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—<br />
BOXOFFICE ;: August 2. 1976<br />
i<br />
KANSAS CITY<br />
JJovo Air Freight, which for so long has<br />
been identified with Exhibitors" Film<br />
Delivery, now has separated from EFD and<br />
occupies new quarters at Kansas City International<br />
Airport. John Romp continues<br />
to handle film business for Novo at 682<br />
Mexico City Ave.. Kansas City International<br />
Airport. Kansas City, Mo. 64153. The<br />
new telephone number is 243-5666.<br />
Women of Variety Tent 8 delivered a<br />
tantalizing entertainment package on behalf<br />
of charity recently. A busload of Filmrow<br />
revelers spent July 24 at the races at<br />
the Ak-Sar-Ben Racetrack in Omaha. According<br />
to those participating, the trip was<br />
immensely pleasurable. At the track, the<br />
Filmrow group could count several $50 to<br />
$100 winners among its members, as well<br />
as one $1,000 winner. Sharon Richeson,<br />
Midwest Films, was chairman of the event,<br />
and she deserves a special congratulation<br />
for a successful affair, along with Commonwealth's<br />
Ruby Schultz, who co-chaired the<br />
event. En route, several participants distinguished<br />
themselves above and beyond the<br />
call of duty: ad man John Rooker, who<br />
proved himself to be a crackerjack bartender;<br />
Columbia's balding (but lovable)<br />
Don Stidham, who led the marathon songfest<br />
on the trip back from Omaha, and Joe<br />
Vandola, acquaintance of Warner Bros.'<br />
Terry Gray, who emceed the entire affair<br />
with flair. Perhaps even more important<br />
than the good times is the fact that the<br />
promotion raised over $400 for the crippled<br />
children's charity fund.<br />
Carol Hobbs, 20th-Fox secretary, has a<br />
brand new silver and black Hornet automobile,<br />
the result of diligence, hard work<br />
and an end-of-the-model-year trade-in.<br />
Carol also reports that co-workers Sherry<br />
Hanzel and Beverly Brown could not<br />
scrounge up dates Friday night, July 23, so<br />
they wound up taking each other to the<br />
Beach Boys concert at Royals Stadium.<br />
Filmrow was hit July 26 by an activist<br />
environmentalist who apparently decided<br />
to start removing automobile pollution. By<br />
means of .skillful maneuvering, the "carsmasher"<br />
managed to bash in both the front<br />
and rear ends of David Darr's vehicle,<br />
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which was parked on Wyandotte near the<br />
Universal exchange. Damage to the Key<br />
International executive's car was estimated<br />
at $1,000 (very roughly), while the hitand-ruin<br />
driver escaped with (principally)<br />
a police citation. The collision expert had<br />
no liability insurance, of course. However.<br />
David takes the philosophical view that<br />
since the car was for sale anyway, he<br />
now is in an improved position to negotiate<br />
a really good deal with someone who<br />
would like to acquire transportation with<br />
an instant $1,000 markdown. Too, he is<br />
building closer relationship and improving<br />
communications with Filmrow secretaries,<br />
etc., who apparently cringe at the thought<br />
of David walking home in mid-90s temperatures.<br />
Forty years ago, according to the column<br />
by that name in the Kansas City Times<br />
July 26, the sizzlin' summer of '36 offered<br />
cool cinema entertainment. "Blonde Bombshell"<br />
Jean Harlow was appearing in "Suzy"<br />
at the Loew's Midland with co-stars Cary<br />
Grant and Franchot Tone. Shirley Temple<br />
was tap-dancing her way to fame and fortune<br />
in "Poor Little Rich Girl" at the Uptown.<br />
Out south the Plaza was featuring<br />
"Private Number" (for the "adult film"<br />
devotees, of course) with Robert Taylor<br />
and Loretta Young. At the Tower Theatre<br />
on 12th Street Robert Young and Betty<br />
Furness were clowning around in Damon<br />
Runyon's "Three Wise Guys." It's interesting<br />
to note that the latter couple had this<br />
lighthearted interlude, in view of the fact<br />
