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PLEASE DO NOT REMOVE CARDS OR SLIPS FROM THIS POCKET UNIVERSITY OF TORONTO LIBRARY ?03 TMM 191? C.I ROBA IPN
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i ! lilt
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THEORIES OF STYLE IN LITERATURE
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piV COPYRIGHT, 1907, BY THE MACMILL
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viii PREFACE prise all literature.
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X PREFACE cicnt free play of opinio
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xii PREFACE and Aristotle respectiv
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xiv BIBLIOGRAPHY 1 6. * BECKER, K.
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xvi BIBLIOGRAPHY 51. ELLWANGER, W.
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Xviii BIBLIOGRAPHY 88. LANSON, G. C
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XX BIBLIOGRAPHY 124. RALEIGH, W. St
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Xxii BIBLIOGRAPHY 157. WISEMAN, N.
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. Switzerland, THEORIES OF STYLE IN
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; that INTRODUCTION: WACKERNAGEL 3
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INTRODUCTION: WACKERNAGEL 5 that in
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INTRODUCTION: WACKERNAGEL / conscio
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INTRODUCTION: WACKERNAGEL 9 making
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: -ak, INTRODUCTION: WACKERNAGEL II
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i ,,f INTRODUCTION: WACKERNAGEL 13
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INTRODUCTION: WACKERNAGEL 15 betwee
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INTRODUCTION: WACKERNAGEL I/ and di
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The INTRODUCTION: WACKERNAGEL 19 th
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,-d. INTRODUCTION: WACKERNAGEL 21 e
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PLATO 23 n PLATO (B.C. 428-347) Fro
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PLATO 25 sweetest utterance. to tal
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PLATO 27 Soc. Is not rhetoric, take
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PLA TO 29 into the opposite of trut
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* PLATO 31 of Achelous and Soc. The
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PLATO 33 Phcrdr. True. Soc. The div
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PLATO 35 Soc. Yes; thank you for re
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i IM- PLATO 37 Soc. And suppose tha
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. was PLA TO 39 Soc. I conceive Per
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* him, PLATO 41 soul is persuaded b
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PLATO 43 concerned who are just and
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1 take PLATO 45 Soc. Enough appears
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PLATO 47 Phcedr. That is most true.
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. Show PLATO 49 Soc. And now, Phacd
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PLATO 51 or not ; and to Solon and
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. and rive ARISTOTLE 53 scientific
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ARISTOTLE 55 larly considered, and
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ARISTOTLE . 57 perform its proper f
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ARISTOTLE 59 rhetorical speech. Amo
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ARISTOTLE 6 1 pous for the subject,
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ARISTOTLE 63 result may be attained
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ARISTOTLE 65 want to express is des
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ARISTOTLE 67 comparison of the comm
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ARISTOTLE 69 should be properly ass
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ARISTOTLE J\ mode of treatment by n
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1 ARISTOTLE 73 carry the harshness
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M ARISTOTLE 75 definition of it. *
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ARISTOTLE JJ indefinite style and b
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ARISTOTLE 79 are connected together
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; i ARISTOTLE 8 1 the present treat
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,m ARISTOTLE 83 nians told them the
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i . ARISTOTLE 85 * Lycolcon in beha
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think, ARISTOTLE 8/ for in all thes
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ARISTOTLE 89 e.g. the remark that A
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ARISTOTLE 9 1 water dripping upon i
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. d orepideit ARISTOTLE 93 the nece
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ARISTOTLE 95 be mentioned several t
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LONGINUS 97 IV LONGIXUS On the Subl
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1 appearance LONGINUS 99 not is usu
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e LONGINUS IOI iy, where the natura
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LONGINUS IO3 their destruction was
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: LONGINUS 105 VII It is proper to
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at LONGINUS IO7 fecting, as we may
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: >tion LONGINUS 109 " A trumpet so
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: ]' n LONGINUS 1 1 1 which comes w
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LONGINUS 113 has observed to be act
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. between LONGJNUS 115 larly Demost
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: but he burns and sweeps away all
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LONGINUS 119 Homer, like a young ch
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LONGINUS 121 " With tail he lashes
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LONGINUS 123 " Off, off, I say I kn
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LONGINUS 125 above their misfortune
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. LONGINUS 127 their grandeur and b
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LONGINUS 129 XX But nothing is so c
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LONGINUS 131 Phocaea in Herodotus:
