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232 TH E EAR. wires have take n up the note you sang, and by their vibrations are producing a faint sound of t he same pitch. If you tie a thread to one of these wires, it too will be set in motion. Th is is pra cticall y a model of wh at tak es place in th e ear ; for the tiny threads of the basilar membrane move to and fro, just lik e the piano wires when a sound is mad e. These affect the nerves, just as t he pian o wire affects the thread tied to it. 9. Th e ear is a very wonderful an d complicated organ, and the work it has to do is very varied. By its help we become conscious of all the hundred sounds of the city or th e country-side, from the deepest to the shrillest ; an d if we listen carefully to a tolling bell, we hear in every note the several blend ed tones th at it rin gs forth. Of even greater imp ortan ce is thc 'power whi ch hearing gives to us of understanding our fellow-<strong>cr</strong>eatures' t houghts and wan ts, of listening to t he voice of fri end or teacher, and of developing our minds and charac ters by what we learn fr om them. ex-ter-nal trem-ors in-flict-ed squat-ting' par-tl-tion stir-rup vi~brate trans-mit-ted lab-y-rinth mem-brane bas-i-lar fi~bres prac-ti-cal-ly com-pli-cat-ed con-scious de-vel-op-ing 'VOR n EXERCISE:- 1. Give a list of words form ed from the stem of attention, wit h various prefixes, and their mea nings . 2. Show the difference in meaning and in structure betw een 'the words en/trance and entrance", 3. Mak e sentences showing th e use of t he word s'varied, variegated, variable, and variety (in severa l meanin gs ). For N OTES, see page i!611.
THE EYE. 233 60. THE EYE. 1. The best way to study the more impor tant parts of t his very bea utiful and wond erful orga n, is to get a bullock's eye fr om th e butcher and exa mine it well In front yOIl will see a transparent part, lik e th e gla..
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1 I! I i
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THE OU",rEW TOLL. THl[ KNI:LL 011'
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CO N T ENTS. • • (J T1u Ita lic
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l N°· VI. 1. AMONG THE ALLIGATORS
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A~IOKG THE ALLIGATORS. 9 and gleam,
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)IEASUREMENT OF TDIE. 11 2. MEASURE
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~IEASURE~IEXT OF TnlE. 13 7. King A
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SILKWORMS. 1 5 of th ese cocoons. A
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SILKWORMS. 17 into a deep sleep. Th
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20 DL·DlOND CUT DIA)!OND. India, a
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22 DIA )IOND CUT DI AMOND. should n
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.. 24 A~ ORIENTAL LE GEND. Then cal
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26 A HIPPOPOTA~lUS H UXT. 6. A HIPP
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28 A HlPPOPOTA~lUS HUX,.. quiet, he
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30 A HIPPOPOTA~ ru S H U ~T, 3. " P
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32 A HIPPOPOTA1IUS HUKT . could be
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34 KA)ITCHATKA AND ITS PE OPLE . Th
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3 6 KA)!TCHATKA AXD ITS PE OPLE , b
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38 A Lm lB ER CAMP. 9. A LUMBER CAM
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40 A LUMBER CA~[P. planation is tha
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THE LmlBE R~[ E N. 10. THE LUMBERME
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'lHE L U~Ill E lnI EN. Not for us t
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46 ABOUT ICEBERGS. enormous crystal
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48 ABOUT ICEBERGS. state of unstabl
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50 THE HEROINE OF CASTLE DANGEROUS.
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52 THE HEROIXE OF CASTL E DAXGEROUS
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54 A CITY I~ THE A~mES . " Which co
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56 A CITY IN THE ANDES. Quito has n
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58 A CITY IN THE ANDES. the boardin
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• 60 LA~D A~D SEA BltEEZES. draw
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62 THE CLOUD. 15. THE CLOUD. 1. I b
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... 640 A DESERT RIDE . flail dis-s
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66 A DESERT RIDE . for our steeds w
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68 A DESER T RIDE . 17. A DESERT RI
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70 A DESERT RIDE. Anaz! tribe, whi
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THE GREAT F IRE OF LONDON.
