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58 THEORIES OF STYLE IN LITERATURE<br />

between the voice of *Theodorus and those of all<br />

the other<br />

actors; for, while his appears to be the speaker's own voice,<br />

theirs have the appearance of being assumed. But the decep-<br />

if words<br />

tion which we have in mew is successfully effected,<br />

are chosen from ordinary parlance and combined, as is<br />

practice of Euripides and indeed is the practice of which he<br />

was the first to set an example.<br />

Nouns and verbs being the component parts of the speech<br />

and the nouns being of all the various kinds which have been<br />

considered in my t treatise on Poetry, it is only<br />

Words. j r<br />

seldom and in few places that we must make<br />

use of {rare or foreign words, compound words or words<br />

specially invented jor the occasion. The question where<br />

they should be used we will discuss at a later time; the<br />

reason for using them but rarely has been already stated,<br />

viz. that they constitute too wide a departure from propriety.<br />

the<br />

It is<br />

only the ||<br />

proper and the special name<br />

of a thing and the metaphor that are suited to the style of<br />

prose composition. We may infer this from the fact that these<br />

alone are of universal use, as every one in conversation uses<br />

metaphors and the special or proper names of things.<br />

It is<br />

clear therefore that successful composition will have an air<br />

of novelty without betraying<br />

its art and a character of<br />

lucidity, and these, as we have seen,<br />

are the virtues of<br />

* Theodorus was a famous tragic actor, of whom a story is told in the<br />

Politics iv (vn), p. 129, 11. 8 sqq. [p. 220 of Welldon's Translation].<br />

f Poetic, ch. 21.<br />

fj<br />

t Although in the Poetic, ch. 21, p. 172, 1. 19, Aristotle says X^yw 5 ripiov<br />

y xp&vrai %KaTTa.v 5 < Zrepoi, it is clear that in the<br />

v<br />

Rhetoric he includes rare and obsolete as well as foreign words under the<br />

general term yXurrrai.<br />

That SiTrXa 6vbfjLO.ro. are "compound words" is clear from ch. 3 in init.,<br />

p. 1 1 6, 11. 4 sqq. Cp. Poetic, ch. 21, p. 172, 11. 11-14.<br />

||<br />

There seems to be practically no difference in meaning between "proper"<br />

and "special" names; they are the names employed in ordinary speech.

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