that they later moved on to serious endeavors,<br />
such as selling refrigerators and<br />
doctoring in a friendly, neighborly way.<br />
Screenings at Commonwealth: "Street<br />
People" (AIP). July 27, and "The Way He<br />
Was" (Key Int'l), July 28.<br />
Bob Maddox, Garnett, Kas.. exhibitor<br />
and full-time worm-herder, underwent an<br />
appendectomy three weeks ago but recuperated<br />
with such remarkable rapidity that<br />
he was visiting distributors last week on<br />
Filmrow . . . Jim Hanlon. Universal booker,<br />
is vacationing out of town this week.<br />
Paramount branch manager Mike Klein<br />
and sales representative Jerry Stella were<br />
in Chicago for a district sales meeting July<br />
Secretary Michelle Manners is<br />
20-21 . . .<br />
the midst of a two-week vacation, during<br />
in<br />
which time she intends to go no farther<br />
than the swimming pool.<br />
Lil Emert has joined Key International<br />
Films here as district manager's secretary,<br />
it was announced by David Darr, who holds<br />
that Key executive post in Kansas City.<br />
New to the motion picture industry. lil<br />
most recently worked as secretary to the<br />
president of a bank in Independenct, Kas.<br />
David says "she's really a beneficial addition<br />
to Key"—and besides he likes having<br />
someone around who's been on speaking<br />
terms with all that money!<br />
Chicago Celluoid Society<br />
Reels Rare Film Series<br />
(Continued from page C-1)<br />
in<br />
the next bunch through the door on the<br />
left."<br />
The evolution from Grace Lutheran<br />
Church to Facets auditorium began when<br />
the Lutheran congregation disbanded in<br />
1974 and the church building was rented<br />
out to various art, theatre and social groups.<br />
When the former pastor was reassigned<br />
to a parish in Florida, the building as a<br />
whole went up for rent. Facets beat out the<br />
struggling-to-regroup Lutherans and a Guru<br />
Maharaj-Ji transcendental meditation sect<br />
for the church. It includes a small screening<br />
room, office space and a large projection<br />
booth that doubles as a theatre rehearsal<br />
hall.<br />
Facets volunteers did all the remodeling<br />
work themselves, including disinfecting<br />
washrooms, repainting walls, building a<br />
movie screen and coating floors with a protective<br />
layer of polyurethane. "The people<br />
who sold it to us said we were crazy, that<br />
we'd all get asphyxiated and die," Stehlik<br />
laughed. But you don't kill off Facets Multimedia<br />
volunteers that easily.<br />
Somehow the church setting is appropriate<br />
for this bunch, who seem to run on inspiration,<br />
faith and dauntless determination.<br />
They understand all too well the expensive<br />
problems of running film series but never<br />
allow themselves to be intimidated.<br />
The new center opened officially Saturday,<br />
March 6, with a ribbon-cutting ceremony<br />
and a reception with the month's<br />
visiting filmmaker, the Czechoslovakian Jan<br />
Kadar.<br />
David Thompson of Niles<br />
Honored in Tradepaper<br />
CHICAGO—David Thompson, production<br />
manager of Fred A. Niles Communications<br />
Center's videotape division, is the<br />
subject of a profile in the June issue of<br />
Millimeter. He speaks for Niles as well as<br />
the industry in the special feature "Close-<br />
Up."<br />
Thompson foresees a lessening of the<br />
"West Coast Syndrome" and a rediscovery<br />
of Chicago film and videotape capabilities.<br />
"Being a film house first puts Niles in<br />
a viable position to corner a share of the<br />
commercial videotape production market,"<br />
he added. "We have the lights, sets, props<br />
all the film grip equipment here, and the<br />
people—lighting, audio, etc. We have a<br />
visible philosophy that really tries to incorporate<br />
the whole film experience into the<br />
videotape experience."<br />
Thompson is particularly proud of Niles'<br />
latest acquisition, a CDL PEC 120 Time<br />
Code editing system.<br />
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