Nothing Mat(t)ers: A Feminist Critique of Postmodernism
Nothing Mat(t)ers: A Feminist Critique of Postmodernism
Nothing Mat(t)ers: A Feminist Critique of Postmodernism
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4<br />
NEUTRALITY AND DE/MEANING<br />
Accordingly I shall now suppose, not that a true God, who as such must<br />
be supremely good and the fountain <strong>of</strong> truth, but that some malignant<br />
genius exceedingly powerful and cunning has devoted all his pow<strong>ers</strong> in<br />
the deceiving <strong>of</strong> me; I shall suppose that the sky, the earth, colors,<br />
shapes, sounds and all external things are illusions and impostures <strong>of</strong><br />
which this evil genius has availed himself for the abuse <strong>of</strong> my credulity;<br />
I shall consider myself as having no hands, no eyes, no flesh, no blood,<br />
nor any senses, but as falsely opining myself to possess all these things.<br />
Further, I shall obstinately p<strong>ers</strong>ist in this way <strong>of</strong> thinking; and even if,<br />
while so doing, it may not be within my power to arrive at the<br />
knowledge <strong>of</strong> any truth, there is one thing I have it in me to do, viz., to<br />
suspend judgment, refusing assent to what is false. Thereby, thanks to<br />
this resolved firmness <strong>of</strong> mind, I shall be effectively guarding myself<br />
against being imposed upon by this deceiver, no matter how powerful or<br />
how craftily deceptive he may be (Descartes: 1958, p. 181).<br />
Columbine, my charming wife, the Columbine in the portrait, was<br />
sleeping. She slept over there, in the big bed: I killed her. Why…. Ah,<br />
here is why! My gold, she filched; my best wine, she drank; my back,<br />
she beat, and hard, too: as for my forehead, she decorated it. A cuckold,<br />
yes, that’s what she made me, and exorbitantly, but what does that<br />
matter I killed her—because I felt like it, I am the master, what can<br />
anyone say To kill her, yes…that pleases me. But how shall I go about<br />
it… Of course, there’s the rope—pull it tight and blam! it’s done! yes,<br />
but then the tongue hanging out, the horrible face no—the knife or a<br />
sabre, a long sabre zap! in the heart…yes, but then the blood flows out<br />
in torrents, streaming.— Ugh! what a devil <strong>of</strong> a…. Poison a tiny little<br />
vial, quaff it and then…yes! then the cramps, the runs, the pains, the<br />
tortures, ah! how awful (it would be discovered, anyway). Of course,<br />
there’s the gun, bam! but bam! would be heard.—<strong>Nothing</strong>, I can think<br />
<strong>of</strong> nothing. (He paces gravely back and forth, deep in thought.<br />
By accident, he trips.) Ow! that hurts! (He strokes his foot). O<strong>of</strong>! that<br />
hurts! It’s not serious, it’s better already. (He keeps on stroking and<br />
tickling his foot). Ha! ha! that’s funny! Ha! Ha! No, it makes me laugh.