-<strong>UK</strong><br />

19 <strong>The</strong> Corpse Bride <strong>UK</strong> (with USA)<br />

20 Batman Begins Non-<strong>UK</strong><br />

Source: BVA/Official <strong>UK</strong> Charts<br />

A proportion <strong>of</strong> this revenue is already captured in our estimates <strong>of</strong> <strong>the</strong> direct contribution <strong>of</strong> <strong>the</strong> core <strong>UK</strong><br />

film industry. We estimate that 55% <strong>of</strong> DVD/video sales 38 are counted already in <strong>the</strong> direct impact, so this<br />

means that additional merchandise sales in <strong>the</strong> retail sector amounted to about £135 million in 2006.<br />

DVDs <strong>of</strong> films also generate significant economic activity through <strong>the</strong> rental market, which was worth £340<br />

million in 2006. <strong>Film</strong>s account for 99% <strong>of</strong> <strong>the</strong> DVD rental market, and <strong>UK</strong> films account for 17% <strong>of</strong> rentals.<br />

We estimate that one-quarter <strong>of</strong> <strong>the</strong> DVD rental revenues are already counted in <strong>the</strong> direct impact. This is<br />

a somewhat lower figure than <strong>the</strong> 55% for DVD sales. A rental outlet, compared to retail, is likely to<br />

capture proportionately more <strong>of</strong> <strong>the</strong> total value added created in getting <strong>the</strong> product from <strong>the</strong> film company<br />

to <strong>the</strong> final consumer. This is because a rental business is <strong>of</strong>ten thought <strong>of</strong> as a low turnover/high margin<br />

business, whereas retail is a high turnover (derived from high footfall) but low margin business 39 . A rental<br />

outlet is also likely to account for a proportionately greater part <strong>of</strong> <strong>the</strong> total cost involved in getting <strong>the</strong><br />

38 Using <strong>the</strong> cost structure <strong>of</strong> a typical CD as a proxy for videos/DVDs. <strong>The</strong> Monopolies and Mergers Commission<br />

report on ‘<strong>The</strong> supply <strong>of</strong> recorded music’ estimates that 15% <strong>of</strong> <strong>the</strong> retail price is VAT, 30% is retailer’s gross margin<br />

and 55% is passed on to <strong>the</strong> record company.<br />

39 See ‘Brand Health Check: Blockbuster’, Marketing 8 Jun 2005.<br />

57

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