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74 TH E GREAT FIRE ' OF LONDON. all
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76 ON READIl'
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,78 ON READING . Evelyn, Pepys, and
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80 NATI VE SPORTS I N HAWAIl. 21. N
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82 NATIVE SPORTS IN HAWAII. turned
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84 PAPUA AXD ITS PE OPLE. PAP't'A S
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86 PAP UA A~D ITS PEOPLE. and th e
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88 PAPUA AND 1'1'8 PEOPLE. 9. One p
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90 A THREE DAYS' CHASE, glasses, an
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92 A THREE DAYS' CHASE. 8. Instead
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94 A THREE DAYS' CHASE. denly bore
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96 THE OCE A:-I. de-creas-ing' muz
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98 THE KRAKATOA ERUPTIOX. KRAKATOA
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I Ou THI> KRAKATOA ERUPTION. from t
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102 HmIA...'HTY IN WAR. e-rup-tion
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10-1: HU.llA~ITY 1:; WAR. his colou
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10 6 H mlAXITY IX WAR. 9. Th e ru d
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l 10 8 THE HATTLE OF CO IW ~ NA. en
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110 THE BATTLE OF CORUNNA. existenc
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112 THE BATTLE OF CORUNNA. 3. Th e
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.... 114 THE BATTLE OF CO R {; ~ X
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11G THE ARS ENAL AT SPR INGFIELD. 3
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11 8 TH E LITTL E CORPORA L. 31. TH
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120 THE LITTLE CORPORAL. French sol
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122 TH E LITTLE CORPORAL. advanceme
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A DANGEROU S E XP ED IT I ON .
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126 PERFUMES. CFSS Ens ron BUR S I
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128 PEIU·U~lES. oth er essences, a
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130 A DINNER PARTY I N ANCIENT TH E
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132 A DI~ ~ E R PARTY IN ANCIE NT T
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13 4 ELEGY WRITTEN IN A COUNTRY CHU
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13 6 ELEGY WRITTEN IN A COUXTRY CHU
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138 ELEGY WRITTE ~ I N A COUNTRY CH
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140 . A TEA-CARAVAN. curious sight.
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142 ACROSS LAKE BAIKAL. 37. ACROSS
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144 AOROSS LAKE BAIKAL. Siberian wi
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146 TH E WORLD BEFORE COLUMBUS. 38.
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148 THE WORLD BEFORE COLUMBUS. land
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150 T HE WORLD BEF ORE COLC MBUS. .
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152 MONTEZU~lA, Th ey were very dif
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154 MONTEZUM A . cordingly sent to
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156 MONTEZUMA. 40. MONTEZUMA.-II. 1
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1 58 ~ro}lTEZU~I A. was to lodge in
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16 0 ~O NTEZ U~IA. league an-nounce
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162 MONTEZ UMA. by a guard of Spani
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164 THE PLATE OF GOLD. 42. THE PLAT
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16 6 TH E PL ATE OF GOLD. A vow wit
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1 uS THE LAND OF THE WHITE ELE PHAN
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1iO TH E LAND OF THE WHI TE ELEPHAN
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172 CROSSING TH E BAR. under take t
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174 CROSSING THE BAR. will you ? Cl
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176 CROSSING THE BAR. ' ON THE R EE
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......... 178 CROSSING THE BAR. 7.