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' \'GfNUS 133 " There came forth He
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LONGINUS 135 xxvn Sometimes, again,
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LONGINUS 137 " burial is to be publ
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i one LONGINUS 139 Caecilius censur
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LONGINUS 14! the source of the rapi
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i . ritus LONGINUS 143 proper to an
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LONGINUS 145 passion; his mythical
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LONGINUS 147 masses of rock, and to
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LONGINUS 149 is recent so that it s
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. and LONGINUS 151 who stand by the
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LONGINUS 153 his arrangement than o
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LONGINUS 155 gold and silver plate
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Consider, LONGINUS 157 the tlame of
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LONGINUS 1 59 when the whole life o
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SWIFT l6l struct us in the business
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SWIFT 163 beatific vision, with a t
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SWIFT 165 And truly, as they say a
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SWIFT 167 one part of their congreg
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BUFFON 169 VI BUFFON (1707-1788) "D
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enter. BUFFON I/I and display their
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BUFFON 173 terruptions, pauses, sec
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BUFFON 175 Again, nothing is more o
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: but BUFFON 177 have trained and b
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BUFFON 179 1 For example, Voltaire,
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VOLTAIRE . l8l taught. They presupp
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VOLTAIRE 183 " I'm going to leave y
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VOLTAIRE 185 tints which even- writ
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VOLTAIRE IS/ It ought to read: will
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, VOLTAIRE 189 " Hercules was a phy
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VOLTAIRE IQI * This much of the art
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GOETHE 193 impartial study, thought
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: until, OOETHE 195 of the a b c's
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GOETHE 197 playing over the brillia
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COLERIDGE 199 IX SAMUEL TAYLOR COLE
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' COLERIDGE 2OI Ful looth were hym
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COLERIDGE 203 " Concerning Faith, t
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COLERIDGE 205 party; you may detect
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COLERIDGE 2O? verbal than Johnson's
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. ed ' D ' DE QUINCE Y 2OQ THOMAS D
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DE QUINCEY 211 Pagan Literature has
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DE QUINCEY 21$ Sophocles, it is not
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DE QUINCEY 21$ of space, that is in
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DE QUINCEY 21? Three great agencies
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DE QUINCEY 2ig what we arc now wish
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1 he DE QULVCEY 221 so grand, and b
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DE QUINCEY 223 and their own peculi
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Me DE QUINCEY 22$ effect a transiti
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, DE QUINCE Y 22J (" Let no one ent
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DE QUINCE Y 22$ and previous prepar
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DE QUINCE Y 231 dcncd by one word i
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DE QULVCEY 233 how composed, and ho
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DE QUINCEY 235 stage or hustings pu
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DE QUINCEY 237 Well might the poor
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DE QUINCE Y 239 sccnical poetry or
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ed DE QUINCE Y 241 of Radicalism, t
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) with DE QUINCE Y 243 wit, that th
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THOREAU 245 XI HENRY DAVID THOREAU
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: THOREAU 247 A perfectly healthy s
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TIIOREAU 249 record his day's exper
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1 < & SCIIOPENHA UER 2 5 I xn ARTHU
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long SCHOPENHA UER 2 5 3 they to do
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; truth; but SCHOPENHA UER 255 perf
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- ^ ' SCHOPEXIIA I 'ER c \press him
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SCHOPENHA UER 259 The same distinct
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SCHOPENHA L /.A 1 26 1 An obscure a
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' SCHOFEXHA UER 263 instance, what
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SCHOPENHAUER 265 holding a monologu
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SCHOPENHAUER 267 order, an
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SCHOPENHAUER 269 rupt oneself. But
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SPENCER 271 The doctrine of economy
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SPENCER 273 as they would be were t
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rm SPENCER 275 right choice and col
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' SPENCER 277 of ideas aids the eff
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SPENCER 279 backwards and forwards
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SPENCER 28l even though the mind sh
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SPENCER 283 And as these qualificat
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SPENCER 285 The general principle o
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SPENCER 287 style, as contrasted wi
