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Soton Equity and Trusts - alastairhudson.com

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Lord Browne-Wilkinson in Westdeutsche L<strong>and</strong>esbank v. Islington [1996] AC 669, [1996] 2<br />

All E.R. 961, 988 sought to set out the framework upon which the trust operates:-<br />

“THE RELEVANT PRINCIPLES OF TRUST LAW:<br />

(i) <strong>Equity</strong> operates on the conscience of the owner of the legal interest. In the case<br />

of a trust, the conscience of the legal owner requires him to carry out the purposes<br />

for which the property was vested in him (express or implied trust) or which the law<br />

imposes on him by reason of his unconscionable conduct (constructive trust).<br />

(ii) Since the equitable jurisdiction to enforce trusts depends upon the conscience of<br />

the holder of the legal interest being affected, he cannot be a trustee of the property<br />

if <strong>and</strong> so long as he is ignorant of the facts alleged to affect his conscience …<br />

(iii) In order to establish a trust there must be identifiable trust property …<br />

(iv) Once a trust is established, as from the date of its establishment the beneficiary<br />

has, in equity, a proprietary interest in the trust property, which proprietary interest<br />

will be enforceable in equity against any subsequent holder of the property (whether<br />

the original property or substituted property into which it can be traced) other than a<br />

purchaser for value of the legal interest without notice.”<br />

(I) How equity is like “cool jazz”<br />

Reading: Hudson, section 1.3.3, p.24<br />

In Time magazine (8 November 1954, ‘The Man on Cloud 5’), a review of The Dave Brubeck<br />

Five described their br<strong>and</strong> of “cool” jazz in the following terms:<br />

“It is tremendously <strong>com</strong>plex, but free. It flows along, improvising constantly but yet it<br />

is held together by a firm pattern. … The essence is the tension between<br />

improvisation <strong>and</strong> order; between freedom <strong>and</strong> discipline.”<br />

Miles Davis, Sketches of Spain, 1960<br />

Charlie Parker, ‘White Christmas’<br />

<strong>Equity</strong> is not “r<strong>and</strong>om” nor wilfully confused; instead it appears to improvise constantly while<br />

being held together by a firm pattern.<br />

(J) How learning equity is very like learning the English language<br />

Reading: Hudson, section 7.1.1, p.328<br />

The English language has an exception to almost every grammatical rule you learn. And yet it<br />

is made of a number of <strong>com</strong>plex idiomatic rules <strong>and</strong> principles:<br />

“It may look like this is an area of law which is entirely concerned with r<strong>and</strong>om<br />

decisions by judges on a case-by-case basis according to what they think is ‘fair’ or<br />

‘conscionable’, but in truth there is a very subtle underst<strong>and</strong>ing of how these various<br />

principles fit together, just like there is a very subtle underst<strong>and</strong>ing among the<br />

English-speaking peoples about how English grammar operates. … The English<br />

mind is therefore a mixture of strict rules <strong>and</strong> fluid principles.”<br />

13

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