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180 MOY CASTLE. 46. MOY OASTLE. A.,
Page 186 and 187: 182 MOY CASTLE . If we bring th e p
Page 188 and 189: 184 A RI VER IN THE OCEAN. COURSE o
Page 190 and 191: 186 A RIVER IN THE OCEAN. little j
Page 192 and 193: 188 A RIVER IN THE OCEAN. is to thi
Page 194 and 195: 190 THE "KURO srwo . COURSE 010' TH
Page 196 and 197: 192 TH E "KURO SIWO." North America
Page 198 and 199: 19'1< ALEXANDER THE GREAT. DOMINIQX
Page 200 and 201: 196 ALEXANDER THE GREAT. which he g
Page 202 and 203: 198 ALEXAXDER THE GREAT. such medic
Page 204 and 205: 200 ALEXANDER THE GREAT. fire to hi
Page 206 and 207: 202 DAVID'S LA~IENT FOR ABSALOM. R
Page 208 and 209: 204 T HE OYERLAXD ROUTE, 52. THE OV
Page 210 and 211: 20(3 THE OVERLAND ROUTE . to take h
Page 212 and 213: 208 THE RUBBER-TREES OF THE AMAZON.
Page 214 and 215: 210 TH E RUBBER-TREES OF THE AMAZON
Page 216 and 217: 21 2 USES OF FORESTS. con-t ra-ry i
Page 218 and 219: 214 USES OF FORE STS. its way to th
Page 220 and 221: 216 A FOREST H YMN. Amid th e cool
Page 222 and 223: 218 A FOREST HYMN. Report not ; no
Page 224 and 225: 220 THE NERVES AND THE BRAIN. 56. T
Page 226 and 227: 222 THE KERVES AND THE BRAIN. conve
Page 228 and 229: 224 TOUCH. has tou ched. This pow e
Page 230 and 231: 22 6 TASTE AND SMELL. sen-si-tive l
Page 232 and 233: 228 'fASTE AND S ~[ELL. which are o
Page 234 and 235: £30 THE EAlt. 3. Savage men also h
Page 238 and 239: 234 THE EYE. that the pupil changes
Page 240 and 241: 236 THE EYE. cloud ed in old age. T
Page 242 and 243: 238 L'ALLEGRO. 3. Come, and trip it
Page 244 and 245: 240 L' ALL EGRO. W ith stories told
Page 246 and 247: 242 l L PENSEROSO. Whose saintly vi
Page 248 and 249: 244 IL PE~SEROSO . Th e spiri t of
Page 250 and 251: 246 WOLSEY ON HIS FALL. WOLSEY ON H
Page 252 and 253: 248 WOLSEY ON HI S FALL. Th e king
Page 254 and 255: 250 JlIARK ANTONY·-S SPEECH. I spe
Page 256 and 257: 252 MARK ANTONY'S SPEECH. 9. Oh, no
Page 258 and 259: 254 TO A SKYLARK. 1. ' Yhat thou ar
Page 260 and 261: NOrl'InS AND MEANINGS 1 Sluggish, s
Page 262 and 263: 258 NOTES AND MEANINGS. 8. KAMTCHAT
Page 264 and 265: 260 NOTES AND MEANINGS. 18. THE 1 D
Page 266 and 267: 262 NOTES AND MEANINGS, 1 Atrocitie
Page 268 and 269: 264 NOTES AND MEANINGS. 35. ELEGY W
Page 270 and 271: 266 NOTES A~D MEANINGS. 44. CROSSmG
Page 272 and 273: 268 NOTES AXD ~EAXI XG S . 1 Penetr
Page 274 and 275: WORD-BUILDING AND DERIVATION. MEANI
Page 276 and 277: 272 WORD-B UILDI NG AND DERIVATION.
Page 278 and 279: 274 WORD-BUILDING AND DERIVATION. C
Page 280 and 281: 276 W ORD- BUILDING AND DERIVATlON.
Page 282 and 283: l!78 WORD-BUILDING AND DERIVATION.
Page 284 and 285: 280 GRAMMAR AND ANALYSIS. ANALYSIS
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282 GRAMMAR AND ANALYSIS. 2. THE CO
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284 GRAMMAR .AND ANALYSIS. 3. THE C
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286 FIG URES OF SPEECH. P ersonific
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288 FIGURES OF SPEECH. 1. Interroga
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