Nothing Mat(t)ers: A Feminist Critique of Postmodernism
Nothing Mat(t)ers: A Feminist Critique of Postmodernism
Nothing Mat(t)ers: A Feminist Critique of Postmodernism
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NOTHINGNESS AND DE/GENERATION 37<br />
recognizes women’s specificity—can challenge and resist fascist domination.<br />
Katharine Burdekin’s anti-fascist dystopia, Swastika Night, (1940) treats the<br />
“Reduction <strong>of</strong> Women” to breeding animals who will not resist rape as central to this<br />
political ideology (Patai: 1984a). Women are allowed to participate in the “Holy<br />
Mystery <strong>of</strong> Maleness” (1940, p. 9) by bearing children, yet birth is something which<br />
defiles men and is transcended by a second birth into the fascist polity.<br />
<strong>Nothing</strong> matt<strong>ers</strong> to both Lévi-Strauss and Sartre. <strong>Nothing</strong> is generative in these ex<br />
nihilo epistemologies. What really matt<strong>ers</strong> is why these patriarchal think<strong>ers</strong> are<br />
searching for matrices <strong>of</strong> history, transcendence and matrimony, yet they spurn<br />
matter. 9 <strong>Mat</strong>rix, from mater, womb, is something within which something else<br />
originates or develops. Why does it matter If matter is “a subject under<br />
consideration,” “a source especially <strong>of</strong> feeling or emotion,” and especially, a<br />
“condition affecting a p<strong>ers</strong>on or thing, usually unfavourably” 10<br />
In contrast to this ad nihilo teleology, recent feminist p<strong>ers</strong>pectives on temporality<br />
shift from the masculinist death-determined future to a birth-determined one. This is<br />
the case for Forman (1989), O’Brien (1989a), and Irigaray (1984), although Irigaray<br />
uses the metaphors <strong>of</strong> procreativity only to introduce an amorous heterosexual<br />
ethical birth. Her ethics <strong>of</strong> sexual difference remain within the patriarchal chain<br />
which signifies womb as crypt. Frieda Forman’s work on women’s time<br />
consciousness exposes the specific masculinity <strong>of</strong> Heidegger’s Being-Toward-Death.<br />
She brings to light the ways in which “for us the future as generative is as much a<br />
condition <strong>of</strong> our lives as is our mortality…. As a collective, women do not only live<br />
in time (from birth to death), they also give time and that act makes a radical<br />
difference to Being-in-the-World” (1989, p. 7, italics in original). In “Periods,” Mary<br />
O’Brien argues that “The birth <strong>of</strong> a child is the cord which links and breaks and<br />
reconstitutes the integrity <strong>of</strong> history and nature, <strong>of</strong> linear time and cyclical time.<br />
These are not two different time modes but the dialectic vitality <strong>of</strong> human existence”<br />
(1989a, pp. 15–16). I am arguing that what is needed is not “feminist”<br />
postmodernism, but feminist thoughts on energy, matter and relativity that do not<br />
lead to annihilation.<br />
In “Resolute Anticipation: Heidegger and Beckett,” (1989b) Mary O’Brien uses<br />
Samuel Beckett’s Waiting for Godot as a dramatization <strong>of</strong> Heidegger’s Being and<br />
Time. Heidegger raised the question <strong>of</strong> Being as the forgotten issue in philosophy.<br />
O’Brien does not follow the philosopher into his cave <strong>of</strong> transcendental Being and<br />
everyday being. Rather, she is concerned with the ontological and existential<br />
presuppositions <strong>of</strong> a male Dasein. She argues “there can be no authenticity for a he-<br />
Dasein who does not recognize that temporality is a continuous species experience<br />
grounded actively and materially in birth processes, and not the passivity <strong>of</strong> simply<br />
9. A <strong>Feminist</strong> Dictionary defines mater: “Mother. The root ma plus the suffix -ter yield mater, a very<br />
old linguistic form which is among the earliest words we can reconstruct historically. Its cognates<br />
are found across the Indo-European languages and include in English ‘mother’, ‘mama’, ‘matriarch’,<br />
‘maternal’, ‘material’, ‘matrix’, and ‘matter’. The centrality <strong>of</strong> these worlds is one kind <strong>of</strong> evidence<br />
for the view that a matrilineal Indo-European culture and ‘mother-tongue’ antedate the patriarchal<br />
culture <strong>of</strong> more recent history” (Kramarae: 1985, p. 260).<br />
10. Webster’s New Collegiate Dictionary, Springfield, Mass.: G. & C. Merriam Co., 1979, p. 703.