26.12.2014 Views

Nothing Mat(t)ers: A Feminist Critique of Postmodernism

Nothing Mat(t)ers: A Feminist Critique of Postmodernism

Nothing Mat(t)ers: A Feminist Critique of Postmodernism

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

20 NOTHING MAT(T)ERS<br />

“end <strong>of</strong> meaning” would be Sophie’s 27 choice. Wisdom is not manic, and the fateful,<br />

fatal law <strong>of</strong> eros is simply male ideology and not proto-feminist theory. In the postworld<br />

<strong>of</strong> male theories and conference circuits, the death <strong>of</strong> woman is the ticket to<br />

masculine redemption and resurrections; and such performances never acknowledge<br />

the death <strong>of</strong> women from male violences.<br />

At the centre <strong>of</strong> contemporary French and derivative social and political thought is<br />

a violent, oppositional and static model <strong>of</strong> consciousness. These theories <strong>of</strong><br />

subjectivity and power are inadequate because they have neither grasped nor<br />

admitted the nature <strong>of</strong> patriarchal ideology, or attended to the critiques from feminist<br />

theory. These theories <strong>of</strong> structure, subject and power are ideological. Reading them<br />

is torture: recalling that to torture originally meant to separate the mind from the<br />

body.<br />

This phenomenon, developed in France but labelled in North America, has been<br />

seen as creative, innovative, liberating and varied, as ambiguity opening up space. I<br />

suggest it is a new Napoleonic Code and can be und<strong>ers</strong>tood as a movement with<br />

specific paramet<strong>ers</strong>, common themes and ideologies relating to the historical context<br />

<strong>of</strong> masculinist orientations to form and matter. It is unexceptional, unoriginal and but<br />

for its hegemony, uninteresting. Therefore, I am criticizing these philosophies in an<br />

historical as well as a substantive way. I am attempting to evaluate whether<br />

postmodernism is the philosophy <strong>of</strong> the “prophets <strong>of</strong> prick and prattle” as Mary<br />

O’Brien maintains. 28 In fact, Jacques Lacan says:<br />

In other words—for the moment, I am not fucking, I am talking to you. Well!<br />

I can have exactly the same satisfaction as if I were fucking. That’s what it<br />

means. Indeed, it raises the question <strong>of</strong> whether in fact I am not fucking at this<br />

moment (1977, pp. 165–166).<br />

Their prophecy is the death <strong>of</strong> God; nevertheless, the law <strong>of</strong> postmodernism is Father<br />

Knows Best and the phallus is its symbol. Feminism is the Devil, staked out and<br />

variously pilloried as bourgeois deviation, biological determinism, foundationalism<br />

and essentialism. Accordingly, opposition to the ontological teleology <strong>of</strong> masculinist<br />

body and culture is sin and women’s autonomy lacks grace.<br />

I define poststructuralism/postmodernism as a neurotic symptom and scene <strong>of</strong><br />

repression <strong>of</strong> women’s claims for truth and justice. <strong>Postmodernism</strong> is the attempted<br />

masculine ir/rationalization <strong>of</strong> feminism. I prescribe a listening cure for this<br />

masculinity in extremis, this masculine liberal philosophy in totalitarian form.<br />

How can one recognize a PMS (postmodern/poststructuralist) man An individual<br />

27. Sophie’s Choice, a 1982 CBS Fox movie directed by Alan J.Paluka, where Sophie, played by<br />

Meryl Streep, chooses suicide and a manic depressive man over life with a boring, protective one. In<br />

other words, she chooses Dionysus over Apollo, postmodernism over the Enlightenment.<br />

28. Mary O’Brien, p<strong>ers</strong>onal discussion, 1982.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!