11.12.2014 Views

Boxoffice-August.02.1976

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

I 1<br />

THE<br />

SOURCE<br />

FOR<br />

3 Dimensional<br />

Plastic<br />

Letters<br />

6 to 31<br />

The first word in<br />

DURABILITY<br />

DELIVERY<br />

DESIGN<br />

Rapid Change<br />

Letter Co.<br />

Affiliated with Sign Produc<br />

THE<br />

SOURCE<br />

FOR<br />

Acrylic<br />

Flat<br />

Letters<br />

Projection and Sound—<br />

Continued from page 20<br />

ists should watch this because if the lost<br />

motion is too much, they won't be able to<br />

set their shutters to get rid of any streaking.<br />

Lost motion should never be permitted to<br />

be more than 5/16 of an inch. If the ratio<br />

is higher, it is evidence that the mechanism<br />

needs a complete rebuilding job.<br />

Of course the gear train may not be altogether<br />

responsible for lost motion. Often it<br />

is due to worn bearings and other factors,<br />

but mostly it is due to worn gear teeth.<br />

The function of holding the film close<br />

the face of the takeup or feed sprockets is<br />

performed by sprocket teeth idlers (rollers).<br />

The distance of the rollers must be exact if<br />

film is to run smoothly. The distance from<br />

the face of the roller must be approximately<br />

one and one-half times the thickness of the<br />

film. In order to get this exact distance,<br />

place two thicknesses of film on the sprocket<br />

and adjust the roller bracket so that the<br />

roller is firm against the film. There is an<br />

adjusting screw for making this adjustment.<br />

The idler rollers should be adjusted so that<br />

the sprocket teeth will be in the center of<br />

the groove of the roller. Improperly adjusted<br />

idler rollers will cause film damage<br />

if the film jumps the sprocket. If rollers do<br />

not revolve freely, flat places will develop<br />

and rollers will not turn. Use a stiff-bristle<br />

tooth brush for cleaning rollers.<br />

Note: If the idler has been set too close<br />

to the sprocket face, it will pinch the film.<br />

It will then have a tendency to side-weave,<br />

causing the sprocket teeth to climb out of<br />

the sprocket holes in the film. If the roller<br />

is<br />

too far away, the same condition may be<br />

brought about, though for a different reason,<br />

resulting in the loss of one of the film<br />

loops. Proper adjustment of sprocket idlers<br />

is important.<br />

We strongly urge projectionists to make<br />

a thorough daily inspection of the entire path<br />

to<br />

KNEISLEY<br />

of the film through the mechanism between<br />

and including the upper and lower sprockets.<br />

In theatres where first-run films are<br />

used, inspection should be made several<br />

times during the day to make sure no deposit<br />

of the soft emulsion has accumulated<br />

at any point along the film path. A vast<br />

amount of film damage, in the form of<br />

scratches in the emulsion, is inflicted upon<br />

the film every day by these deposits if the<br />

projectionist neglects inspection frequently.<br />

In inspecting the film track, run your<br />

fingertips over each inch of flat space which<br />

the emulsion side of the film contacts, and<br />

examine the rollers and sprockets, too.<br />

Inspect Aperture Plate Tracks<br />

The aperture plate tracks or surfaces of<br />

the tension shoes (whichever the emulsion<br />

side of the film contacts) also should be<br />

carefully inspected when running new<br />

prints. Rollers should be checked to see<br />

there is no buildup of dirt or soft emulsion.<br />

It will pay off if you take time out and<br />

follow our advice when running new prints.<br />

Do not let leaders lay on the floor when<br />

making up programs.<br />

Alignment of the mechanisms and the<br />

soundhead on which it is fastened is very<br />

important because the soundtrack on the<br />

film must run in a perfectly straight line<br />

from the top sprocket down through the<br />

projector to the sound lens beam and not<br />

have any side sway. This means all the<br />

guide-rollers must be in line, running freely,<br />

and free of any dirt accumulations.<br />

If these instructions are followed carefully,<br />

you will obtain a perfect picture and<br />

good sound reproduction from any make of<br />

motion picture projector and sound system.<br />

Unused lengths of film lying around<br />

the booth can he patched onto the front of<br />

reels that arrive without leader or to<br />

leader that is<br />

has,<br />

unprojectionable.<br />

at prices you can afford:<br />

replace<br />

4" to 17<br />

Self-spacing panels that are<br />

Samples on request.<br />

EFFECTIVE<br />

ECONOMICAL<br />

EASY TO USE<br />

For complete<br />

information, please call immediately.<br />

213-747-6546<br />

1319 West 12th Place Los .Angeles, C A 90015<br />

• The "XENEX" LAMPHOUSE. Accommodates 1,000 through 4000<br />

Watt HORIZONTAL Xenon Lamps. WeU constructed, heat insulated<br />

housing. Complete rear instrument panel, lamp focusing control.<br />

Adjustable nose cone. Interlocked circuit precludes operation<br />

when doors are open. Automatic Ignition available. MODERATELY<br />

PRICED!<br />

• NOW AVAILABLE: XENON CONVERSIONS, with magnetic arc<br />

stabilization, for Ashcraft Lamphouses, nine Models of Strong Angular<br />

Ti'lm Lamphouses, Strong 1 KW., Strong Mogul, Peerless<br />

Magnarc. Brenkert Enarc. All, except Strong 1 K.W., utilize<br />

14" dichroic coated glass reflector. Strong 1 K.W. Conversion has<br />

11-3/8" silvered reflector. Special leads permit bulb rotation increasing<br />

life. Available in 1000 through 4000 watts, depending upon<br />

lamphouse.<br />

• MODERNIZE AND ECONOMIZE! Obtain greater screen illumination<br />

122,600 lumens with a 2000 watt lamp) and better screen coverage,<br />

with Xenon, at lower operating costs, Xenon versus carbon<br />

arc. No obligation.<br />

THE KNEISLEY ELECTRIC COMPANY, P.O. BOX 4692, TOLEDO, OHIO 43620<br />

The MODERN THEATRE SECTION

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!