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instructions SPENCER 289 \Ye came t
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SPENCER 291 special attitude intend
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SPENCER 293 Mutter'd to wretch by n
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SPENCER 295 to be understood from a
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SPENCER 297 image, the adjectives b
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SPENCER 299 " Richter says, in the
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SPENCER 301 hyperboles, and personi
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SPENCER 303 placed accent or a supe
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SPENCER 305 regain their full power
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SPENCER 307 a dents, que mes moycns
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SPENCER 309 to a desired conclusion
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SPENCER 311 same faculties, it will
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LEWES 313 The first editor of the F
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LEWES 315 by Style that writers gai
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LEWES 317 been the result of their
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'. n LEWES 319 to express himself i
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LEWES 321 No Style can be good that
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LEWES 323 (which unhappily was not
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LEWES 325 but in virtue of their co
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LEWES 327 sending forth his thought
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ecause LEWES 329 represented so as
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>mbincd LEWES 331 happy talent will
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LEWES 333 the machine, and to use i
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LEWES 335 by its retarding influenc
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LEWES 337 in one indivisible moment
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LEWES 339 the artist tells him when
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1 should LEWES 341 dramatist must h
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LEWES 343 my thought. Whereas, if i
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. But < rved LEWES 345 of that also
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LEWES 347 cause weak, there is no a
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LEWES 349 sistence, that the propos
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and without an echo of other voices
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LEWES 353 him in darkness, and when
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LEWES 355 richest jewels of Golcond
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: but, LEWES 357 disorder of nature
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LEWES 359 instead of several I have
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; can LEWES 361 even- phrase was a
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LEWES 363 'From DeQuinccy's essay o
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STEVENSON 365 It is path-breaking a
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STEVENSON 367 and ity, vigor: no hi
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STEVENSON 369 and then deftly evade
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STEVENSON 371 texture? I am tempted
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STEVENSON 373 and still persist in
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STEVENSON 375 the two patterns woul
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STEVENSON 377 fresh variety of move
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STEVENSON 379 upon assonance. The v
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STEVENSON 381 the current s is most
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STEVENSON 383 visable to taKe. But
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STEVENSON 385 1 In th Contemporary
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or, PATER 387 Pater's strenuous ins
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PA TER 389 somewhat diminished effe
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PATER 391 else than a transcriber;
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juin\. L*\**-V~~ . His is PATER 393
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not PATER 395 dictionary, and still
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'hat PATER 397 Different classes of
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PA TER 399 The elementary particles
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PATER 4OI surprises^ and afterthoug
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PATER 403 fire," people say, "has t
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PATER 405 " I am reading over again
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independent PA TER 407 to the reade
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PATER 409 Flaubert there was, below
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PATER 411 to the subjectivity, the
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PATER 413 'The distinction passes g
Page 443 and 444: BR UNE TIERE 4 1 5 ing for success
Page 445 and 446: BR UNE TIERE 4 1 7 them to account,
Page 447 and 448: the BRUNETIERE 4*9 deliberately, a
Page 449 and 450: BRUNET1ERE 4 21 Walloons or to litt
Page 451 and 452: I mind- BRUNETIERE 423 as George Sa
Page 453 and 454: BRL\\ 7 ETIERE 425 ***** De nobles
Page 455 and 456: BRUNETIERE 427 a body of hearers; a
Page 457 and 458: 'un- BRUNETI&RE 429 calls for too c
Page 459 and 460: BR UNETIERE 4 3 1 which should be a
Page 461 and 462: BRUXETIERE 433 nothing is more dang
Page 463 and 464: : that HARRISON 435 XVIII FREDERIC
Page 465 and 466: . says HARRISON 437 cricket can be
Page 467 and 468: HARRISON 439 " articles and smart r
Page 469 and 470: , an - 1/AKXISON 441 Mater is conce
Page 471 and 472: HARRISON 443 of this kind language,
Page 473 and 474: HARRISON 445 wrote correct Latin co
Page 475 and 476: 1 HARRISON 447 dimmed our respect f
Page 477 and 478: . it HARRISON 449 It is a good rule
Page 479 and 480: in 1 of . HARRISON 45 1 Read Voltai
Page 481 and 482: . 108, ' ' INDEX OF PROPER NAMES Ac
Page 483 and 484: , George, IXDKX 455 Dante, xxi, 4,
Page 485 and 486: . 283, . C. , E., ' . INDEX 457 Jou
Page 487 and 488: . 112, . Rhys, ' INDEX 459 Racine,
Page 489 and 490: Studies in Structure and Style Base
Page 491 and 492: ->urces i .c An Introduction to the
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