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ScienceDirect - Technol Rep Tohoku Univ ... - Garryck Osborne

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NICK COOK 261<br />

of material—sheet metal, wood, styrofoam, lead, copper, zinc . . .<br />

whatever—from a few ounces to a hundred pounds in weight at distances<br />

of up to 80 feet. From a physics standpoint, it was meant to be impossible,<br />

of course, but Hutchison was doing it—regularly, if not exactly<br />

on demand. Nine times out often, nothing would happen. The rest of the<br />

time it was like a bad day on the set of the film Poltergeist', objects rising<br />

slowly from the area of influence in the center of the equipment and<br />

looping back somewhere else; or shooting skyward in a powerful ballistic<br />

arc and striking the ceiling, kicked there by a massive energy impulse; or<br />

simply levitating and hovering, continuously, for ages.<br />

What was more, Hathaway said, it had been captured on hours of film<br />

and videotape and had been demonstrated in front of hundreds of<br />

witnesses.<br />

As for what might be producing the Effect, there were many theories.<br />

Some said that it was triggered by opposing electromagnetic fields that<br />

canceled each other out, creating a powerful flow of zero-point energy to<br />

any object in the zone of influence; others that Hutchison was causing<br />

electromagnetic fields to spin or swirl in some unknown way and that this<br />

was the trigger for lévitation—shades of the torsion fields generated by<br />

Schauberger, Podkletnov and the Bell. Another camp maintained that<br />

Hutchison was generating the Effect himself by psychokinesis.<br />

What was interesting, Hathaway said, was that Hutchison himself<br />

did not know what caused it and he had no control over it once it<br />

started. Sometimes the Effect produced lévitation, sometimes it caused<br />

objects to shred, tear apart or evaporate; other times, it would cause<br />

transmutation—the alteration of an object's molecular composition;<br />

Hutchison, like an alchemist, could change one metal into another.<br />

"You're shitting me," I said.<br />

But Hathaway shook his head. "John's a wild and crazy guy. He lives<br />

in his own world and he can't readily express what he's doing in terms an<br />

engineer or a physicist might always understand. You should go see him,<br />

no question." He paused, then added: "A visit to John is definitely a<br />

once-in-a-lifetime thing."<br />

As the Canadian Airlines A320 tracked westward above the Great Lakes,<br />

I sat alone at the back of the aircraft, my mind still beset by doubts, in<br />

spite of Hathaway's no-nonsense assessment of the man I was about to<br />

meet.<br />

The one thing that kept me going was the germ of a mystery rooted in<br />

some hard, incontrovertible fact I'd managed to glean separately from<br />

Hutchison and Hathaway: in 1983, a Pentagon team spent money on

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