Korg Microkorg Owner's Manual - zZounds.com
Korg Microkorg Owner's Manual - zZounds.com
Korg Microkorg Owner's Manual - zZounds.com
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Editing the arpeggiator<br />
The structure of arpeggiator<br />
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Overview<br />
The microKORG's arpeggiator provides six arpeggio types. You can adjust the<br />
duration (gate time) and spacing of the notes played by the arpeggiator. The<br />
arpeggiator settings are adjusted by the ARPEG.A and ARPEG.B parameters.<br />
Each of the up to eight steps produced by the ARPEG.A and ARPEG.B settings can<br />
be switched on/off using the "step arpeggiator," for even more performance<br />
possibilities. (➝Refer to page 11 for more information about using the step<br />
arpeggiator.)<br />
Selecting the timbre(s) that will be played by the arpeggiator<br />
In a synth program that uses two timbres (Layer), you can select the timbre(s) that<br />
will be sounded by the arpeggiator. This is specified by ARPEG.B "TARGET<br />
TIMBRE" (knob 5 ). You can arpeggiate both timbres, or only timbre 1 or 2.<br />
Synchroning the rate of LFO 1/2 or the delay time of the delay<br />
effect to the arpeggiator tempo<br />
By synchronizing the LFO 1/2 rate to the tempo of the arpeggio, you can apply<br />
modulation that is synchronized to the tempo. You can also specify the time<br />
parameter of the delay effect to be a ratio of the tempo, so that the delay time will<br />
remain appropriate even if you change the tempo of the arpeggio. This is particularly<br />
convenient for live performances. (➝p.65)<br />
Since the microKORG's arpeggiator can be synchronized to an external MIDI<br />
sequencer, you can control the LFO 1/2 rate or the delay time from an external MIDI<br />
sequencer. (➝p.50)<br />
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